Posts Tagged ‘Julia Callan-Thompson’

Beatnik religious pursuits part 1, Subud

Thursday, June 18th, 2009

Although a number of famous American beatnik writers made Buddhism the focus of their spiritual quests, with Allen Ginsberg and Jack Kerouac being the most notable among them, this certainly wasn’t the only avenue of religious pursuit to be explored by the European-wing of post-war drop-out youth. A good number of European beatniks wanted to come into knowledge of God. As a consequence one of the things that came up in conversation as they sat around getting stoned was Subud, a syncretistic movement that can be traced back to the mystical ecstasies a Javanese man called Muhammad Subuh Sumohadiwidjojo experienced in 1925. After taking on an institutionalised form and acquiring the name Subud around 1947, the movement was brought to Europe in the 1950s. Thus by the 1960s some beatniks – including my mother Julia Callan-Thompson – had involved themselves with Subud.

Regardless of whether or not the word Subud was chosen for its similarity to founder Pak Subuh’s name, it is usually explained by initiates as being derived from the abbreviation of three Sanskrit words: Susila, Budhi, and Dharma. Susila requires that followers lead a life in accord with the Will of God. Budhi represents the inner force to be found within all men and women. Dharma indicates submission and surrender to God. Subud attracted my mother and 1965 marks the onset of her seven year flirtation with the movement. Subud’s proponents claimed it wasn’t a religion but to non-initiates like me it appears to most closely approximate a cross between Islam in its heretical Sufi form and Buddhism in its Zen manifestations. Thus the term Subud is perhaps most easily explained as a contraction of Sufism and Buddhism, even if this definition will be found wanting by converts.

In Subud the specific spiritual practice of its initiates was called the latihan, which entailed spontaneously achieved contact with God. Initially someone who has already established contact with God’s power transmits this experience across to the new human receiver. Experienced devotees are able to do latihan alone, although the number of sessions per week is stringently restricted. Perhaps unconsciously revealing the Islamic roots of Subud, contact with God through latihan is described as an act of submission, which can be halted by human acts of will and volition – but never initiated by such means.

That said, my mother’s circle believed that drugs were of huge assistance in achieving these higher states of consciousness. One of the things my mother liked about Subud was the value it placed on the teachings of all the great world religions. In this Subud, like political doctrines such as Bolshevism, was entrist; but for my mother the opportunism that I might read into a stance of tactical pantheism was of absolutely no significance, since it was a theological position that opened up the beginnings of a rapprochement with a Catholic upbringing from which she felt estranged.

I’m not particularly sympathetic to the ‘new’ religious movements with which my mother involved herself; Subud, followed by seven years of deep immersion in Divine Light Mission activities. However, in a comment appended to an earlier blog on this site, I invoked the famous quote from Marx about religion: “‘Religious distress is at the same time the expression of real distress and the protest against real distress. Religion is the sigh of the oppressed creature, the heart of a heartless world, just as it is the spirit of a spiritless situation. It is the opium of the people. The abolition of religion as the illusory happiness of the people is required for their real happiness. The demand to give up the illusion about its condition is the demand to give up a condition which needs illusions.” Critique of Hegel’s Philosophy of Right.

I went on to say: “Marx is clearly talking about organised religion not other states of consciousness, and mysticism can be about either one of these, or both! But when mystical experiences are enjoyed away from organised religion, they enable us to experience at a higher level the states of consciousness enjoyed by man in primitive communist societies. The idea that mature communism is only going to replicate at a higher level the modes of social organisation found in primitive communism is clearly ludicrous, it must also be about regaining lost states of consciousness. Anything less would be a failure to break with bourgeois modes of thought and shallow rationalism.”

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Jim Daly & the 1973 ‘black power type plot’ at West London Magistrates’ Court

Tuesday, June 16th, 2009

James Daly is one of the many curious underworld figures who knew my mother Julia Callan-Thompson. It seems my mother first came across Daly when they were both scoring smack at 75a Cambridge Gardens in the early 1970s. The gear sold at this address was supplied by a former jockey of Australian extraction called Larry Benns. He’s been described to me as a hot tempered man suffering from low self-esteem who excelled at pissing off his girlfriends. The scene at 75a was intense, a number of addicts seem to have overdosed there including, it is said, one of Brenda Grevelle’s boyfriends. Benns apparently went on the run while on bail facing drug charges; he is rumoured to have returned to Australia where he died.

