Archive for the ‘Julia Callan-Thompson’ Category

Gustav Regler, The Owl of Minerva, Ruth Forster & Julia Callan-Thompson

Saturday, April 11th, 2009

In late 1961 my mother – Julia Callan-Thompson – moved across London from a one room bedist at 101 Barnsbury Street N1 (Islington) to a two room pad on the top floor at 24 Bassett Road W10 (off Ladbroke Grove).  Both the basement flats beneath her at 24 Bassett Road had interesting occupants. In one was the Trinidadian drummer Russ Henderson who led the first steel band to play on the streets of London, and later had a hand in setting up what became known as the Notting Hill Carnival. In the other was a refugee from Nazism called Ruth Forster, who I’ve been told was a Jewish bookseller and a member (or a former member) of the Communist Party. Forster apparently threw extraordinary parties and among the many amazing people my mother allegedly met in her basement flat over the coming months and years, another former Communist Party member called Gustav Regler made perhaps the greatest impression. If my mother did indeed meet Regler, then this must have been in either late 1961 or sometime in 1962, since he died in New Delhi in January 1963.

Regler was a confused man from a German Catholic background. He was born in 1898 and wrote many books, the overwhelming majority of which have never been translated into English. A World War I hero of sorts, he travelled to Berlin in 1919 to join the right-wing militias. After serving the cause of reaction in the German capitol, Regler moved on to Munich where he abortively involved himself in defending the Bavarian Soviets, but the revolution was viciously snuffed out. Next a good marriage resulted in Regler becoming a wealthy businessman. However, feeling oppressed, he abandoned his wife and young son to become an impoverished writer. A committed Stalinist by the time the Nazis ascended to power, Regler became a German exile in Paris from where he very actively participated in the anti-fascist struggle. Regler later claimed that visits to Moscow led to his disenchantment with Bolshevism in the mid-thirties, although this didn’t prevent him from assuming a position of authority within the Stalinist controlled International Brigade in Spain.

During the Spanish civil war Regler befriended the American novelist Ernest Hemmingway and appears to have held himself aloof from the acts of sabotage carried out against the Republican cause by some of his Bolshevik comrades. Regler didn’t actually break with Stalinism until after Franco’s fascist triumph in Spain and the forging of the Nazi-Soviet Pact. Following internment in a French concentration camp and then a period of exile in Mexico, he returned to Europe in 1957. All of this is recorded in his autobiography The Owl of Minerva. Ruth Forster is mentioned in passing towards the end of this book as the girlfriend of Walter, a former German artillery officer with progressive political views, who was imprisoned in France with Regler. Part of a letter Forster sent to Walter is reproduced in The Owl of Minerva and Regler makes it clear that she’d taken part in the underground resistance to Nazism in Germany and had been imprisoned for these activities in 1937. How she got away from Germany isn’t recorded. The text of her letter does, however, reveal that she was greatly enamoured by the poetry of Rilke.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes no sense!

Phil Green & the lost world of London’s beatnik hipsters

Friday, April 3rd, 2009

It has long been a cliché to say that history is written by the victors, but in terms of the London counterculture it would be far more accurate to state that to date accounts of this scene have largely been composed by the squares; individuals who failed to penetrate the truly hip inner circles because they are too straight to know about them.  Since I started researching my mother’s life, I have come across a massive amount of material that was missing from histories of the period. The most amazing oversight is without doubt the Victor James Kapur acid manufacturing bust (my mother’s friend Detta Whybrow persuaded the chemist to make the LSD, and organised its distribution in London); fortunately after I turned Andy Roberts onto newspaper accounts of the court case, he did further research and included it in his book Albion Dreaming (2008).

Many beatnik faces are still overlooked in histories of the sixties because publishers and television producers think all anyone wants to hear about is the rather less sophisticated hippie scene. Likewise, the real hipsters were rather less interested in publicising their activities than interlopers like Steve Abrams. In this blog I’m going to look briefly at 1960s west London beatnik face Phil Green, who – in tandem with Alex Trocchi – made an early stab at translating French Situationist texts into English. That said, while Trocchi’s French contacts liked to drink wine and smoke a bit of weed, these London hipsters were more into smack; and this is as true of Phil Green as anyone else.

