Archive for the ‘Web 2.0’ Category
Wednesday, September 28th, 2011
My impression is that I’m not the only person to have found that Web 2.0 is proving less interesting these days than it was five or six years ago. I don’t think this is simply because for my social (networking) circle the novelty has worn off. It has more to do with the fact that the web is less chaotic than it was and corporations have learnt how to better use and control social networking. Friendster fell out of favour because it kicked out fakesters (those that refused to use their ‘real’ identities) and it was continually crashing due to lack of server capacity. MySpace allowed people to adopt any online identity they felt like taking – so it appealed to the fakesters, among others. One of the things I liked about MySpace was its willingness to jump on any and every online fad going, which made it more of a culture clash than most other parts of the web – and I particularly dug the blogging features. I’ve detailed my use of MySpace in an article on the main part of this website – http://www.stewarthomesociety.org/praxis/myspace.htm.
MySpace had lots of faults but it was fun for a while. The platform being bought out by Murdoch’s News Corp (via the Fox subsidiary) led to MySpace suffering a slow death, since its old media purchasers had no understanding of what they’d acquired. That didn’t stop the fools at News Corp from messing around with their new toy. Facebook took up the slack, after initially appealing to over-privileged college kids and other conservatives who couldn’t stand the anarchic nature of MySpace; and partly because one of the central features (alongside photo sharing when that was introduced) was the status update – which required less effort than writing a blog. Twitter took the status update and transformed it into pretty much the only feature on its site. Facebook quickly became a place to do little more than post links when the company made attempts to claim ownership of any original content distributed directly from its severs. No one in their right mind would want to give FB CEO Mark Zuckerberg anything too interesting to claim as his ‘copyright’. Facebook’s current revamp looks a lot like a tail-ending of the failed MySpace. Facebook is now being promoted as a place for sharing media. Zuckerberg’s site for college squares and their post-degree clones has always been uptight and preppy, but in recent months the boredom factor there has definitely increased.
I know I’m not the only person in my social networking circles to try out other sites in recent years. I’ve found the take up at Identi.Ca too low for it to work very well for me – although I’m still posting: http://identi.ca/stewarthome. VK might have turned out better for me if there hadn’t already been a number of Stewart Home fakester sites on their servers prior to my arriving there: many users assumed that I couldn’t possibly be running my own profile on ‘their’ site (a corporate Facebook clone but with more than a few toes dipped into the darkweb). VK is most popular in Russia and since my books sold very well in Russian translation, I’m well known there. So I’m plodding on with VK too: http://vk.com/id121464913. I’ve been working with Diaspora alpha but initially went to a pod that didn’t suit me. I’ve just switched to another pod that seems much better: https://diasp.org/people/36032. Fingers crossed that Diaspora takes off once it goes fully public, the potential for something really good is definitely there. I’m at many other places – including of course Google+ – but to take just one example, I can’t even remember the last time I logged in to my LastFM account: http://www.last.fm/music/Stewart+Home. I have managed to post new material at YouTube quite recently (a public reading from one of my books which I give standing on my head): http://www.youtube.com/watch?v=Z70hEvWbaWg. I hope to update my Vimeo profile at some point in the future: http://vimeo.com/stewarthome. The same goes for my site on Flickr: http://www.flickr.com/photos/stewarthome/.
Instead of waiting for a social networking platform that I find viable to either appear or reach its potential, I figured I’d return to blogging here – albeit on a more sporadic basis than in the past. This is in part because I’ve found the current Guardian newspaper series on “How to build a profitable blog” by Andrea Wren completely vile. Rather than opening up the possibilities of blogging, Wren’s series is all about closing them down and reducing web 2.0 to a narrow focus. Viz, her desire to turn ‘creativity’ into money. Wren and her mentor Craig McGinty may or may not make a fortune from their blogs, with some added help from the Guardian series that is boosting them – but most of their foolish followers won’t get a pot to piss in from setting up online sites. It is only by moving away from an obsession with monetisation and hits that blogging can become in any way exciting. Search engine optimisation is so last decade, and I’m still of the opinion that content counts, alongside the quality of interaction between a site and its visitors. I’ve never focused on a single subject to the exclusion of all others either here or when I blogged on MySpace. Unvarying subject matter may or may not deliver a target audience to advertisers, but it is also the road to unadulterated tedium.
