Archive for the ‘economics’ Category

More good news: Starbucks closes down!

Sunday, November 18th, 2012

Walking down Great Ormond Street into Lamb’s Conduit Street in central London a few days ago I noticed that the Starbucks which used to be on the corner of these two roads had shut down. I haven’t yet been able to get any kind of ‘official’ confirmation as to why it closed down – and when I last checked about an hour ago Starbucks still listed it as open on their corporate website.  A celebratory tweet of 26 October from The Lamb Bookshop is the earliest evidence of the shut down I could find from a quick online search:

“Oh my gosh, Starbucks has closed on Lamb’s Conduit Street! We are now a completely indie high street!!!!”

The Jonestown London Blog (2 November) contains the following information about the short term future use of the empty property (but gives no reasons for the Starbucks closure):

“Organised with the help of Darkroom, property consultants Farebrother and Cube PR… the panel are calling out for retailers, curators and designers to send in proposals for a pop-up store, opening December 5th and closing on January 2nd, 2013.

The winner will get the space for FREE – at Lamb’s Conduit Street’s busiest time of year. FOR REALSIES.

No.70 is a huge corner site – the old Starbucks unit – weighing in at 895 square feet (with 684 square feet of storage). A white shell – it’ll be up to the winner to make it as loopy and inviting as they can. Plus, it’s opposite The Lamb, so it’ll be full of boozy Christmas shoppers – perfect selling conditions.”

The only Google review of the closed Starbucks on Lamb’s Conduit Street had this to say about it: “Overall: Poor to fair. Liked: Value. Disliked: Food, Service, Atmosphere.” Which pretty much sums up any Starbucks, although given the coffee is rubbish it is difficult to see how it could be good value. Bad food and bad coffee are over-priced even when they’re nominally ‘cheap’.

Following the tweet trail backwards I noticed that another central London Starbucks on Exmouth Market had closed recently too. Drew Benvie tweets on 18 October:

“Anyone know why Starbucks shut down its Exmouth Market cafe? I’ve never seen a Starbucks close down, and on such a prime street.”

Benvie received this reply from Neil Young (77):

“I happened to go in on the day they closed — they just said for ‘business reasons’. Too much good coffee in immediate vicinity?”

Gresham’s Law states that “bad money drives out good” – but when it comes to cafes it now seems that the reverse might also be true, and that good coffee can indeed drive out bad coffee even when corporate outlets attempt to saturate all of London with their unwanted branding. The Starbucks corporate website currently lists the Exmouth Market branch as closed, but they’re still either behind or not being honest about their Lamb’s Conduit Street operation having shut down: possibly because there were widely reported protests against it opening back in 2006.

In 2009 Starbucks reported a £47 million pound trading loss on its UK operations in the previous year and shut some London outlets saying that the closures would continue into 2010. It seems the shut downs are being rolled over all the way into 2012 and beyond. Let’s hope this trend contiunes until there are no branches of Starbucks to be found anywhere in London!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

The End Of Cinema?

Thursday, September 13th, 2012

The ongoing transformation of human social organisation is reflected in the transformation of cultural forms. This is, of course, why the lettrists announced back in the early 1950s that: “the cinema too must be destroyed!” Right now movies look pretty superannuated in comparison to gaming and social media. Even Hollywood bores like Brad Pitt are admitting there is no way they are going to get the kind of upfront salaries they did in the past. However, Pitt is wrong when he claims the economic crisis alone is responsible for doing-in Hollywood. Downloading and file sharing are games changers as much for film as for music. The revenue streams generated by cinema have changed and weakened, just as they have for music and books. While ongoing economic turmoil may have added to these pressures, the changes were coming anyway. Today badly shot mobile phone footage of inconsequential acts in public space go viral on YouTube and Hollywood can’t compete with this. If this isn’t the end of cinema then it is at least a chance to reinvent it – burn, Hollywood, burn!