On 12 March 1962 The Times carried the headline ‘Drug Charges After Raid On Café’ above an article that mentioned Green among others, then on 26 March 1962 the same paper followed this up with ‘C.N.D. Supporters Given Drugs’, concluding on 26 April with a news story entirely devoted to Phil Green entitled ‘Youth’s Beard A Part Of Façade’. Philip John Green then aged twenty was one of ten men and women arrested for their involvement with a ‘drug ring’ centred on The Peace Café in Fulham Road, Chelsea. At the time Green worked at this establishment as a chef. He pleaded guilty to possession of Indian hemp and twenty grains of opium, as well as ‘hubble bubble pipes’ used for opium smoking.

Green’s defence lawyer said that there was no question of him being ‘a conduit pipe for this stuff or a distributor of it’. The Magistrate assented it did rather look as though everyone was experimenting together. Green was told he’d been caught in possession of a substantial amount of opium, and it was a serious matter, requiring a full medical report. He had his hair cut and trimmed his beard, and upon his return to court for sentencing was given two years probation. The beak told Green: “You have got to get a regular job. Set your sights a little higher than the kitchen and try to trim your appearance to the job. I think you are capable of doing it, having been to a public school.”

Despite assuring the law he’d mend his ways, Green had no intention of doing so. He just wanted to stay free. Jamie Wadhawan caught him on camera at Alex Trocchi’s Arts Lab event of 13 April 1969 in the documentary Cain’s Film; and one of the women present at the event told me recently that Green promised he’d come off junk if she’d sleep with him, but she politely declined the offer. I’m also told, by other sources who likewise wish to remain anonymous, that during this period Green specialised in doing over chemists to support his drug habit. However, after coming out from a spell in Pentonville Prison he met and married a millionairess who hoped to reform him; and moved to Amsterdam with her.

That said, Green kept up his more important London contacts after he left the city. Nina Trott who squatted in the flat above my mother and her common-law husband Bruno de Galzain in Tottenham Court Road in 1975/6 told me: “An old junkie friend of Julie and Bruno called Phil Green came over from Amsterdam and stayed for a while.” While another squatter from a few doors down added: “I remember meeting Phil Green at Julie’s flat, with Bruno, sometime in 1976.  Phil was a photographer and a smackhead.”

Since my mother Julia Callan-Thompson died in 1979, I haven’t attempted to follow Green’s evolution from that point on. However, I’ve been led to believe he is now dead. Further anecdotes about Green, particularly if they relate to his involvements with my mother and/or Trocchi, are of course very welcome in the comments below.

Jeff Nuttall in Bomb Culture (Paladin, London 1970, page 181) mentions Phil(ip) Green by name and provides a sketch of the scene he belonged to. After mentioning the appearance by William Burroughs and Alex Trocchi at the Edinburgh International Writers conference and dating this as 1963, Nuttal continues:  “Together he (Burroughs) and Trocchi moved down to London. In London they became the pivot round which a number of people revolved – Charles Hatcher, Tom Telfer, McGrath, Philip Green, myself. They were not, however, the beginning of the Underground in England. Towards the end of the great days of Aldermaston certain of the whackier and younger CND followers had gathered in the Peace Cafe in Fulham Road, eventually closed through notoriety for drugs, and formed a cultural nucleus that looked mainly towards America and the Beats for its model. Prominent figures to emerge from this group were Dave Gunliffe, Lee Harwood, Ian Vine, Neil Oram, Spike Hawkins, Miles and, most important, Mike Horovitz and Pete Brown…”

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Grainger & Trina, 2 Ladbroke Grove hipsters of the 1960s…

Wednesday, March 18th, 2009

Two names that come up frequently when I’m looking at the real hip scene of the 1960s are Malcolm Drake AKA Grainger and Trina Simmonds. Their names even appear from time to time in print but to date the semi-official historians of the London counterculture have singularly failed to get to grips with what they and their scene were all about.

Alan Semple, who knew Trina Simmonds in the early sixties, told me that before she met Grainger she’d been partnered up with another London streetwalker called Kay, and that this pair were as likely to roll johns as do the business with them. Indeed, they’d steal anything of value punters were foolish enough to let them lay their hands on, and the items they filched ranged from money and cheque books to booze. Semple met Trina and Kay in 1961 when they stopped his car late at night on Kensington Church Street. They asked him if he had a bottle opener and when he replied he had one at home, the two flat-backers got into his motor so that he could drive them to his pad. Together they drank the wine Trina and Kay had swiped from a drunken john, swapped life-stories and became friends. Semple told David Seabrook the same story I got from him, and the recently deceased true crime journalist incorporated it as background material into his book Jack Of Jumps; but Seabrook didn’t supply Trina’s surname and apparently didn’t know it, and as a result he seems to have missed her walk on role in media coverage of the later Gail Benson murder too. As far as I can ascertain, Trina was born on 31 December 1941.

