Tag Archives: Adrian Searle
Bourriaud’s ‘Altermodern’, an eclectic mix of bullshit & bad taste
The recent trend for curators to view themselves as the ‘real’ ‘heroes’ of the art world continues with the Parisian fashion-poodle Nicolas Bourriaud (AKA Boring Ass) using “Altermodern”, the 2009 Tate Triennial, to promote himself over and above anything he’s … Continue reading
Posted in exhibitions
Tagged 2009 Tate Triennial, Adolf Hitler, Adrian Searle, Alain de Benoist, Altermodern, Anarchist Integralism, Anthony Gardner, anti-Semitism, Antonio Gramsci, Art Monthly, Balenciaga, Bible Belt, Blackshirts, Calouste Gulbenkian Foundation, Calvin Klein, Centre Georges Pompidou, Cinzia Sartini Blum, credit crunch, crypto-fascists, Dada, Daniel Palmer, Design Museum, Downing Street, E. M. Forster, Ernst Jünger, Expérience de la Durée, F. T. Marinetti, fascism, fascist modernism, Frieze, Gaintbum, Green Shirts, Guardian, Gustav Metzger, Gustav Metzger Retrospectives, Helmut Schelsky, Hermitos Children, Jean Baudrillard, Julius Evola, Konrad Lorenz, Liquid Crystal Environment, London, Louis Vuitton, Lyon Biennial 2005, M/M, Marcus Coates, Mathias Augustyniak, Michael Amzalag, Mike Nelson, MOMA Papers Volume 3, multiculturalism, Museum of Modern Art Oxford, Mussolini, Nathaniel Mellors, Nicolas Bourriaud, Nouvelle Droite, Olivia Plender, Palais de Tokyo, Paul Gilroy, Philippe Parreno, Pierre Hughe, post-colonialism, post-modernism, Spartacus Chetwynd, Summer of Love, Tate Britain, Tate Liverpool, Tate Triennial 2009, the Kibbo Kift, The Other Modernism: F. T. Marinetti's Futurist Fiction of Power, The Plover's Wing, University of California Press, V. I. Lenin, Vichy France, Vogue, Whitechapel Gallery, Yamamoto and Sitbon
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