Archive for the ‘drugs’ Category

Weasel coffee – made from beans eaten and shat out by wild weasels!

Wednesday, February 29th, 2012

Pho is a small chain of family owned Vietnamese cafes. They have 5 branches in London and one in Brighton (UK). There are two branches in the west end, one in Clerkenwell, and one apiece in the Westfield shopping centres in Shepherds Bush and Stratford E15. Their food is both good and modestly priced but it was only recently that I noticed they sold weasel coffee for £5.95 a cup. This struck me as cheap for the world’s ‘most expensive’ coffee – since I remembered reading newspaper articles a few years back about how the brasserie at the Peter Jones department store in London’s Sloane Square was selling a single cup of this rare brew  for £50 (US $79.00) a cup.

Pho offered the following description of the coffee in their menu: “For the more adventurous try one of the rarest coffees in the world exclusive to Pho in the UK – Chon Ca Phe aka Weasel coffee. This coffee is eaten, digested and then passed by Vietnamese weasels – a process that dramatically enhances the flavour of the deliciously tasty roasted beans! Served with or without condensed milk.”

I talked to a waitress about the coffee and she said that although a lot of people expressed interest in it and wanted to ask her questions about it, not so many actually ordered and drank it. What put people off it seems is the fact that after the weasels ate the beans they then passed through their digestive tract. A weasel eats the berries for their fleshy pulp. In its stomach proteolytic enzymes seep into the beans, making shorter peptides and more free amino acids. Passing through weasel’s intestines the beans are then defecated, keeping their shape. After gathering, thorough washing, sun drying, light roasting and brewing, these beans yield an aromatic coffee with much less bitterness than other types. Weasel coffee is widely reputed to be the most expensive in the world – with prices reaching as much as $160 per pound.

I’ll try almost anything once as long as it doesn’t entail cruelty – and my understanding was the shat out coffee beans were recovered from the poo of wild – or at least free range – weasels. At Pho the coffee came in a filter cup and I had to wait for the hot water to pass through the filter before drinking it. Since I usually drink espresso I didn’t bother adding the condensed milk that came separately. The coffee was reasonably strong and definitely less bitter than I’m used to. To make a comparison with whiskies, the weasel coffee was like a smooth Speyside – whereas the  espresso I make at home is more like a smokey and fiery Islay. And yes you guessed right, Islay and not Speyside is my whiskey of choice. I don’t want a smooth whiskey or coffee, I like the kick of Islay and bitter espresso.

So I’ll leave Chon Ca Phe to those who are grooved by Speyside whiskey – the world’s rarest and most expensive coffee is not for me! And can anyone tell me whether a reassuringly expensive £50 cup of weasel coffee is any better than one that costs £5.95 from Pho?

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

10 Greatest Anti-Art Suicides (Before Mike Kelly)

Thursday, February 2nd, 2012

The news that LA art scenester Mike Kelly just topped himself led me to wonder whether in ten years time he’d make anyone’s list of best ever anti-art suicides. Was his death a resolute ‘NO’ to capitalist exploitation? Or was it as tedious and pathetic as the suicide of Kurt Cobain? I’ll leave you to judge that one and give you instead my top 10 suicides. Since Kelly founded the bands Destroy All Monsters (who I saw in London in the late-seventies after he’d left the group) and Poetics (with John Miller and Tony Oursler), I’m including musicians in this alongside those involved in more visual and literary forms of anti-art.

1. Ray Johnson – a pop and correspondence anti-artist. Ray makes number one in my list because although I never met him, I did have a very minor correspondence with Johnson about 25 years ago. So there’s a small personal connection and we all know nepotism rules in the art and anti-art world. ‘New York’s most famous unknown artist’ drowned himself off Long Island in 1995 – some say it was a final work of performance art.

2. Ann Quin – a 1960s British experimental novelist who did many things before and better than her now more famous contemporary B. S. Johnson (he topped himself by slitting his wrists while lying in a warm bath shortly after Quin’s summer 1973 death). Although Quinn’s first novel Berg (1964) made an impact, by the time she drowned herself, her critical stock had dwindled. Like Ray Johnson, she swam out to sea – but into the English Channel from Brighton’s Palace Pier, rather than the North Atlantic.

3. Arthur Cravan – was a dadaist who specialised in boasting and reinventing himself. Among other stunts, he fought world boxing champion Jack Johnson drunk, and was quickly knocked out. In 1918 Cravan disappeared sailing a boat in the Pacific Ocean off the coast of Mexico and is presumed to have drowned. His rather ambiguous suicide set the tone for the deaths of later artists such as Bas Jan Ader (who was lost at sea in the North Atlantic in 1975). For me death at sea is the best way to go (it’s oceanic), but having given you three of these I’ll move on to lesser forms of suicide.

4. Donny Hathaway  – is probably best known for his duets with Roberta Flack but his solo work constitutes some of the classiest soul made in the 1970s. Despite success as a singer and songwriter, Hathaway demonstrated to the likes of Herman Brood that the best way to end it all is by throwing yourself into the street from the glittering heights of an exclusive hotel. In Hathaway’s case this was from floor 15 of the Essex House Hotel in New York. Hathaway appears to have been suffering from schizophrenia before his death. His funeral was conducted by the Reverend Jesse Jackson.