Other people, and in particular ex-junkies who’d rather not be identified, know considerably more about Grainger and Trina than Semple (who was only acquainted with Trina before she met Grainger). These sources say Grainger studied pharmacology at a northern university, but didn’t complete the course. After working on the dodgems in a seaside fun fair in the summer of 1961, he moved down to London from Bradford. Grainger discovered pot in London in the autumn of 1961. He smoked reefer and took amphetamines until mid-1962, when he graduated to junk. Grainger wrote a lot of poetry in the early sixties but didn’t succeed in getting anything published. He wanted to be a professional writer. He fathered a son in either very late 1961, or early 1962 (no later than the spring) but no one I’ve been able to dig up knows what happened to the child, or the mother’s name. It has been suggested that I may be Grainger’s boy; while this strikes me as possible, I view it as improbable. My mother’s on-off relationship with Grainger, who she was living with when she died in 1979, appears to date back to at least the mid-sixties; but I’ve never been able to ascertain whether it began as early as 1960 or 1961. By the time Grainger’s love child was born (as I’ve said, possibly me), he was dating Liz Cook – she was then a drama student and later became Brian Barritt’s lover.

According to my anonymous sources, Grainger and Trina met through the junk scene in 1963, at a chemist’s shop, or alternatively in a doctor’s waiting room. They were both registered users. Trina had a pad in Queensway when Grainger first knew her. Kay disappeared soon after Grainger and Trina became an item. Grainger dabbled with acid in the mid-sixties, and settled in the Grove at that time, but even in the nineteen-seventies he was still working with the insights and assumptions that came from the earlier beatnik scene. He was not a full on acid head or hippie, he was formed by the beat traditions of junk and bebop. He adapted to countercultural changes but in the hippie era was an elder. When he was first in London, Grainger talked up the work of writers like Trocchi and Burroughs but didn’t know them personally then. He got close to Trocch, and heavily involved in his drug dealing scene, after meeting Trina in 1963.

Some of this can be confirmed by chasing up drug stories carried by the British press in the early sixties. Grainger suffered what looks like his first bust in the spring of 1962 which led to the headline ’5 Idle Chelsea Men Had Hemp’ in The Times of 24 April that year. This story describes Grainger as 22 years-old and unemployed. Busted alongside him were his flat-mates Robert Osbourne Morgan, John Beaumont, Charles Terrence Westwood and Selwyn Paul Eva. After he was informed that Grainger aspired to being a poet, the magistrate announced: “That is a nice job for the evenings and getting up in the morning to see the sun rise.” The beak was not impressed with the defendants ‘long hair’ and seems to have viewed them all as worse than work-shy, ranting after reading a report on Beaumont: “…your philosophy is that work has to be avoided at all costs. You have almost a religious faith in being able to exist without earning any money…” The court case apparently caused a sensation at the time, with Grainger and his friends being dubbed ‘the kids who couldn’t give a damn’ by the tabloid press (which was, of course, only too happy to pay them for their story).

There are reports of a second bust in the summer, which graced The Times under the headlines ‘Premises Dens of Iniquity’ (6 August 1962), ‘Indian Hemp Youth Gets Six Months’ (11 August 1962) and ‘Probation for Girl In Drug Case’ (18 August 1962). Subheadings to these stories included: ’11 Men and a Woman on Drug Charge’, ‘Syringes Found’ and ‘For a Bit of a Kick’. Most of those busted lived at the time in bedsits in Regents Park Road, including Grainger and Robert Osbourne Morgan. Like Morgan, John Beaumont who earlier in the year had been busted with Grainger in Chelsea, was up before the beak on a repeat offence; this time he’s listed as being of no fixed address. Grainger was sentenced to three months in jail. After this he apparently felt little inclination to compose poetry, telling acquaintances that he lived poetically and therefore thought it best if lesser talents were left to write it.

Fast forwarding into the 1970s, Grainger and Trina arrived at Michael X’s Trinidadian commune in November 1971 and left roughly one week after the murder of Gale Benson who died on 2 January 1972. It isn’t entirely clear whether or not Grainger and Trina knew about this homicide prior to the discovery of Benson’s decomposed body; among other things, there is an ambiguous passage on pages 93 to 94 of Charlie and Mike Phillips’ literary and photographic memoir Notting Hill In The Sixties that might be taken as intimating they did. Benson was the privileged daughter of a former British Tory MP, she dug the black power message and somehow got herself killed. Her death generated headlines and among the more lurid of them was ‘Two Loves Of Black Power Girl’ which graced the front page of The Sunday People on 27 February 1972. This article claimed Benson had been a heroin addict and was in love with both Hakim Jamal and Michael X. Benson provided exactly the type of horror story reactionary journalists loved, since despite a privileged upbringing and society wedding, she’d wound up dead after immersing herself in the hippie and black power scenes.