Finally – and just in case you’re interested – the revolution in plumbing (and many other areas of design and engineering) is allegedly coming to us all very soon via 3D printing rather than web 2.0. And in recent days as I went through a slew of old social networking sites I’d joined, I found that some had wiped my profiles, but many others remained just as I’d left them when I’d last logged in two or more years ago. That said, the entire Twine platform had disappeared and when I typed their url into my browser I was redirected to the Evri site (who I understand have both bought out Twine and wiped my account from the site they’ve merged into their own). Meanwhile, I was excited to discover my Tumbler profile could be be updated from my new Diaspora account. Other places I’ll start updating again – mostly with links to here – include Stumble Upon, Digg and Delicious (the latter two had both ‘lost’ my old profiles but I set up new ones). As for my WordPress site blog, Live Journal, Blog Spot and Bebo profiles (among many others), I’m curious to see how long they’ll stay up if I never log in again, let alone update them…..
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Andrea Wren, Bebo, Blog Spot, Craig McGinty, Delicious, Diaspora, Digg, Evri, Facebook, Flickr, Friendster, Google, Guardian, Identi.Ca, LastFM, Live Journal, Mark Zuckerberg, monetisation, MySpace, News Corp, Rupert Murdoch, search engine optimisation, SEO, Stewart Home, StumbleUpon, Twine, Twitter, VK, Web 2.0, WordPress, YouTube
Posted in Web 2.0 | 24 Comments »
Thursday, December 31st, 2009
I’ve already written about my experiences of producing the first season of the Mister Trippy blog at MySpace. It is obviously a little early to write about the second season in any depth since this is its closing post. There is also less need to write about Mister Trippy season two because I’ll be leaving the posts up rather than taking them down as I did with not only with the first season of Mister Trippy, but all my MySpace profiles (to protest about the platform’s support for US imperialism), in Spring 2008.
Having produced posts for the first Mister Trippy season daily, I found it far easier to blog every other day in this second season (except for the first month, which was daily). That said, at exactly a year long, this season was also quite a bit shorter than the first. While the comments remained an integral part of the blog, there were considerably fewer than during the first season. I’d view this as a consequence of hosting season two on my own site rather than a social networking platform, and also because I didn’t concentrate on replying to comments as much as I did during the first season. That said, I appear to have more readers here than when Mister Trippy was hosted at MySpace, but far fewer of them commented and those that did made less comments than on the first season of the blog. From a conventional media point of view, upping both the number and percentage of lurkers is probably a good thing, from a full-on committed to Web 2.0 perspective it probably isn’t so good, although it does make life easier! That said, there have still been loads of great comments containing both solid information and some really way-out humour on the season two blog!
A few facts and figures. Mister Trippy season two ran from 1 January 2009 to 31 December 2009, during which time I posted 193 public entries (including this one). As I write this there are 5,007 approved comments split across these posts. Likewise, between myself and the Askimet anti-spam software 10,207 comments were blocked or removed. All the blocked or removed comments were of a commercial nature. Obviously the number of approved and blocked comments will increase as time goes by, although probably not at the same rate as when I was posting on a regular basis.
I’ve found this blog and the main website to which it is attached a good way of alerting people to information I’m seeking. It has enabled me to locate individuals, unearth facts, and in particular extend my knowledge of my mother Julia Callan-Thompson and her bohemian social circle – as well as my first cousin once removed Ray ‘The Cat’ Jones (a legend for audacious Robin Hood-style thefts from the rich and famous, as well as a successful 1958 prison escape with a subsequent two years on the run). That said, while – for example – I now know that Francois Raymond who exhibited photographs of my mother in 1967 is dead and I have contact details for his brother, I’ve drawn a complete blank in my attempts to nail down the fate of Malcolm ‘Grainger’ Drake.
One of the things I’ve always tried to do on this blog, as well as the main site to which it is attached, is put information online that wasn’t previously available via the web. The pieces I’ve posted about my mother’s circle and Ray ‘The Cat’ Jones are good examples of this. When I began researching my mother’s life there wasn’t a single entry about her online. It is because of my efforts that a search engine request now brings in more than 15,000 results for Julia Callan-Thompson, rather than none (which was the result I got from my early web searches for her). There was material about Ray The Cat on the web before I started blogging about him, but by locating a primary source in the form of Ray’s testament about his life and going back to contemporary press coverage of his exploits, I’ve expanded the range of material available online and shown that recent retellings of his escape from Pentonville Prison completely distort the facts (and that the confusion appears to begin with inaccuracies introduced by Mad Frankie Fraser and his ghost-writer James Morton). However, to see this you’d need to read through all my blog entries on Ray The Cat. My research is ongoing and I revise what I have to say on the basis of what I discover. Putting material online is important, there is unfortunately a growing trend (particularly among the young), to look for information on the web and if it can’t be found there then to assume it doesn’t exist.