Turning our attention to Jim Daly, he was a blonde-haired small-time thief from an Irish family who’d take stolen goods to 75a Cambridge Gardens and exchange them for drugs. The absurd nature of Daly’s criminal life is evident from an escapade in which he played a peripheral role that garnered coverage in The Times under headings such as ‘Man On Firearm Charge’ (5 February 1973), ‘Escape Plot Alleged’ (6 February 1973), ‘Shotgun Court Breaks Up In Disorder’ (6 April 1973) and ‘Escape Bid Was Based On Black Power Type Plot’ (12 June 1973). The gist of the story is that while on remand in Brixton Prison, Daly then aged 24 met a 38 year-old American consultant engineer called Nathan Greenberg who was facing a fire-arms charge and wanted to make an escape bid. With others they cooked up a plan inspired by the antics of the Black Panthers in California, whereby Greenberg’s 19 year-old German girlfriend Erika Pijanka would smuggle guns into the West London Magistrates’ Court during his next hearing and use them to free him.

Thus on 1 February 1973 Pijanka entered the public gallery of the court, pointed a sawn-off shotgun at the magistrate and screamed: “All right, stay where you are!” As a cop wrestled Pijanka to the ground, a single shot went off. The escape bid was foiled without loss of life or serious injury. Greenberg eventually got a seven year sentence for his fire arms offences, and nine months to run concurrently for contempt of court. William White, the man who Daly had allegedly placed Greenberg and Pijanka in touch with to supply the guns for the escape bid, was found not guilty of furnishing the weapons. Daly got an eighteen month suspended sentence for his role in the plot.

Daly evidently spent a lot of time in jail in the 1970s and my mother visited him at least once while he was banged up.  Among her extant papers is a letter dated 23 October 1975 on Blenheim Project headed paper and addressed to the “The Officer on the Gate, H. M. Prison, Wormwood Scrubs, Du Cane Road, W6”:

Re: James Daly.

Miss Julia Callan-Thompson is a bona fide Social Worker at the above named Blenheim Project and is the bearer of this letter.

A visit had been arranged for Miss Druecilla Verney, also of the Blenheim Project, to visit the above named at 4.00 this 23rd day of October, and we hope that it will be possible for Miss Callan-Thompson to accompany Miss Verney on this visit. Miss Callan-Thompson is also a member of the S.C.O.D.A. working team.
Yours faithfully,
Kathrine Parker,
Social Worker
The Blenheim Project.

If my mother was ‘a bona fide Social Worker” at the Blenheim Project, this was due to a touch of fraud on her part. I have a copy of a job application she made to the Blehheim Project in the summer of 1975 on which she falsely claimed she attended University College London and gained an upper 2nd philosophy B.A. Hons. in 1963 and an MPhil 1966. In fact, my mother left school at the age of 16 in 1960, and during the period she told the Blenheim Project she’d studied at UCL, she’d been far more gainfully employed as a showgirl and hostess at Murray’s Cabaret Club and Churchill’s in the west end of London.  Despite her job as ‘a bona fide Social Worker’ providing my mother with an excellent front when visiting jailed friends, she didn’t like the nine-to-five regime that went with it and soon jacked it in.

As for Jim Daly, I’ve no idea what happened to him. Blog comments from anyone with information about him would be appreciated. I don’t know whether or not William White was a part of the well-known London crime family of that name, it seems possible but is certainly not proven right now; one of Alf White’s sons, known to friends and family as Billy, went by this name.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Ibiza in the beatnik & hippie eras

Thursday, June 4th, 2009

After World War II, Ibiza was one of several spots strewn across the Mediterranean that attracted two distinct expatriate types from northern Europe and North America. There were writers and artists ostensibly escaping from the crass materialism of New York and London, many of whose views were so incoherent that what they were really objecting to became by default the innate human capacity for rational thought; and the rich who felt hostility towards even the mildest attempts at wealth redistribution, and who liked the tax breaks offered to them by Spain’s fascist junta then headed by General Franco – even if the areas in which they settled tended to be those in which anti-fascist sentiments prevailed. Both groups were also swapping the cold of northern winters for year-round sunshine. In summer months their ranks were swelled initially by beatniks, then by hippies and ultimately by post-acid house ravers.