Most commentators ignored the claim made in the Sunday People that Benson was a heroin addict, and instead their credulity was revealed when they portrayed Grainger and Trina as naive hippies, or even a writer and his girlfriend, rather than a pimp and prostitute who had a perhaps undeserved reputation as ruthless junkie survivors. Indeed, early press coverage of the murder, such as ‘Trinidad Death Victim May Have Been Buried Alive’ in The Times of 29 February 1972, report local police as being concerned to discover the whereabouts of Grainger and Trina who are described as a missing English man and woman. Grainger is (mis)identified as Mr Granger, while Trina appears under her married name of Mrs Pashley.

Trina is said to have been a frequent companion of the murdered woman, and the inference in early press reports (before she’d been located back in London) is that the authorities were worried about her and Grainger’s safety and well-being, since they too might have been killed. While Trina in particular was apparently deeply shocked, shaken and upset by Benson’s murder, she and Grainger concealed their feelings in court, where they claimed to have seen nothing untoward during their stay at the commune. Of course, court statements along these lines are exactly what one would expect from such junkie survivors regardless of what they actually did or did not see; the trial was widely reported in the British press and it was imperative that their peers did not perceive them to be grasses, since this would have made their lives difficult and Grainger’s activities as a drug dealer untenable, thereby cutting off a major source of their income. Grainger and Trina’s perception of the commune when they were resident there may have been exactly as reported in court; on the other hand, Trina’s apparently hysterical outbursts to acquaintances upon their return to London might be taken to indicate this was not the case.

Denis Browne who knew Grainger and Trina in the early 1980s told me in 2002:

“Grainger’s favourite saying: “I’m a healer not a dealer.” I scored off Grainger for years up until my last bust in 1984. I’ve had no contact with him since then. Grainger and Trina feature quite a bit in a late seventies biography of Michael X. The main “message from Alex” they took to Trinidad was an once of smack. For the commune hospital, of course. Even among serious junkies G and T were regarded as a pretty ruthless pair of survivors. Grainger could be a total bastard, especially when he took speed, but was generally okay with me – I had a bit of extra cred, having been introduced by Alex Trocchi and found Grainger great company on a good day – a sharp, no bullshit kinda guy. Rare among long-term junkies. Trina was just like Fay from Cain’s Book (Trocchi’s autobiographical novel) – a totally ruthless junkie who’d “suck the last fix out of your arm” – she generated an endless series of hustles, scams, rip-offs and marathon psychodramas round at their place – a poky thirties council flat in Elephant and Castle when I knew them – which tended to spoil things.

“I didn’t know Grainger in the days when he roamed the Grove in a hooded purple cape, but I do remember him talking to me about your mother. What I can recall is that he was incredibly cut up about her death and seemed to feel a lot of guilt and self hate about what had happened – this would have been about 81/82 – a few years after her death. Grainger was a fair bit older than most of us who’d hang out round their place. I reckon he’d be in his mid-sixties now.

“Grainger was from Leeds and definitely had the hard-bitten Yorkie vibe about him. Wiry/wired kind of guy, small beaky nose and hooded eyes gave tortoise-like impression. He’d often seem somnolent in group situations but his mind would be blazing all the time. When the speed/Trina paranoias weren’t in full effect and if you could get him on his own, he could be great company. Alex Trocchi wouldn’t hear a word against him.

“The time when he rapped about your mum came about because I got frozen in round at his flat one particularly cold Xmas (81?82?) for about three days. Trina had gone back to her folks in Gateshead after a real spectacular: suitcase over the balcony when Grainger found she’d nicked a load of his private stash of diamorphine amps.