My research methods appear to confuse some of those I’ve spoken to, since I’ve had the odd email complaining I’ve not written up a story as the person recontacting me originally told it. I always try to find as many sources as possible for what I write. Sometimes these provide me with conflicting information, and some people even provide more than one version of the same story over a period of time. Using archival records where they are available, and all the oral history I am able to collect, I try to reconstruct events as accurately as possible. This can result in a specific person’s recollection of events being discarded; not because I necessarily think the individual in question is lying – memory can play tricks and the person concerned may simply be mistaken about what happened. Someone claiming to have direct knowledge of something does not automatically make them a reliable source for the subject. I work from all the evidence available to me and sometimes this will indicate (or even prove) that a particular individual’s memory of a specific incident is faulty or fraudulent.
Moving on, I trust that the interest of media professionals in blogging is waning, since it has had a deleterious effect on the activity. There are individuals who take up blogging in the belief that it might make them famous. Although this is unlikely, it doesn’t stop people trying and thus producing narrowly focused blogs with very limited subject matter, or else simply going in for egoblogging. One of the elements of this blog that proved particularly popular with a large swathe of readers were my reports of London art world openings. It would not be difficult to construct a blog around nothing but reports of this type, but for me it would become boring and is therefore to be avoided, despite – or rather because of – the fact that it would lead to me being viewed as a greater conventional ‘success’ than is currently the case.
Likewise, most newspapers seem to have given up on investigative journalism, or even research, and at a time when we need much more of it; clearly it is those with particular interests and specialised knowledge who are far better qualified to do this than so called media professionals, and blogging is a cheap and efficient way for the ‘real’ ‘experts’ – in other words, amateurs like you and me - to gather and disseminate information. I’m not seeing as much research based blogging or other web reportage as I’d like, but hopefully there will be more of it in coming months and years – and far fewer blogs being updated via Twitter feeds. I’d also like to see the majority of bloggers trying a little harder with their writing. While splurging something out is a great way of getting it down, you do then need to rewrite and revise. I’ve always tried to compose my blogs the night before I posted them, so that I could give them a final rewrite in the morning. Too many blogs look like their author hasn’t read through what they’ve posted even once! If you’re not prepared to read your own writing, you shouldn’t expect anyone else to do so either!
In conclusion, while I wouldn’t rule out a third season of the Mister Trippy blog, I’m not committed to doing one either. I’ll just see how things go. For now I’d rather concentrate on other pursuits. I will continue to update the main website to which this blog is attached – check the new additions page if you want to see what is being added. Wow, this may also be one of the least humorous blog I’ve written over the past year, so I obviously do need a break from Mister Trippy!
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: 2009, art world, blogging, egoblogging, email, Frankie Fraser, investigative journalism, jail break, James Morton, Julia Callan-Thompson, London, Mad Frankie Fraser, Mister Trippy, MySpace, prison escape, Ray Jones, Ray The Cat Jones, Raymond Jones, research, Robin Hood, social networking, Stewart Home, Twitter, Web 2.0
Posted in Web 2.0 | 30 Comments »
Saturday, December 19th, 2009
San Francisco based novelist Peter Plate came up in conversation the other night. I was at the launch of the Sara De Bondt and Fraser Muggeridge edited tome The Form of the Book at Art Words new Broadway Market shop, where I ran into some people I hadn’t seen for a while and we started rappin’ about mutual friends. None of us had been in contact with Peter Plate for a year or two and he became the focus of our conversation. While we were still in touch with him, he refused to do anything on the internet: he seemed to see it as a vehicle for police surveillance. Although it can be and is used in this way, it also has other functions and possibilities. So what happens when a contemporary writer not only refuses to use social networking platforms like Facebook and doesn’t have their own website, but won’t communicate by email? Does this give them an overview of the world as it is today, or leave them out of touch with their contemporaries? It’s probably impossible for us to judge that objectively right now, so I’ll leave it hanging… Without forgetting, of course, that Plate may not be ‘in love with today’, and might believe that being out touch with the contemporary world makes him a better writer!