The Ibiza scene of the sixties included fixtures such as the musical duo Nina and Frederik, a Danish couple who combined beatnik and hippie leanings with aristocratic pretensions, since they were also known as Baron and Baroness Van Pallandt. In their publicity photographs of the late-fifties and early-sixties, Nina and Frederik are a perfect representation of the international beatnik jet set. On an eponymous Columbia records EP containing the songs I Would Amor Her, Oh Sinner Man, I Listen to the Ocean and Sippin’ Cider, they are depicted holding hands in matching orange V-neck jumpers, black slacks and black open neck shirts. The front cover shows the couple smiling face on to the camera, with Nina a little shorter than the bearded and wavy-haired Frederik. Nina is wearing red lipstick and her hair is pulled back. The flip-side of the record’s picture sleeve shows them in the same pose but taken from behind, and it becomes clear that Nina naturally has the same light brown shade of hair as Frederik, but she has dyed it blond and tied it into a pony tail. Nina and Frederik’s music, light folk sometimes tinged with calypso rhythms, is to my mind a lot less enthralling than their image.

Nina and Frederik were very much a musical phenomenon of the early-sixties with the songs I Listen To The Ocean, Little Donkey (their big hit), Longtime Boy and Sucu Sucu making the UK singles charts in 1960 and 1961; in the same years they made the UK albums charts with two different but identically titled eponymous albums on the Pye and Columbia labels respectively – the duo also saw action on the EP charts with their eponymous first four tracker, a follow up imaginatively titled Nina and Frederik No. 2, then Christmas At Home With Nina And Frederik, and their sole 1962 UK chart entry White Christmas. After his singing career hit the skids, the Baron took to using his yacht for dope smuggling, something Howard Marks documents in passing in his autobiography Mr Nice. For some years prior to this the Balearic Islands had already been acting as a magnet to hippie drug dealers. Incidentally, it has been reported that the 1994 murder of Frederik Van Pallandt was a hit organised by an Australian crime syndicate who’d reneged on an agreement to pay the Baron $10 million for smuggling their drugs on his yacht.

Ibiza also harboured top flight forgers, and it was here that the infamous Clifford Irving produced a biography of his neighbour Elmyr de Hory, who had very successfully faked paintings by assorted artists. Using de Hory as his inspiration, Irving went on to take the New York publishing industry for a ride with a fake Howard Hughes “autobiography”. When the scam was exposed and Irving became a hot news item in 1972, the coverage Baroness Nina received on the back of a short affair she’d had with him as he perpetrated his hoax revived her career as an entertainer. As a result, Van Pallandt enjoyed minor Hollywood fame, including appearances in four Robert Altman movies: The Long Goodbye (1973), A Wedding (1978), Quintet (1979) and O.C. and Stiggs (1985).

In an article entitled In Search Of The Beautiful Ghosts about the old days in Ibiza, which was published online via the Nth Postion website, Damien Enright reminisces about those who could be found in the cafes and bars of the old town. Among the things recalled are the moonlight gatherings instigated by Elmyr de Hory on the sea front beneath his house Figueretes. Of even greater importance was a watering hole called The Domino, the first foreign owned bar on Ibiza and the chief spiritual home of expatriate beatniks and hippies in Spain. During spring high tides, the sea came up through the floor of The Domino, but it was nonetheless somewhere the rich would socialise with beatnik dropouts.

Among the beatnik regulars in Ibiza were the Dutch counterculture activists Bart Hugues and Simon Vinkenoog; writers including the poet George Andrews (who co-edited The Book Of Grass with Vinkenoog), and Irma Kurtz (then a beat poet, more recently Cosmopolitan’s agony aunt); and lots of lesser known artists including Jan Cremer, my mother’s boyfriend Bruno de Galzain and photographer Lester Waldman. Aside from Nina and Frederik, the beautiful people who Enright recalls from the island’s jet set heyday include Terence Stamp, Nico, Terry Thomas, Charlotte Rampling and various rock stars including members of the Beatles and the Rolling Stones. Among the hippie crowd, Jenny Fabian who authored the roman-a-clef Groupie and worked the door at London’s UFO club, was one of the island’s more famous boosters.