“In one account of his early days he said he’d trained or qualified as a pharmacist before the sixties kicked in During another long session he told me how he’d been part of a wild traveller gang who travelled around the North, vaguely connected with putting on funfairs etc., “I lived like a fucking animal” he recalled with no pride. Then he’d discovered first acid and then smack – in the days when GPs were able to prescribe class A’s and things were a bit of a free-for-all. A golden age of junk – when I got into smack a few years later – when the regime had changed from heroin maintenance to methadone reduction – we felt really pissed off and cheated that we’d missed out on the ‘good times’, I’m sure most of the Trocchi stories in circulation come from this time. It might help explain the vibe around in your mother’s time when some fairly hardcore drug use really wasn’t considered that outré

“If I had to try to liken Grainger to someone you’re familiar with I’d tentatively suggest John Lennon. Similar mix of contradiction maybe. I was reading something last night about Lennon’s drunken arsehole in LA period in the mid-seventies – and how generally given he was to drunken destructiveness – compared to the received image of the guy. Grainger had the same kind of caustic vibe as Lennon. “I’m a healer not a dealer” could almost be a Lennon lyric. Another favourite Grainger saying: when declining to give someone gear on tick – as experienced by yours truly – “No-one wants to pay for drugs they’ve already taken.” Hard but one of the truest things I’ve ever heard…”

I’m told by those that knew Grainger in the sixties that the Michael X episode changed him dramatically and very much for the worse. Likewise, the same sources tell me Grainger and Trina were only very loosely together for much of the seventies, and lived in separate pads for extended periods. In the very early seventies there was a sex scene going on with Grainger, two girls, one dark, one blonde, and a black guy. The fair girl may have been my mother Julia Callan-Thompson. Grainger and Trina only got back together on a full time basis after my mother’s death.

There are a number of stories in circulation about my mother’s death, and these vary from the claim that she was murdered by an obsessed john to the less sensational suggestion that she died from an accidental heroin overdose. Only the latter rumour need concern us here, since Grainger features prominently in it. The story runs as follows.

In the late-seventies my mother was having a down period. However, at the very end of her life she got a job in a clip joint. The manager had employed her before but was wary of her smack habit, so she’d had to convince him she was clean in order to get the job. Since it isn’t easy to land a hostess job at the age of 35, my mother really felt she was on the up again. She had just done cold turkey in the US, but once she was back in the UK with Grainger, she wanted hits to help her relax after she finished work. Grainger made these up from his personal stash, and although Julie was living with him as his common-law wife, he charged her for the gear. He told friends he exaggerated the size of the hits he was giving my mother, because lying to her about this kept her straight enough to do her clip joint job (it also meant Grainger had both more money and more junk).

On the night my mother died, Grainger had sold a lot of gear and used all that was left over himself. Therefore there wasn’t a shot for my mother when she got in from work. Desperate for a fix, my mother went and scored street heroin from Brian Barritt. She bought the equivalent of what she thought she’d been getting from Grainger, not knowing he’d exaggerated the size of the hits he’d been giving her. She shot up before going to bed. My mother woke Grainger in the night to tell him she couldn’t breath and needed help. He told her to go back to sleep, which is what he did. When Grainger woke up in the morning my mother was dead in bed beside him because she’d overdosed. Grainger proceeded to clean up the flat, removing all needles and other signs of drug use. When he called on his near neighbour Brian Barritt, he was visibly upset and in a panic. Grainger had broken up with Trina to get back together with my mother, and since he loved her, he was completely cut up by her death – for which he felt he was in some ways responsible.

Without some form of corroboration, it is impossible to know whether or not there is any truth to the story I’ve just related. Regardless, since Grainger may be able to throw some light on my mother’s death, I am keen to collect further information about him; and if he is still alive to speak to him. I can’t find any west London hipsters who have seen Grainger since 1986; five years ago I called several times at a flat in south London where I believed Grainger was living, but the man resident in the property wouldn’t answer the door and it is now occupied by someone else. Although my mother had many lovers, ultimately only two were really significant to her, Grainger was one and Bruno de Galzain the other. And to wrap up, while Brian Barritt can be contacted easily enough, he has to date refused to speak to me about my mother and her death. If you have anecdotes about Grainger and Trina, you can – of course – add them to this by leaving a comment.

Addendum: On 22 February 2010 I received an email from someone Grainger and Trina befriended during the post-Ladbroke Grove phase of their lives. It included the following: “Grainger died in February 2000. He had contracted Hepatitis C many years previously no doubt as a result of very liberal heroin use in the 60′s and 70′s. I think he was unaware that he had it until early 1999 when he fell seriously ill with cirrhosis of the liver. I went to his funeral in Elephant & Castle. Trina has moved to Newcastle upon Tyne and is living with her mother.”