What I can say is that a web search for Peter Plate didn’t turn up too much of interest: a page about Plate and his books on the site of his publisher Seven Stories, the odd review and the inevitable web book retail operations selling his stuff (plus a lot of results for other individuals who share his name). So Plate hasn’t quite disappeared, but he looks like he might join the ranks of the reforgotten. That said, I’m sure I could get a message to him via his publishers and I could almost certainly get his current home address and phone number from someone I know in London, but he isn’t easy to locate and right now doesn’t even have a Wikipedia entry. That said, there are other authors with several books to their name who are active on social networking sites and elsewhere on the web, but who aren’t currently represented on Wikipedia (such as Barry Graham whose entry was deleted in September 2009 for being ‘self-promoting’). My own view is that both Plate and Graham merit Wikipedia pages, but then we all know that particular platform works in mysterious and often non-rational ways….
I haven’t read Peter Plate’s more recent books, but I admire him for his hardcore stance against the net. One thing this certainly does is provide him with is more time to concentrate on his fiction. That said, personally, I enjoy engaging with the twenty-first century world and I appreciate the new horizons the web opens up, while simultaneously recognising that in its current form it certainly has some serious downsides. Does anyone know of anyone else currently active in the culture industry who has never used email or the internet?
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Art Words, Barry Graham, Broadway Market, contemporary writers, disappeared, dropping out, east London, Facebook, Fraser Muggeridge, Hackney, internet, London, Peter Plate, privacy, San Francisco, Sara De Bondt, Seven Stories, surveillance, The Form of the Book, Wikipedia
Posted in books, culture gossip & parties, Web 2.0 | 19 Comments »
Monday, November 23rd, 2009
On Saturday night I read at Volatile Dispersal, a festival of art writing held at the Whitechapel Gallery. The event proved so crowded and popular that it was hard to take very much in. I found this ironic because after I’d used my FaceBook account to remind people about the event (I list all the public events I’m doing initially on my homepage), among the comments I garnered were the following:
“I like the idea of ‘art writing’; its the best phrase I’ve ever come across (Barry Watten?) to describe the efforts of those of us who spend anywhere between 5 to 50 to 75 hours on one text, which is little more than a page, only to have said text become tucked away appropriately in a ‘slim volume’ which no one in their right mind will pay 10 dollars for when all is said and done… go boy!” Volker Nix.
And: “Yeah Volker, writing that nobody will read, not even if you put it online for free…I used to see that as being somehow radical (and I still kind of do)…but now I think the only real reason for engaging in these practices is simply because you enjoy it (is that somehow radical?)” Robert Chrysler.
There were various events going on in different parts of the Whitechapel Gallery, I was programmed to read in a small upstairs space alongside a whole host of other ‘art writers’, and this segment was curated by Francesco Pedraglio. Since I was on last, I was more focused on getting into the mood for my reading than paying attention to what other people were doing. That said, it is decidedly amusing that some of those engaged in ‘art writing’ are clearly unaware of experimental poetry by the likes of Bob Cobbing, so they are able to cover old ground as if it is fresh (and I guess it is for them, if not me).
What I found particularly curious about the event was that a number of people were participating in Volatile Dispersal who I knew but I managed not to meet on the night. I was able to hear Sally O’Reilly read because there was a speaker system relaying the sound from the room in which I also performed into the adjacent bar – but the event was so packed that I was unable to get into this small gallery for the majority of sessions before mine. I looked out for Sally afterwards but it was so busy it was easy to miss people, and I didn’t ‘see’ O’Reilly at all that night. Others advertised as being present who I failed to clock at all included Babak Ghazi (whose downstairs event clashed with mine) and Laura Oldfield Ford. Yet more, such as Mike Sperlinger, I spotted across crowded rooms – but in most cases was unable to attract their attention before they disappeared.
Among those I did manage to speak to were Crow, Bridget Penney, Bridget Lowe, Katrina Palmer, Maitreyi Maheshwari, Gavin Everall, Jane Rollo, Nick Thurston, Anthony Isles, Jonathan Allen, Benedict Seymour, Maria Fusco, James Brook, Chris Horrocks, Jeremy Ackerman and Hilary Koob-Sassen. I also had a reasonably extended conversation with Rob La Frenais about Toshiba ripping off Simon Faithfull in their current ad campaign. Nothing wrong with plagiarism of course, but Toshiba and the ad agency they used initially claimed this blatant steal demonstrated the commitment of both parties to innovation. Ho ho! La Frenais was telling me corporations can’t get away with this kind of rip-off in the world of Web 2.0 because tweets, blogs and comments on sites like YouTube and Facebook have spread the story around the world and forced Toshiba to backtrack – so they’ve apparently paid Simon Faithfull some wedge to say nothing, and are now claiming the ‘innovation’ was not launching a chair into space using weather balloons (as Faithfull had five years before them) but in using this for an ad! Doh! If that’s Toshiba’s idea of ‘innovation’ then I think I’ll stick to using consumer electronics made by Apple, Asus, Panasonic and Sony (among others) and avoid Toshiba (unless they send me some nice freebies). And BTW, why so few mentions of The Association of Autonomous Astronauts in regard to all this too?