If we’re not yet witnessed the end of cinema, we will in due course. As Amadeo Bordiga put it: “…in the fog of the depths off Nantacket, in the dark of the walled tomb of the living in Marcinelle, in the bitterness of the slime of the stagnant ponds of the Arabian Desert, while the forces of the Revolution seem to be hiding and Great Capital carouses in the bright sunlight, we have again found, at his inexhaustible work, the Old Mole who undermines the curse of the infamous social forms, who prepares for the not near, but most certain, destructive explosion.”

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Shards Of The Spectacle

Friday, July 6th, 2012

For no particularly good reason I decided to head down to The Millennium Bridge in central London to watch tonight’s supposedly spectacular light show to launch The Shard: the just completed tallest building in Europe, and one that allegedly contains apartments for sale at £50 million (although that is probably just hype). On The Millennium Bridge I found myself blinded by the lights not from The Shard’s lasers but the flash photography of the crowd around me. Oddly more people were taking pictures before the lights went on than after the show began….

Both The Millennium Bridge and The Embankment below were packed when I arrived just before the laser ‘spectacular’ kicked off; but once the event got underway the crowd quickly thinned. Revelers were underwhelmed by the spectacle and I heard people josh that “it was Shardly worth coming” and that “I’d have had a better evening drinking Chardonnay in front of the telly…” It seems the light spectacle itself was created for the cameras, not for those who came out to watch it on the night. Right now London is suffering from spectacle fatigue, but perhaps the footage might look moderately interesting to an insomniac YouTube fanatic a dozen years from now…. Whereas most of those who came to see the event live were so bored they left well before the show concluded.

And for an encore could we have the final and absolute collapse of capitalism? That said, can we actually trust the Barclays Capital analysts who six months ago claimed to have established an unhealthy connection between the world’s tallest buildings and every financial crisis over the past 140 years?

NB The Shard light show ran for about an hour from 10.15pm on 5 July, whereas this blog was posted a little after midnight so it is datelined 6 July.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

The sinful nuns of St Valentine meet the Marquis de Sade at the Borders closing down ‘sale’….

Sunday, December 13th, 2009

Watching capitalist corporations fail is a groove sensation, and it takes me right back to everything from the three day week to the ‘winter of discontent’ in the 1970s. All those who love power cuts will recall that the mid-1970s was a real peak for this type of fun in London. As a long-term fan of this great anti-tradition, you can’t keep me out of shops that are closing down. The last 12 months has been a real bonanza for entertainments of this type: first there was the closure of Woolworths, then there was Zavvi, now there is Borders (UK)! Okay, so the flagship Borders store in Oxford Street has already gone, but the sense of chaos and anti-climax in the still just hanging-on-by-a-thread Charing Cross Road branch really gives me the horn. The stock is in disarray, with books and DVDs spilling off half-empty shelves, the toilets (for me what was once the main attraction in the shop) are closed, and there are mugs and other breakable crap – rather than bestsellers – at the front of the shop. The place looks like the set for a disaster movie, which is why for as long as it remains open I’ll continue to goof around in this wrecked ‘retail’ space…

That said, now Borders is closing I only go for the ambiance (rather than ‘Toilet Love’), and to laugh at those buying goods that after being marked up to more than twice their market value are currently being sold at between 20% and 50% ‘discount’. One of the things that caused me to chuckle on the ground floor of Borders while I was enjoying the chaos there on Friday was a display of Redemption DVDs. These were priced at £7.99 minus 30% discount (i.e. £5.60), and there were some Eurosleaze classics among them including a whole bunch of Jean Rollin lesbian vampire movies… But you can buy many of these on Amazon Market Place for around £4 (including postage), or if you can’t wait for them to arrive by mail, all the titles in Borders and many more are sold in Lovejoys a couple of minutes walk down Charing Cross Road at £6.99 each or 2 for £12 (i.e. £6 each when you buy two – not greatly more than the Borders sale price). Likewise I’ve seen these Redemption titles around in secondhand shops at about £3. Which means, of course,  that even in the Borders sale, these items (like most of their discounted stock) still pan out as being more expensive than picking them up elsewhere. So don’t bother with the sale, just dig the collapse…. or go in dressed in an over-sized coat….