5. Jacques Vaché – was a friend of Andre Breton and thus French surrealism’s most famous suicide. He didn’t really do much but maintain an attitude of indifference and disdain towards the world. Vaché killed himself by taking an overdose of opium, and thus blazed a trail for punk rockers like Darby Crash of Los Angeles band The Germs (who deliberately took an overdose of heroin in 1980).

6. Graham Bond – was in at the start of the British blues boom of the 1960s, but he is inevitably included here because he appeared in Gonks Go Beat, an unbelievably bad British movie that Mike Kelly saw on late-night TV somewhere and wanted to see again because he couldn’t quite believe what he’d been viewing. Via a mutual friend I was asked if I could help Kelly locate this item (this was before it was reissued on DVD). I found a bootleg version and passed on the information about where and how to buy it. Returning to Bond, his career basically spiralled downhill from the late-sixties onwards with this decline fuelled by drink, drugs and involvement in the occult. I picked up a typical story about Bond looking for money when I interviewed one time New English Library (NEL) editor Laurence James back in the 1990s, although I don’t seem to have included it in the published version of my conversation. Bond turned up at the NEL offices one day demanding money because somehow a photograph of him had found its way into a Hells Angels magazine published by the company (who’d thought this was a picture of a hells angel and had not realised it was in fact an image of a musician). Bond pretended to be outraged and claimed this mishap would ruin his public reputation. James gave Bond a few quid and the musician went away a happy man because he’d scored enough money to buy whatever drugs he needed that day. In 1974 Bond did the decent thing and jumped in front of a tube train at Finsbury Park Station in north London.

7. Herman Brood – is well known for songs like 1978′s Rock & Roll Junkie (which includes the line: “and when I do my suicide for you I hope you miss me too…”). in later life this Dutch rocker swapped pop excess for a career as a not particularly interesting painter. Sick from prolonged drug use and unable to kick his habit, in 2001 Brood leapt to his death from the rooftop of the Amsterdam Hilton Hotel. When I heard about this the first thought that popped into my head was that I’d thought Brood’s leather jeans looked ugly and uncool when I’ d seen him perform with his band Wild Romance in London in the late-seventies.

8. Adrian Borland – is someone I almost have a personal connection to, since he knew a number of my friends. In the late-eighties I spotted Borland posing outside a London rock venue. He was once in a seriously obscure band called Rat Poison (with a friend of mine in fact) although he later falsely claimed his first group was The Outsiders. As far as I’m aware Rat Poison only ever played one gig at New Malden Town Hall (in south west London). When I came across Borland he was obviously waiting to be recognised, and he gave me a huge smile as I walked over to him. “I know you!” I said before pausing dramatically. “You was in Rat Poison!” Borland’s jaw dropped, he’d lost his rock star composure but eventually managed to blurt: “I’m Adrian Borland. I’ve gone solo now but I used to be in The Sound.” “Never heard of ‘em mate!” I shot back before stomping off leaving my victim completely bemused. When Borland ended it all by jumping in front of a train in 1999 I wasn’t surprised – he seemed to have been in the rock business for the wrong reasons. He was more interested in fame than music and that was bound to result in him becoming very frustrated. Of course, Borland only makes this list because I like to flatter myself I made a small contribution towards his death!

9. Wendy O. Williams  – was the singer in the dire American hardcore punk/metal band The Plasmatics. I always liked the idea of Williams far more than the music her band made. She’d started her career in the entertainment business by performing in sex shows, and never really moved away from that since she was usually topless on stage. Frustrated at her inability to break into the mainstream, in 1998 Williams went into the woods near her home and blew her brains out with a gun.

10. Guy Debord – this lettriste and situationist claimed that he wrote less than most writers but drank more than most drinkers. Little surprise then that in 1994 Debord shot himself because he could no longer bear the pain of the illnesses brought on by his excessive consumption of alcohol. Debord only limps in at number 10 because a more interesting dadaist suicide appears to be a completely fictional character. Julien Torma allegedly wandered ill-clad into the Tyrolian mountains at the age of 30 to end it all, and was never seen again. I like to laugh along with Torma’s aphorism: “Perfection is mediocrity. Only excess is beautiful.” Debord by way of contrast, seems to have taken this absurd joke seriously.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

“Baron’s Court, All Change” by Terry Taylor reissued at last!