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

MySpace, Power Pop & Julia Callan-Thompson

Saturday, March 14th, 2009

While bringing you this blog I haven’t entirely forgotten about the main part of my site, to which this is – of course – just a back end. And over there you get pictures too, whereas this part is all text.  Aside from tidying up bits and pieces on the main part of the site, I’ve also been adding new pages. But if you wanna comment on these new pieces you’ll have to do so below, since the main site consists of static pages.

On MySpace (I also put this out as an “ediffusion” pamphlet a week or so ago):

<http://www.stewarthomesociety.org/praxis/myspace.htm>

On why late-seventies power pop was superior to punk slop:

<http://www.stewarthomesociety.org/praxis/powerpop.htm>

On the death of my mother Julia Callan-Thompson and the botched investigation into it by the old bill:

<http://www.stewarthomesociety.org/praxis/dead.htm>

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Ray “The Cat” Jones again…

Thursday, March 12th, 2009

My post of 24 January 2009 about career criminal Ray “The Cat” Jones caused a flurry of interest. I got a couple of messages saying Ray was dead, and further confirmation of this in a comment added to that blog yesterday:  “Ray died in 2001, just so you know.” Likewise, Neil Milkins told me: “I have made some enquiries with a nephew of Ray, Michael O’Dowd of Nantyglo. (Ray was his mother’s brother.) He said Ray died of cancer in London about 7 years ago.” To clarify my own distant relative status with the greatest cat burglar of all time, Ray’s mother was an older sister of my maternal grandfather David Callaghan (AKA Dai Callan), and my mother – Julia Callan-Thompson – was named after this particular aunt.

Moving on, Ray “The Cat” Jones appears as ‘Taffy Raymond’ in the autobiography of the old school heavy Eric Mason. After flashing up the name of Peter Scott, Mason gives an account of Jones loosing heavily in a Notting Hill spieler and then slipping out with his criminal accomplice George “Tatters” Catham to do a quick robbery. Upon their return Jones and Catham negotiated the price of a jewel with the governor of the spieler before resuming their places at the gaming table. South London gangster Mad Frankie Fraser tells a similar tale about Billy Benstead, and as a lead in to this story mentions that Tatters Chatham and Ray Jones numbered among the other leading cat-burglars who were also degenerate gamblers. As noted in my previous Jones blog, Fraser also cites the unaided escape Ray made from Pentonville as one of the greatest prison breakouts of all time;  Mad Frankie says Jones broke both legs going over the wall and still managed to get away. Elsewhere, Fraser makes a passing reference  to cat-burglar Raymond Jones having a brother known within the London underworld as Taffy Jones. But since Ray was lumbered with this appellation by Cockney villains, it may be that Mad Frankie is getting confused. In my experience Fraser and his ghost writer are not 100 percent reliable as sources.

Towards the end of his life,  Ray garnered a certain amount of newspaper attention as a kind of aftermath to  Peter “The Human Fly” Scott publishing his autobiography Gentleman Thief:  Recollections of a Cat Burglar (1995). Scott had been a small time tea leaf until Ray introduced him to major league larceny and the support network that is essential to the headline grabbing criminal. Scott incensed Jones by using his book to claim sole credit for stealing movie star Sophia Loren’s jewels when she was filming at Elstree in 1960.

In the late nineteen-nineties and using a spokesman called Michael Morgan, Jones ran a campaign to get the public to demand that the police arrest him for this 1960 burglary. Jones asserted there had been a cover-up and that the authorities wouldn’t charge him with stealing Loren’s jewels because he’d paid corrupt police officers twelve thousand pounds for information that enabled him to secure the haul. It has even been claimed that because the police knew Jones had been wrongly jailed for another burglary, they decided not arrest him for this particular theft.

Ray claimed to have nicked sixty million pounds worth of goods during his life-of-crime. Like many other underworld figures, Jones and Scott seem to have constantly bigged up their own importance. That said, Jones was an ‘honest’ working-class criminal, not a middle-class slimeball like Scott, so while Ray may have on occasion bent the truth, what he had to say is considerably more reliable than the rot on offer in Gentleman Thief.

According to gangster Albert Donoghue, Loren’s valuable gems were fenced by George Mizel whose Hatton Garden jewellery repair business was a front for this type of activity; however, many London villains active back then believe that upon examination the Loren ‘treasures’ turned out to be paste copies, and not the valuable originals. The same sources add that fortunately Jones and Scott had also lifted this Italian sex siren’s smalls and they did terrific business flogging off her underwear. Peter Scott certainly enjoyed targeting female film stars and he readily admits he got a sexual thrill from riffling through their possessions and stealing their knickers; so this tale about Loren’s paste jewels and stolen underwear is credible albeit unproven. Regardless of its truth or falsity, it certainly makes a good story.

