The notoriously racist BBC have recently run interviews with avant-garde artists, rehashing CIA frontman Clement Greenburg’s ideas – of avant-garde as kitsch modernism. This 2 dimensional logic – of thesis and antithesis of modernism and post modernism, without the historical synthesis of the avant-garde only serves to obscure the cultural force of art today – and bring together the avant-garde and the occult, all the while denying both.

This shutting down and denial of consciousness – is nothing new and reminds us of the proto-fascist Futurist theories of 4 dimensional painting, shutting down consciousness into 3 spatial and 1 temporal dimension using mystical notions of intuition and genius – precisely at the point when capitalism itself was under threat during the First World War. It’s no surprise then that other London avant-gardes were on Radio 4 recently equating Communism with Fascism in support the European state’s celebration of the proto-fascist Futurists centenary – evidence
that the only future for ruling class culture is back up its own anal passage that is signified by its 1 dimensional history.

And for an example of something which has even less dimensions, think of the upcoming promotion of the Post-Futurists who equate Communism with a singularity!
The 0 dimensional singularity is of course a euphemism for God in European scientific circles – the moment of the big bang of divine creation that is the aim of the scientists search at CERN -as it has been for centuries. To equate this with Communism reveals a deep seated Eurocentrism.

The only creator is the worker and this creation – and of course Communism – is not a definitive point fixed in space and time but it a constant unfolding and opening of space time and value – by the Revolutionary Proletariat which expands its activities through 3 dimensions of space, 3 dimensions of time and 3 dimensions of
logic – and beyond, onwards to ever expanding relations and perspectives of the workers.

IT IS THE END OF THE AGE OF DIVINITY