In terms of other international beatnik connections, the London based but itinerant guitarist Davy Graham ranks among the more prominent. Another musical couple who spent a lot of time in Ibiza were Henry Wolff and Nancy Hennings. Henry, I’m told was intellectually brilliant, but like Davy Graham became a notorious junkie. With his partner Hennings, Wolff  recorded the influential Tibetan Bells (Island Records 1972) and a series of follow-up albums.  They are early examples of ambient trance grooves which introduced a broad mass of western listeners to instruments such as Tibetan bells, gongs, and singing bowls. Wolff  may also be the Henry Wolf (only one ‘f”) who appears in Barbet Schroeder’s first feature film More (1969), a narrative of junkie dropouts who high-tail it to Ibiza; but rather than Tibetan Bells, this movie features a Pink Floyd soundtrack.

The sounds may have changed, but when house music and super-sized clubs like Manumission arrived in Ibiza it was nothing new. The roots of the current Ibiza party scene stretch all the way back to the early-sixties.That said, it looks to me like the scene in Ibiza was better in 1962 – when my mother, Julia Callan-Thompson, first visited the island – than it is now. Early web reports suggest that this year (2009) Manumission will even disappoint fans of super-sized clubs (it won’t be running). So it goes…

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

From Soho clubs to Bloomsbury – ‘glamour’ in early-sixties London

Tuesday, June 2nd, 2009

In her book Ruth Ellis: My Sister’s Secret Life, Muriel Jakubait claims that her club hostess sibling (who was the last woman to be hanged for murder in Britain) was set up by the security services after she’d performed various minor tasks for them, and learnt too much about things they didn’t want the general public to know. Drawing a broader picture, other commentators also make it appear that in the middle of the twentieth-century British intelligence was very interested in hostesses like Christine Keeler and Mariella Novotny. According to some observers, Keeler’s club crowd was manipulated for geo-political gain by the British and other security services; books such as Honeytrap by Anthony Summers and Stephen Dorril, or An Affair of State by Caroline Kennedy and Philip Knightley, cover this in some depth. While allegations of this type are often notoriously difficult to substantiate or disprove, it is nonetheless worth noting that alongside the Soho club world, the Notting Hill drug scene in which Keeler and other women from these hostessing circles were simultaneously immersed was also subject to undue influence by representatives of the British state, albeit it in the form of ‘bent coppers’ (see, for example, The Fall of Scotland Yard: A Penguin Special by Barry Cox, John Shirley and Martin Short).

My ongoing interest in Keeler and company is due in part to the fact that my own mother – Julia Callan-Thompson – was a part of their set in the early 1960s. She both worked at Murray’s and lived in Notting Hill, and was completely immersed in the drug subculture there. My mother’s problems with bent west London coppers didn’t really kick in until the mid-sixties, by which time she was working at Churchill’s Club, but while at Murray’s she did mingle in other spook connected circles; for example, the social scene centred on the University College London (UCL) philosophy department in Gordon Square, Bloomsbury. The dominant UCL philosophy figures of that time were A. J. Ayer and Stuart Hampshire, both had worked in military intelligence during the war. They’d previously been part of the same social set as British Soviet spies Burgess, Philby, Blunt and MacLean; and of those more ambivalent and ambiguous Bolshevik sympathisers of the thirties typified by Coronwy Rees.