And talking of Redemption, I read a truly bizarre story by Lucy Tobin about this company in The Evening Standard on Thursday 10 December, entitled Film firm that made Koo a star collapses: “The cult movie empire whose back catalogue includes the risqué films of Prince Andrew’s former lover Koo Stark has collapsed into administration. Redemption Films, based in Wigmore Street, Soho, was set up by Nigel Wingrove, Britain’s answer to Hustler publisher Larry Flynt. Administrators were called in today at the distributor of gothic horror movies, whose past titles range from Sinful Nuns Of St Valentine to Ms Stark’s cult 1977 hit The Marquis De Sade’s Justine….”

There is a lot of misinformation to unpack in this story, but let’s start with the headline, since Redemption Films did not make Koo Stark a star. Redemption was set up in the 1990s and Stark became a minor starlet on the back of a couple of mid-seventies movies -  Emily (1976) and Cruel Passion AKA De Sade’s Justine (1977) – and then briefly a media celebrity in the 1980s when she dated inbred British royal brat Prince Andrew (“The Duke of York”). All Redemption did was acquire some of Stark’s back catalogue as a film actress and issue it on VHS tape and then DVD long after she’d become a household name in the UK.

Likewise, I find the idea of Redemption being a soft porn ‘empire’ on the same scale as Larry Flynt’s American Hustler operation risible (it is about on a par with suggesting that ‘Boris Johnson is Britain’s answer to Barack Obama’). During the 1990s my friend Nik Houghton worked for Nigel Wingrove and I went into their office on the odd occasion; at that time the business consisted of Wingrove and his part-time assistant Nik in a moderately sized room. Wingrove’s operation may have grown a bit since then, and it has definitely moved to a slightly more upmarket address, but it is still closer to a cult-film one-man band than a porn empire! However, as ever with The Standard, the point of the piece seems to be to pack in as much gossip as possible, rather than to report news. Therefore it should surprise no one that Wingrove’s professional involvement with Georgina Baillie – ‘the granddaughter of Andrew Sachs who was at the centre of the Jonathan Ross and Russell Brand telephone scandal’ – gets a passing mention too.

For anyone who has looked into the ways cult films and music are milked for profits, I’d see Redemption going into administration as business as usual within this sector of the culture industry. Cult means niche and there are usually very few buyers for operations in really specialist areas like Oi! music or Eurosleaze films; therefore a businessman (or woman) who knows their way around one of these ‘cult’ areas will often run their limited liability company into bankruptcy while paying themselves a hefty salary. This is a way of writing off debts, because the ‘former’ owner can buy up the assets of the concern they’ve deliberately run down for less than a song: they use another company they’ve set up for this purpose and then proceed to do the same thing again, and again, and again! And what’s more, given that we live in a capitalist society, this is more or less legal! It is precisely the sort of thing so called ‘wealth generators’ do for ‘a living’ and illustrates why businessmen and bankers should not be allowed to reward themselves with anything above an average workers’ wage, let alone ‘bonuses’. I don’t know if this is how Nigel Wingrove operates, but I am familiar with other individuals working in the cult sector of the culture industry who do business this way.

If Wingrove was planning to write off his debts by buying himself out, The Standard story could be bad news for him, since it might stir up interest from other ‘wealth generators’. That said, Wingrove is also a film-maker himself, so perhaps he just wants out…. Moving on, if you believe what you read in The Standard, you may well have been hoaxed into thinking I wrote the Belle de Jour blog and books, so it isn’t exactly surprising their Nigel Wingrove and Redemption Films story is so inaccurate!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!