Bruce Reynolds in his Autobiography Of A Thief also applies the name Taffy Raymond to Ray The Cat and says: “Michael Black’s real name was Michael Hackett, a former Leicester boy who had originally been taken under the wing of Taffy Raymond in the early 1950s. Taffy was one of the older climbers who was good at finding up-and-comers, normally at the Billiard Hall in Windmill Street or somewhere like that, and he would ‘educate’ them and set them to work..” (Page 266)

Sources:  Eric Mason – The Brutal Truth: The Inside Story Of A Gangland Legend (Mainstream, Edinburgh 2000).  Bruce Reynolds – Autobiography Of A Thief (Virgin Books, London 2005). Albert Donoghue and Martin Short – The Enforcer: Secrets of my life with the Krays (John Blake Publishing, London 2001). Peter Scott  – Gentleman Thief: Recollections of a Cat Burglar (Harper Collins, London 1995). Frankie Fraser with James Morton – Mad Frank: Memoirs of a Life of Crime (Warner Books, London 1995); Mad Frank And Friends (Warner Books, London 1999); Mad Frank’s Diary (Virgin Books, London 2001); Mad Frank’s London (Virgin Books, London 2002). Seven or so years ago when I last checked Ray out online there was some local south Wales newspaper coverage of him freely available on the web, and although that has subsequently disappeared, I made notes from it at the time. That said, you can still check “Who Done It?” Independent, November 8, 1998, via HighBeam Research or a copyright deposit library -  this carries the strap-line: “Ray ‘The Cat’ Jones, who has spent more than 30 years in prison, now wants recognition for the Sixties theft of Sophia Loren’s jewels. Will Cohu hears his story”. Also available via the same sources is “Ray The Cat Book Bid,” Wales On Sunday, March 3, 2002.  For this blog entry I also made use of notes from conversations I had with Mad Frankie Fraser and various other ‘old hands’ circa 2002.

Further details of Ray’s life and crimes – including exact dates for his birth and death – would, of course, be greatly appreciated in the comments.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

The return of Ray Jones, the greatest cat burglar in the world, ever!

Saturday, January 24th, 2009

I’ve known Paul Buck for years and the other day I went to see him do a talk in which he covered his entire career as a writer, from a recent true crime book to his involvement with heavy weight French theorists back in the day. While Paul has endless tales about the innumerable highbrow chancers he has known, when we spoke after his presentation I asked him about The E… List: Notorious Prison Escapes, and specifically whether my relative Ray “The Cat” Jones had featured in it. Paul said he had covered Raymond Jones. I’ve never met Ray but he is one of my mum’s many cousins and my uncles like to talk about him. Indeed, my mother was named Julia after Ray’s mother. This is what Paul has to say about Ray in his book:

“Frankie Fraser gives cat burglar Ray Jones his vote for the best single-handed escape, when he went over the wall at Pentonville Prison,  breaking both his legs in the process and yet still getting away. Fraser gives scant details, but somehow, in 1958, Jones managed to climb onto the prison roof and, in scaling down the sheer face of the outside wall, smashed one kneecap, then fell and broke his ankle. Nevertheless, he continued, scaled another wall, and broke the other leg when he jumped.

“Still he persisted, crawling into a block of flats and making his way onto a roof, where he fell headlong through a skylight as he tried to prise it open. When he regained consciousness he made his way out of the building, pulled himself along using the railings on the Caledonian Road, crawled across the road to King’s Cross station, over the railway lines and into someone’s garden. Eventually he decided to seek help and attracted the attention of some young men, asking them to give him a lift “because I had had a bad fall.” They guessed who he was, but didn’t betray him. After they left him at his relative’s flat, his wife arrived and arranged for him to stay elsewhere, where he remained for five months while recovering from his injuries. He was not recaptured for two years.”

I’d seen the Frankie Fraser book Paul picked this up from, and I’ve come across stories about Ray in various other tomes. Peter Scott who was trained up in the art of cat burglary by Jones includes poison pen portraits of my relative in his autobiography Gentleman Thief, and there are other criminal memoirs that include tales of Ray losing large sums of money in illegal gambling dens. Typical too that a pathetic middle-class fantasist like Scott would have his account of the post-war burglary scene published; whereas Ray Jones and his long time partner-in-crime George ‘Taters’ Chatham, who between them taught Scott this trade but came from working class families, weren’t given that kind of break – and unlike their apprentice they haven’t been handsomely rewarded for appearing on ‘reality’ TV shows like Channel Four’s The Heist either.