Roger Taylor, author of the late-seventies cult work of Marxist aesthetics Art, An Enemy of the People, met my mother through her UCL connections in September 1962, the day he enrolled for a philosophy PhD. I should explain here that after my mother settled in London at the age of 16 in 1960, she often socialised with art students from The Slade and through them developed friendships within the UCL philosophy department. Taylor emailed me the following recollections of UCL and my mother Julie on Thursday, May 22, 2003:

“In the early sixties UCL philosophy could be very seductive. Gordon Square was Bloomsbury, it had the “radical” traditions of Mill and Bentham, its philosophers generally were on the Left, many of them had a sort of celebrity status (Ayer on the Brains Trust, Hampshire writing in Encounter), they were manifestly clever (Bernard Williams had the reputation of being the cleverest man in England!). They were engaged with everything “advanced” in culture, they had all the “taste” and “discernment” of the haute bourgeoisie, they were public school and Oxford and the Foreign Office, their morality unconventional with a frisson of scandal. It was the world of Burgess and Blunt but in place of subterfuge they offered furious and ingenious debate about counterfactuals and the like. Entering Gordon Square was to have a feeling of having attained access to somewhere very elevated. Some of this would have been sensed by Julie. She was at home in Gordon Square. When I arrived from the North, very aggressive and very unsure, she was already there and well in. The students knew her, she was very familiar with the secretary and… socialised with faculty.”

While Taylor sees beyond the fake glamour of Gordon Square in the early sixties, his account of the atmosphere to be found there remains very much in accord with those of other observers who still view the place through the ideological blinkers of bourgeois idealism. For example, Alan Ryan in his Independent (17 June 2004) obituary of Stuart Hampshire, writes: “…in 1960… Ayer moved to Oxford, and Hampshire replaced him as Grote Professor at University College, London. There he presided over weekly seminars that offered glimpses of an intellectual heaven where the depth of the issues discussed was matched only by the elegance of the arguments with which they were addressed.” My mother was a clever and feisty working-class teenager from south Wales, and so she would have been more than able to hold her own against upper-class academics who were a lot older than she was at the time.

Likewise, in my mother’s relationships with these philosophers the element of seduction would have run two ways, since the logical positivists from Gordon Square were attracted to the bohemian Soho club world of which she was already a fixture. A. J. “Freddie” Ayer would get drunk and dance in the Gargoyle Club where his fellow drinkers included the painters Francis Bacon and Johnny Minton, publisher David Archer, writer Graham Greene and before they were exposed as Soviet moles, the double agents Guy Burgess and Donald MacLean. So if Julie was drawn to the fake glamour of Gordon Square, there were also those in the UCL philosophy department who felt a strong pull towards the world she worked in.

And as for the spookery, I should emphasis that I don’t think Ayer and Hampshire were still on the payroll of British intelligence while directing philosophical activities at UCL. But casual social ties would have been maintained, and while these were no doubt useful to the spooks, I don’t imagine they had any impact on my mother’s life. By way of contrast, the nefarious activities of bent west London coppers clearly did have an effect on my mother but that’s another story; and as for the shenanigans around the likes of Keeler and Novotny, as far as I’m concerned the jury is still out on that one!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

King Mob’s Chris Gray RIP

Tuesday, May 19th, 2009

I just got an email from Charlie Radcliffe telling me that Chris Gray died last Thursday morning (14 May 2009). Chris is probably best known for his brief membership of the Situationist International and being one of the key figures in the Notting Hill (west London) based King Mob. Chris was the editor and translator of the first English language anthology of French Situationist texts Leaving The 20th Century: The incomplete works of the Situationist International (1974), a book that over a long period was to have an enormous impact.

I got to know Chris around 2002 when I was researching the life of my mother Julia Callan-Thompson. At that time Chris had been ill with hepatitis c for some years, but it didn’t stop him from getting out on the streets to join anti-war and other demonstrations. He was extremely upbeat about the ongoing possibilities for the revolutionary transformation of society, and never complained about his illness. Chris told me several times he felt really sorry for those who got hep c from blood transfusions etc.; his attitude was that despite becoming ill from needle sharing, at least he’d had and enjoyed the smack that went with it.

When I saw Chris it was usually at his spartan flat in New Court, Hampstead. For health reasons, he was dividing his time between London and Cornwall. Despite the minimal decor in his London pad, Chris was really hospitable and always cooked for visitors. He viewed both me and his own daughter Mob as numbering among what he humorously referred to as ‘the lost children of Ladbroke Grove’. The first time I visited Chris, he told me he’d been aware of what I’d been doing for a long time, and said it was a shame we hadn’t met before because we had so much in common; viz, shared political and cultural interests alongside his acquaintance with my mother. Nonetheless, Chris hadn’t known my mother nearly as well as two of his former partners did in the late-sixties and early-seventies; both Brenda Grevelle and Hazel Gray saw her more much more regularly than he did back then.