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Anthony Isles, Apple, Association of Autonomous Astronauts, Asus, Babak Ghazi, Barry Watten, Bob Cobbing, Bridget Lowe, Bridget Penney, Chris Horrocks, Crow, east London, Facebook, Francesco Pedraglio, Gavin Everall, James Brook, Jane Rollo, Jeremy Ackerman and Hilary Koob-Sassen, Katrina Palmer, Laura Oldfield Ford, London, Maitreyi Maheshwari, Maria Fusco, Mike Sperlinger, Nick Thurston, Panasonic, Rob La Frenais, Robert Chrysler, Sally O'Reilly, Simon Faithfull, Sony, Toshiba, Twitter, Volatile Dispersal, Volatile Dispersal: Festival of Art Writing, Volker Nix, Web 2.0, Whitechapel Gallery, YouTube
Posted in advertising, culture gossip & parties, literature, performance, Web 2.0 | 17 Comments »
Saturday, November 7th, 2009
How long most people will continue to put up with corporate web 2.0 platforms when they could be controlling their own sites using similar software is anyone’s guess… What we do know is that while a platform like Facebook has many users, it is not necessarily profitable. That is not, of course, the only reason why the financial value of web services that rely on user generated content ping-pong, but it is definitely a contributing factor
One corporate operation that is clearly well past its sell-by date is Friends Reunited, which ITV bought for £170 million in 2005. Attempts to sell the platform have been ongoing for most of this year – in August DC Thomson put in a £25 million offer (£145 million less than ITV paid for it), but the sale has been blocked until April so that the Competition Commission can conduct an inquiry. It will be interesting to see whether DC Thomson – or anyone else – want to pay £25 million for Friends Reunited next spring.
Friends Reunited always struck me as a platform with limited appeal. The idea was that individuals registered as having attended specific schools and were thus able to locate their former classmates. If you want to reconnect with your schoolyard chums, having done so there seems little need to use Friends Reunited to stay in touch – email, Facebook and actual meetings are obviously a more opportune means of doing so. Likewise, as time has passed it has not only become much easier to find people online at places other than Friends Reunited, the pool of those who actually want to find old school friends has greatly dwindled.
I left school more than thirty years ago and have singularly failed to keep up with the kids I’d known up to the age of sixteen. I have no desire to get back in touch with them or find out what they are doing. What would we talk about? Institutionalised cruelty might be one topic of conversation… I think our experiences of most punishments were fairly similar – detention, the ruler, the slipper, the cane, lines etc. – but the one that in retrospect most excites me probably wouldn’t be much of a talking point.
I’m amused that I should have been punished for something, I forget exactly what, by being ordered to write a 500 word essay ‘on the inside of a ping-pong ball’. I enjoyed the exercise, it was rather Hegelian, an attempt to go back to philosophical first principles and build something from nothing. Of course, I didn’t think of it like that then, but I knew intuitively it was something with which I could demonstrate the full depths of my insolence…
I remember other kids talking about how they planned to complete this task. One thing on which we all agreed was that the inside of a ping-pong ball is filled with air. Of course, this statement isn’t true in outer space, and I was possibly the only kid to realise that such a qualification would help me fill up the essay I’d been assigned as punishment.
The kids from the local children’s home who went to my school sometimes called me Brains, and they definitely though I was being a bit flash when I told a couple of them that the inside of a ping-pong ball was concave, and I’d contrasted this with the outside which is convex. I’d done this is maths but the kids I told about it weren’t in the O-level maths group (the vast majority of kids were in CSE or non-exam classes), and I guess they’d studied something different. The punishment had been assigned by a PE teacher for some infraction during a sports session, and was dished out to an assortment of boys from different academic classes.