And while you’re at it don’t forget to check – http://www.stewarthomesociety.org/ – you know it makes (no) sense!

A Technicolor Dream

Tuesday, January 6th, 2009

This 2008 DVD is a TV-style talking head documentary that mainly covers the early years of stadium rock band Pink Floyd, and inadvertently reveals how they used the British counterculture to hitch a ride to success. The Floyd themselves come across like a bunch of talentless drama students in the pathetic promo films that are cut into the main feature. Sound wise they vary from seeming like a pleasant if not entirely convincing imitation of The Who (“Arnold Lane”), all the way down to prefiguring a lot of really bad indie bands (“Scarecrow”). There is also some far more interesting archive material on here, but most of it is rather too familiar. There is the famous footage of Beatle John Lennon walking into the “14 Hour Technicolor Dream” at Alexandra Palace (29 April 1967), which anyone actually interested in this sort of thing will have seen dozens of times.

Likewise, did we really need quite so much recycled footage from “Wholly Communion” directed by Peter Whitehead, when the BFI reissued that on DVD in 2007, and anyone who hasn’t seen it clearly isn’t interested in the British counterculture anyway. There is a very brief piece of footage of The Flies playing at Alexandra Palace, but while the BBC “Man Alive” documentary made at the time showed them throwing flour at the audience and allowed you to hear them rockin’ out, pretty much all you get here is a shot of their drum kit with something else dubbed over the top. This is a shame because The Flies were the business, and self-evidently a lot better than Pink Floyd live; presumably this is why the director Stephen Gammond cut their sound from the audio track, he clearly wants to big up original Floyd frontman Syd Barrett and takes many historical liberties to achieve this. There is some footage of The Pretty Things doing “LSD” here too, but this is cut around talking head shots, so you can’t enjoy the music in all it’s glory. Worse yet, while three really tedious Floyd promo shorts are included in their entirety as bonus features, live footage of The Pretty Things and The Flies isn’t accorded the same treatment.

Among the historical turns, we get far too much of Suzy Creamcheese, less than nothing is all I want of this twerp. Like so much else here that doesn’t come from “Wholly Communion”, the Creamcheese footage is culled from the earlier “Man Alive” documentary, and it is even more irritating on a tenth or eleventh viewing than on the first or second! That said, there is some nice pushin’ and shovin’ with the filth going down in the recycled shots of early sixties CND demos. However, the real highlight begins on the last fraction of a second of this movie’s sixty-second minute. Gammond has included 1.04 seconds of archive footage featuring my mother – Julia Callan-Thompson – blowing bubbles. While there is equally brief footage of her at the UK’s premier hippie happening in the “Man Alive” documentary, it is a different shot to the one used here. My mother, at 23 years of age, is clearly the hottest babe in the place! While this film would be much better if Gammond had devoted more time to footage of my mother, the little you get makes the disk worth buying. You can see a bit more of her in the audience at the Alex Trocchi/William Burroughs 1969 ‘State of Revolt’ Arts Lab event covered in Jamie Wadhawan’s “Cain’s Film” – and, of course, as an extra in various British and Bollywood movies of the sixties.

With the odd exception, the talking heads on Gammond’s documentary are a real snore fest. Tired old stories I’ve heard trotted out dozens of times are aired yet again. This film was obviously made on a shoe-string, there isn’t nearly enough archival footage to break up the tedium of the talking heads, and sometimes in a desperate bid to move things along the director simply cuts to recent footage he’s shot in Portobello Road and Camden. The focus on Pink Floyd and John “Hoppy” Hopkins as central to the counterculture is reductive, and also very boring. If Gammond had instead adopted a scatter-shot approach to the underground, one that pulled in a varied cast of characters, his film would have been both more enjoyable and closer to the psychedelic experience. Regardless, and as I’ve already said, it is still worth seeing just for that 1.04 seconds of my mother blowing bubbles at the “14 Hour Technicolor Dream”.

And while you’re at it don’t forget to check – http://www.stewarthomesociety.org/ – you know it makes (no) sense!

And some more specific links:

Julia Callan-Thompson:
http://www.stewarthomesociety.org/rhhm.htm

The ‘real’ psychedelic scene:
http://www.stewarthomesociety.org/praxis/voices.htm

Wholly Communion etc. review:
http://www.stewarthomesociety.org/film/whitehead.htm

Trocchi/Burroughs State of Revolt:
http://www.stewarthomesociety.org/luv/splinters.htm