During the years I knew Chris he was working on a book about LSD, and he seemed particularly curious about his own mother’s medical treatment with this drug in the 1950s. There is no need to repeat here the many anecdotes about Chris that have led some to view him as legendary, you can find them elsewhere but obviously not everything that has been written about him can be described as strictly factually accurate. Suffice to say I found Chris great company and appreciated him for his sharp mind. Rapping with him really brought home for me the fact that his translations of Situationist texts were intended to have an effect on the political climate of Britain and America; he was not aiming for the dry pseudo-objectivity of an academic.

Some of the lines that most impressed me when I first read the translations Chris made from French were his interpolations; added because he wanted to ensure these incendiary Situationist tracts worked for an Anglo-American audience. My absolute favourite among them is in his translation of On The Poverty Of Student Life. Here he threw in something along the lines of: “If the anarchists will tolerate each other they will tolerate anyone…” Chris assured me this addition was based on a throwaway line of conversation the pamphlet’s author Mustapha Khayati had tossed at him, he’d merely substituted ‘anarchists’ for ‘English’.

To the best of my knowledge, Hazel Gray died many many years ago. But Chris was still in close contact with Brenda Grevelle when I knew him. So my thoughts are with her and their daughter Mob.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Ladbroke Grove in the 1960s with the accent very much on 24 Bassett Road…

Sunday, May 17th, 2009

As noted in an earlier post on this blog, at the end of 1961 my mother Julia Callan-Thompson moved to a two room top floor flat at 24 Bassett Road, London W10. The area around Bassett Road had been developed as a series of housing estates in the 1860s in conjunction with the extension of the Metropolitan train line on a viaduct constructed over the Portobello stream and marshes to Ladbroke Grove. The station at this latter location was originally called Notting Hill, which is why an area that might more properly be designated Notting Dale is better known by the former designation. The development of the area was followed by an economic depression, which led the likes of nineteenth-century busy-body Florence Gladstone to complain: “Whole streets were not inhabited by the class of people for whom they were designed.”

In the late-nineteenth century rather than housing city clerks, many of the buildings in the Ladbroke Grove area were under multiple occupancy by members of the working class, and in particular Irish labourers who’d been forced by famine to migrate and were engaged in the construction of new railways in the area. Multiple working class occupancy of these building was something that would continue for more than a hundred years. By the beginning of the sixties the rail network was still providing work for many of the recent immigrants who were enlivening this drab part of west London; although now rather than constructing railways, a substantial proportion of those who’d been enticed to the metropolis from the West Indies with promises of remunerative employment were involved in the smooth running and maintenance of public transport.

24 Bassett Road is a large house with some neo-classical features such as the pillars that hold up the porch to the main door. By the early sixties the building’s generous rooms had been carved up into smaller units. I’ve been told the property was owned by a Trinidadian called Sandy Dalton-Brown who liked bohemians. My mother made friends with her landlord and would visit him at his home near Hyde Park. At one point he offered to sell her both the flat she rented and that of another tenant, so that the rent from the second flat would pay off the one hundred percent mortgage which he offered to arrange for the two dwellings. Before the introduction of stricter controls on British building societies at the start of the sixties, it was common for property speculators to off-load properties to both tenants and other parties with one hundred percent mortgages which the seller had pre-arranged. Indeed, constant resale was one of the best ways of inflating the value of slum dwellings. Despite the prices paid under such arrangements generally being above market value, ownership still proved cheaper than renting.

Apparently my mother didn’t like the idea of being a landlady, so she opted to remain a tenant. Dalton-Brown seems to have been known by this double-barrelled moniker in bohemian circles, which is how he is listed in my mother’s address book, without a forename or even a prefix such as Mister. It may be that Dalton-Brown was fronting as landlord for the real owner of the property, since the use of nominee landlords was common in Notting Hill at the time. If Dalton-Brown ever actually owned either parts or all of 24 Bassett Road in the early sixties, he’d at least partially sold up before my mother moved out since the Kensington General Rate book for the year to 31 March 1966 contains the following listings: Basement Flat – Dalstead Property Co. Ltd; Ground Floor Rooms – Miss Mary Murphy crossed out and entered by hand G. J. Warden; First Floor Rooms – The Occupier; Second Floor (on which my mother lived) – Miss Whitehurst. Dalton-Brown is said to have been involved in many different business ventures, and also seems to have owned a race horse which was kept at a stable in the north of England.