No one else seemed to understand why I enjoyed stringing together an essay on the inside of a ping-pong ball: “The inside of a ping-pong ball is filled with air, except in outer space. Air consists primarily of oxygen and the air inside a ping-pong ball contains exactly the same amount of oxygen as the air immediately outside it…. etc. etc.” I wish I still had the essay, but since it was done as a punishment it wasn’t returned to me. I doubt it was even read, the idea was to humiliate us, the teacher probably just wanted to see that we’d filled out a couple of pages with something.
I wasn’t humiliated, I felt like I’d triumphed, but that clearly wasn’t the case for most of those who found themselves assigned this task. Their failure to understand why I perceived shit like this as a victory over an oppressive system, is one of the reasons I’ve never used a platform like Friends Reunited to get back in touch with them.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: corporal punishment, DC Tomson, detention, Facebook, Friends Reunited, Hegel, ITV, ping-pong, ping-pong ball, school
Posted in humour, Web 2.0 | 18 Comments »
Tuesday, November 3rd, 2009
I reported on an earlier YouTube banning of my work in a blog I posted in September, and shortly after I’d written that YouTube pulled another video of mine, Nude In Melbourne. The point of the second piece, which was clearly lost on YouTube’s half-wit censors, is that I may or may not be nude in this short: you can’t tell because anything that might break the YouTube rules is hidden by a camera… but that didn’t stop the platform from banning it. However, the video is now available again via Vimeo:
<http://www.vimeo.com/7103351>
Due to the hassles I’ve been getting from YouTube, I decided to post my recent video Two Strippers straight to Vimeo:
<http://www.vimeo.com/7217171>
Nonetheless I’m continuing to amuse myself by posting selected pieces to YouTube. Recent additions to my profile there include I Wanna Die In The TV (which realises my desire to bring back the test card back), William Burroughs In Hell (two jokes with some groovy visuals) and In The Street Today – Paris (a psychogeographical exercise inspired in part by the camerawork of Stephen Dwoskin).
Raymond Anderson recently pointed out that ‘you tube’ is a common insult in Scottish playgrounds, and thus a very appropriate name for a platform that has its brains in its arse as far as understanding its own rules on forbidden material goes. While all corporate web 2.0 operations are selectively blind, deaf and dumb, when it comes to appraising content it seems that YouTube is consistently dumb, thick and stupid….
I’ve also found it curious in recent weeks how frequently both YouTube and Facebook have been either down or failing to function properly. While I don’t want to completely ignore those whose web use is largely restricted to corporate social networking platforms, we still need to get it on with web 2.0 software on our own sites: which is, of course, one of the reasons this blog is to be found here.
And talking of corporate platforms that don’t work, the Technorati overhaul last month resulted in some major glitches. My own entry has lost all my fans, comments, and it now links to the homepage of my website instead of this blog (with the result that the feed has lost all my blog entries and all my ‘authority’). I’ve emailed Technorati to tell them this, since I’m unable to do anything about it by logging-in, but of course they’ve done sweet FA about it. I always thought Technorati was a waste of time anyway, and this just serves to underline that!
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: I Wanna Die In The TV, In The Street Today - Paris, Nude In Melbourne, Raymond Anderson, Stephen Dwoskin, Stewart Home, Technorati, Two Strippers, Vimeo, Web 2.0, William Burroughs In Hell, YouTube
Posted in film, Web 2.0 | 25 Comments »
Saturday, September 26th, 2009
I finally got around to adding my banned YouTube video 10 Erotic Movies to my Vimeo account. Check it out and marvel at the fact that after 21,442 hits, YouTube banned this for inappropriate content:
<http://vimeo.com/6740722>
Despite this, I’m continuing to post the odd video to YouTube, since that platform has a larger and more active user base than Vimeo. My most recent YouTube posting is Shoreditch Shredding Machine Massacre:
<http://www.youtube.com/watch?v=UJELyF3yrSs>
But if the countdown from 10 to 1 in 10 Erotic Movies is inappropriate for YouTube, then we really do need to concentrate on building our own sites well away from corporately owned Web 2.o franchises, in order to avoid such blatantly stupid censorshit. The YouTube user base has a reputation for running on a low level of collective intelligence, but my feeling is this simply reflects the way the site is managed.