Friday, December 2nd, 2011

If you’ve checked out the main part of this site you will probably already know that I consider Baron’s Court, All Change by Terry Taylor to be one of the greatest drugs and youth culture novels of all time. Therefore I’m very proud to have written the introduction to a fiftieth anniversary reissue of the book. For my old take on the importance of this novel in relation to the emergence of mod and the counterculture see the piece I posted on 14 February 2007. My introduction to the new edition starts like this:

“Many novels are forgotten and more or less disappear from circulation. The majority of books to suffer this fate more than deserve it. A handful of them are classics and eventually find their way to wide circulation. One of the most famous examples of this is Les Chants de Maldoror by Comte de Lautréamont, which made little impact upon publication but became a canonical example of modernist literature after being rediscovered and championed by the surrealists. Baron’s Court, All Change by Terry Taylor is a very different type of lost classic. It created a bigger splash upon publication than Maldoror, but by the late-sixties had faded from view and most people’s memories. It provides an accurate account of the drug subculture in London at the end of the fifties. The realism and hep talk of Baron’s Court shocked many readers when it first appeared in 1961, but would have raised far fewer eyebrows in the aftermath of the summer of love. That said, it is only more recently that it has become possible to appreciate its historical significance…”

Since if you’ve any sense at all you’ll want to read Baron’s Court, there’s absolutely no point in my reproducing the whole of my introduction here! You can read it all in the reissue and you’re unlikely to lay your mits on anything else – because the original sixties hardback and paperback editions have been near impossible to get for years. The reissue is available to UK residents for £8.00 by cheque from the publisher: Ross Bradshaw, Five Leaves Publications, PO Box 8786, Nottingham, NG1 9AW: or for £9.99 by credit card at  http://tinyurl.com/taylor-barons. It will soon also be in bookshops and on Amazon. If you want to order from outside the UK, you may do best to use www.bookdepository.co.uk – since they don’t charge postage. Baron’s Court, All Change was republished on 11 November 2011. It’s a stone-to-the-bone mod classic!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

From Paradise Row To A Rock & Roll Toilet

Sunday, November 20th, 2011

On Thursday (17 November 2011) I went to the opening of Margarita Gluzberg’s Avenue Des Gobelins. She seems to do a solo exhibition with her London gallery Paradise Row more or less annually. For 2011 her focus is photography – last time around she was showing paintings and before that drawings of pugilists. In Avenue Des Gobelins Gluzberg projects slides and video onto graphite paper, thereby referencing drawing – which lies at the heart of her multidisciplinary practice – in the way she presents her photographic and film work.

Gluzberg is also exhibiting platinum prints – the most expensive photographic developing process – featuring similar subject matter to her projections. The images are double and sometimes triple exposures of shots of expensive department stores. This exploration of the display of luxury goods very consciously draws out parallels with various modes of museum exhibition and interpretation; it is therefore implicitly critical of both consumerism and the institution of art. Gluzberg’s opening was busy and there was an after party at Chinawhite – a one time haunt of celebrities whose idea of living dangerously was to frequent a nightclub named after a specific type of heroin.

I didn’t make it to Chinawhite. Instead I headed to The 12 Bar – a rock and roll dive on Denmark Street – where I heard a set of tunes that thirty plus years ago were regularly described as ‘love songs for objects’ (and within which heroin addiction forms the central subject matter). Former Hearthbreakers’ bassist Billy Rath was playing a bunch of songs mostly written by his old group’s front-man Johnny Thunders. He had with him a pick-up band consisting of Chris Low on drums and Nuno Viriato on guitar. As far as I can recall, I’d last seen Rath play as part of Iggy Pop’s backing group at The Lyceum in London’s Strand back in 1979. Rath had disappeared from public view in 1985, only to re-emerge on the music scene a few years ago  – having done both rehab and university (psychology at graduate level and post-grad in theology) in a ‘lost weekend’ that went on for more than two decades.

Among the select crowd present the arrival onstage of Billy Rath’s Street Pirates was greeted with rapturous applause. The band started with Pipeline, the tune that opened Johnny Thunders’ solo album So Alone. The Street Pirates were rough and ready but had the right chemistry to rock out. They ran through a half-a-dozen or so familiar songs – some of them twice – including Pirate Love, Born To Lose, Chinese Rocks and Do You Wanna Dance. The audience were ecstatic. A Spanish punkette in tightly fitting cropped shorts, black stockings, knee high books, and a Sex Pistols shirt, got up on the tiny stage and spread her legs wide across the boards, before proceeding to make amateur erotic dance moves.

Billy Rath lost his left foot in a car accident some time ago and now has a prosthetic leg. It’s a real effort for him to stand upright while wielding a heavy bass guitar onstage – he needs both hands to play so he can’t use his walking stick. The Spanish punkette clearly didn’t know this and arched over backwards with her legs spread to grab Billy’s right calf with both hands – she then mimed sucking Rath’s dick with her face beneath his crotch. Billy accepted the situation and treated it with good humor, but the girl didn’t want to let go of him. I was amazed and impressed Rath managed to stay upright. Afterwards people were laughing about this and imagining the Euro punkette’s shock if she’d grabbed Billy’s other calf and discovered that like story book pirates, Rath had a false leg!

I left The 12 Bar with a grin on my face and confident that I’d made the right choice in ducking out of the Chinawhite party. That said, I was left wondering what kind of work Margarita Gluzberg might make about Billy Rath and other members of The Heartbreakers…. A series of drawings of these notorious New York degenerates would be every bit as powerful as her wonderful pugilists. And just in case you don’t know, both Johnny Thunders and Heartbreakers drummer Jerry Nolan died in the early 1990s; while according to Wikipedia lead guitarist Walter Lure now works on Wall Street (presumably as a stockbroker).

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!