In one of the two basement flats was a Trinidadian musician called Russell Henderson who’d come to London in 1951 as a mature student and never left. Henderson was a first cousin to Sandy Dalton-Brown – who at one time owned or managed at least part of the property – and some of those in Henderson’s circles referred to his and my mother’s landlord as Uncle Sandy. In 1952, Russ Henderson linked up with Sterling Betancourt. Together they made some recordings of Henderson’s piano music which were released as singles by Melodisc. With the addition of Mervyn Constantine they switched to playing pan drums and became The Russ Henderson Steel Band. When Constantine left the band, it was augmented by Ralph Cherrie and his brother Max Cherrie. As well as performing regular gigs, they also appeared on the radio and in both TV shows and feature films; including Danger Man, The Saint and Doctor Terror’s House of Horrors (Amicus, 1965, in a segment also featuring Roy Castle and the Tuby Hayes Quartet!). By the mid-sixties, with a minor shift in the line-up, Henderson was running his ensemble as both a steel band and a jazz quartet. For the latter, he’d sit at the piano, Sterling Betancourt played drums, Max Cherrie was on double bass and Gigi Walker blew the trumpet. The group had house spots as both a jazz ensemble and a steel band at different London venues, and also played further afield. Henderson continued to make records in the sixties but all are now deleted and they have become collector’s items; however, one of his best tracks, West Indian Drums, appeared a few years ago on the CD compilation London Is The Place For Me Volume 2.

In the second basement flat at 24 Bassett Road was a Jewish refugee from Nazism called Ruth Forster (covered in an earlier blog). Both Forster and Henderson lived at 24 Bassett Road from the nineteen-fifties right through to the mid-eighties. Forster appears to have died in the mid-eighties, while Henderson moved on to other parts of west London, where he still lives, now aged 85. Another very interesting occupant of a conversion at this address in the earlier part of the sixties was Peter Hammerton, who’d set up an Interplanetary Society in the late-fifties and was a fixture of early science-fiction conventions. Hammerton was a friend of the writer Michael Moorcock who also lived in the area. During the half-decade my mother rented her two room flat at 24 Bassett Road, she would take long trips to Europe but nonetheless liked having somewhere secure to come back to, despite being away for periods of up to six months. Eventually in the summer of 1966 she moved on to a pad at 55 Elgin Crescent W11; this street is only a short walk from Bassett Road, but the flat my mother lived in there was located to the east of Ladbroke Grove, rather than to its west like her old gaff.

At the time it was first developed in the 1860s, the area around Elgin Crescent was known as The Stumps. A hundred years before my mother moved there it was described in Building News as ‘a graveyard of buried hopes’ with ‘naked carcasses, crumbling decorations, fractured walls and slimy cement work’. The terraced houses in Elgin Crescent were of a similar pseudo-classical design to the detached building my mother had just left in Bassett Road albeit with fuller whitewashing. When Julie moved in, the property at 55 Elgin Crescent had just been divided into flats by a development company, so she signed a three year lease which she was able to sell on at a small profit when she left for Paris less than six months later.

In the mid-sixties, Michael X’s mother Iona Brown lived in Elgin Crescent, and she made money practising Obeah and dispensing spiritual advice from her flat. However, Iona Brown died in May 1966, shortly before my mother moved to the street. Someone my mother had befriended and who lived in Elgin Crescent at the same time as her was Terry Taylor. He had a place right by Finches pub, possibly at number 16. At the end of 1966, my mother left London to live in Paris and after a year there travelled on to India. When my mother took up living in London full-time once again in the summer of 1969, it was initially in a flat she shared with Terry Taylor and other friends at 58 Bassett Road. But that’s another story….

And while you’re at it don’t forget to check - www.stewarthomesociety.org – you know it makes (no) sense!