I’m not a member of YouPorn, RedTube or PornTube or indeed any ‘adult orientated’ Web 2.o site. This is in part because it would be genuinely inappropriate to upload works of mine such as 10 Erotic Movies to platforms dedicated to the free sharing and distribution of hardcore pornography. However, it seems to me that YouTube could resolve some of the issues it has around inappropriate content by plugging YouPorn – so that those searching for or wanting to post hardcore pornography on YouTube went elsewhere. Doing this would demonstrate that those managing YouTube have matured a little, and until the censorship crazy zealots running this platform learn to behave a little bit more reasonably, they can hardly expect a broad swathe of their members to use their ‘service’ in a sensible manner.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: 10 Erotic Movies, censorship, censorshit, hardcore, hardcore pornography, pornography, PornTube, RedTube, Shoreditch Shredding Machine Massacre, Stewart Home, Vimeo, YouPorn, YouTube
Posted in film, porn, Web 2.0 | 27 Comments »
Thursday, September 10th, 2009
YouTube has a reputation as the social networking site with the lowest level of collective intelligence among its members. That said, it also has a lot more users than a site like Vimeo, which may sustain reasoned debate but mostly offers the alternative of indifference to the cut and thrust of YouTube. I use both, but I use YouTube more.
Fed up with some of the comments elicited by my explorations of what experimental film might be in a digital age, last month I posted on YouTube a video I’d originally entitled Watching Paint Dry – both as a humorous response to numskulls and as an examination of the aesthetics of boredom. When I uploaded the film I wasn’t that surprised to discover someone else had done a series of videos called Watching Paint Dry, which were instantly linked to mine because of related tags. When I looked at these postings they appeared to be an unchanging coloured screen without a soundtrack. I’d gone to the trouble of painting weathered wood which absorbed a coat of granular solids quickly so that you could literally see it dry in less than ten minutes. I’d also put on a soundtrack and reframed what I’d done by filming it playing back on a camera monitor – so that among other things, you can see the time counted off. The message accompanying the older but fake ‘paint drying’ videos is that most of what’s on YouTube is shit and it is more interesting to ‘watch paint dry’. This is a one-line joke which reproduces the situation it claims to decry.
So far, my paint drying video has proved less popular than much of what I’ve posted, whereas the earlier fake ‘paint drying’ video has far more hits than anything I’ve done. But then I’d have rather made a good film than got 100,000 hits for a one-line joke. And while I intend to continue with the various lines of film-making I’ve been exploring on YouTube, I decided to try a quick change of tack. I’ve just put up a film called Naked Kangaroos which I made during a trip to Melbourne in 2004 when I was working as artist-in-residence at Victorian College of the Arts. While there I went on a couple of tourist trips and filmed other tourists taking pictures. One of the excursions was to Philip Island via a wildlife sanctuary and vineyard, the other was around the harbour, and I threw in a few shots from my 26th floor harbour-side serviced apartment. Naked Kangaroos was not a film I’d planned to make public, but I’m curious to see if this video of tourists proves more popular than a more considered and carefully prepared piece like Watching Paint Dry.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Melbourne, Naked Kangaroos, Philip Island, Stewart Home, Victorian College of the Arts, Viimeo, Watching Paint Dry, Web 2.0, YouTube
Posted in film, Web 2.0 | 19 Comments »
Sunday, August 16th, 2009
We call on all bloggers to turn off their computers and cease to post from 17 to 30 August 2009.
Blogging is an indulgence of a self-perpetuating elite; those who can afford regular access to computers and the internet. Those bloggers who struggle against the reigning society find their work either marginalised or else co- opted by the bourgeois net establishment.
Blogging creates the illusion that, through activities which are actually waste, this civilisation is in touch with ‘higher sensibilities’ which redeem its exploitation of those who live outside the overdeveloped world. Those who accept this logic support the bourgeoisie even if they are economically excluded from the class.
To call one person a ‘blogger’ is to deny another the equal gift of vision. What a blogger considers to be his or her identity is a schooled set of attitudes; preconceptions which imprison humanity in history. Show solidarity with the wretched of the earth, those who cannot afford regular access to computers, don’t blog between 17 and 30 August 2009!
Blog Strike is a side project to the Art Strike Biennial, 18-24 August, Alytus, Lithuania.
And if you can’t keep your computer switched off during the blog strike, don’t get too sucked into text, watch the following film which explores the aesthetics of boredom instead: The Worst Video On YouTube Ever!
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Alytus, Art Strike, Art Strike Biennial, blog strike, bloggers, blogging, Lithuania
Posted in Web 2.0 | 27 Comments »
Monday, July 20th, 2009
Recently a friend suggested I try to acquire some Russ Henderson vinyl I wanted via Discogs. I’d landed on this site a few times but had never really investigated it. When I checked it out, I was disappointed to find only two Russ Henderson titles were listed there, the 1966 vinyl album Caribbean Carnaval! (sic) and the CD compilation London Is The Place For Me 2, which features a Henderson track taken from Caribbean Carnival; only the latter was available in the Discogs marketplace, but needless to say I already had both it and the release it is taken from. I double-checked my copy of the 1966 vinyl and ‘Carnival’ is spelt correctly on the sleeve and labels, the spelling error had been generated in the Discogs listing, although I’ve now amended it.
My interest in Russ Henderson stemmed originally from the fact that he lived in a flat beneath my mother at 24 Bassett Road way back when in the sixties. He is also a supremely groovy, if sometimes overlooked, musician. A few years ago I went into a used record shop in Bexhill-On-Sea, and was flipping through some sixties vinyl when the owner asked me what I was looking for. I told him I wanted anything by Russ Henderson other than Caribbean Carnival. He told me he was an expert on rare records but he’d never heard of this act. I explained that Henderson was a highly regarded jazz musician but that he’d also led the first steel band on the streets of London. The shop owner asked me if I was looking for anything else. I told him I wanted some releases by The Global Village Trucking Co. He proceeded to scream at me to get out of his shop, wailing as I left that he was a vinyl expert and I must be making up names because he’d never heard of this band either. In reality, the vinyl nerd simply didn’t know the depths of his own ignorance. My mother, Julia Callan-Thompson, had been acquainted with The Global Village Trucking Co. The Globs, as they were fondly referred to on the seventies free festival circuit, don’t particularly groove me; but I was still interested in getting my mits on their releases for research purposes primarily…
The Globs aren’t too well served on Discogs either, they don’t even have their own page, just entries for their appearance on the double compilation album Greasy Truckers Live At Dingwalls Dance Hall. When I looked there was no sign of The Globs sole long player at Discogs. This served to remind me that I’d missed the documentary BBC4 broadcast on The Globs then (1972) and now (2008) last year… and it ain’t available on BBC ‘Watch Again’ either! Having investigated a few records that had some connection to my mother’s life at Discogs, I figured I might as well go the whole hog by moving on to looking at myself. When I searched for myself on Discogs, I turned up an artist profile, but again the discography was very partial. I have four albums to my own name, three fiercely independent productions and one that came out on Paul Smith’s King Mob label which was also indie, but distributed by Sony. Strangely this latter title, my best distributed and promoted record, was missing from Discogs. Likewise, the list of releases I either appear on or contribute tracks to was very patchy.
So I figured I’d join Discogs and add my missing releases. That said, I found completing and submitting the form for my King Mob album Pure Mania such a pain in the ass, that I’m not sure I can be bothered to add my missing compilation and guest appearances. What do you think? Should I go for it or is this wasted effort? I certainly can’t be arsed to add other omitted King Mob releases; such as Ken Kesey in the form of recordings made of the Acid Tests, and Charles Bukowski. At first I was surprised by what I couldn’t find on Discogs, but gradually the limitations of the site began to make sense to me. It suffers from all the faults that disfigure huge swathes of the web, since it is both a market place and a popularity contest (other people vote on the accuracy of your submissions). The only reason I can see to add items to Discogs is either because you have a copy you want to sell, or because it is a release on which you feature. The idea that someone would upload all the items from their record collection not already on Discogs is mind-numbingly depressing; the term anorak isn’t insulting enough to cover a saddo of this calibre! A series of searches showed I have several dozen releases not currently on the site – ranging from Eddie Bo (whose discography is incomplete) to Ward 34 (whose only single isn’t listed, yet anyway) – and if I was to do a thorough investigation, I suspect I’d find what I have that isn’t there runs well into three figures…
Just in case you’re interested, my still rather partial profile on Discogs can be found here. Likewise, I mentioned Technorati earlier this month, and following on from that I joined BlogCatalog. If the aesthetics of boredom really grove you, then you could do worse than check out the latter site, starting with my page, of course, which is here.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Bassett Road, BBC4, Bexhill-On-Sea, BlogCatalog, Caribbean Carnival, Charles Bukowski, Discogs, Eddie Bo, Global Village Trucking Co., Greasy Truckers Live At Dingwalls Dance Hall, Julia Callan-Thompson, Ken Kesey, King Mob, London Is The Place For Me, Nick Hornby, Paul Smith, Pure Mania, Russ Henderson, Sony, Stewart Home, Technorati, Ward 34
Posted in music, Web 2.0 | 26 Comments »