London hostess clubs of the 1960s

Thursday, April 16th, 2009

Because actress Lana Clarkson and her sadistic killer Phil Spector met in an LA hostess club, the producer’s conviction for murder earlier this week turned my attention once more to 1960s London variants on the ‘lonely men pay pretty girls for conversation’ clip joint racket. Murray’s Cabaret Club where Profumo Affair sex scandal girls Christine Keeler and Mandy Rice Davies worked is the most famous London hostess joint. Being glitzy, Murray’s presented itself as a cabaret but the real draw was the more fatal combination of drink and hostesses. But Murray’s wasn’t the only such club in London in the sixties, other examples include Churchill’s and Winston’s. The staff often circulated between these places; for example, my mother Julia Callan-Thompson worked at Murray’s in the early sixties and then moved on to Churchill’s for a few years.

Gangsters like Frankie Fraser and the Kray Twins were inevitably familiar with many London clubs and their owners, and among those mentioned in Fraser’s various books are Billy Hill’s former wife Aggie Hill who ran The Modernaires in Old Compton Street and The Cabinet Club in Gerrard Street, Tommy McCarthy’s Log Cabin in Wardour Street, Al Burnett’s Stork Club and The Astor; Bertie Green acquired the latter establishment after Burnett let it go. The clubs operated by Aggie Hill were aimed at the criminal fraternity, whereas others were successful precisely because of the frisson created when high society mixed with the more successful members of the so called ‘dangerous classes’.

Those hostess and related clubs that weren’t fronts for organized crime generally paid protection money to gangsters. Frankie Fraser writes about Billy Howard receiving a ‘pension’ from Bruce Brace for ‘protecting’ Winston’s. Howard’s son Michael Connor in his book The Soho Don suggests his father and Brace were actually partners in the club. Connor says criminal convictions prevented Howard from openly owning premises licensed to serve liquor, and therefore his name didn’t appear on legal papers. Howard’s interest in Winston’s is affirmed by Jimmy Evans in his autobiography. In the late-sixties Joseph Wilkins took over the establishment with help from Evans. Brace insisted later he was terrorised into giving the club away; a claim that might be substantiated from the fact that no money changed hands during the course of this transaction. According to Evans, Howard would have come out on top in a fair fight, but he put the frighteners on the old-timer by threatening him with a gun. Howard’s son Connor tells a more complex story about his father’s pragmatic decision to walk away from Winston’s, but the end results still chime with what Evans has to say. With Howard neutralized, Brace had no choice but to sign the club over to Wilkins.

After he took over Winston’s, Wilkins was also running various escort agencies in partnership with Wally Birch. These included La Femme, Glamour International, Playboy Escort and Eve International. Regular catalogues of girls available for hire were produced and rather unsurprisingly in 1976 Wilkins was jailed for living off the immoral earnings of the prostitutes he controlled. Prior to this Wilkins had been jailed for the way he obtained club licenses, and later on in the eighties he did time for drug smuggling. Writing well after the event in 1992, James Morton was able to give Joe Wilkins and Wally Birch’s misdemeanors detailed coverage in his book Gangland: London’s Underworld.

Club links to organized crime meant that the hostesses who made their living from these joints didn’t always have the most pleasant of working conditions. To give an example, a minder called Big Alf Melvin who worked at The Bus Stop was treated very badly by his boss Tony Mella. One night Mella pushed this minion too far and was shot by him. Mella managed to stagger into the street where he died with his head in the lap of one of his hostesses. Meanwhile, Melvin turned the gun on himself and blew his own brains out. Melvin and Mella are covered by Morton in Gangland.

Club hostess Lisa Prescott had a very bad time in December 1966 after being picked up by gangsters at either Churchill’s or Winston’s – depending on who’s account you believe. One commentator, John Pearson, even has it both ways, saying Winston’s in his book The Profession of Violence and correcting it to Churchill’s in the follow-up The Cult of Violence. Regardless, Prescott was taken to a flat in Barking where Frank Mitchell was hiding out after being sprung from Dartmoor by associates of the Kray twins. Mitchell and Prescott engaged in a series of sexual acts over a number of days. Then on Christmas Eve, Mitchell was taken to a van outside the flat and shot because the Krays found him hard to control and figured that the easiest way to save face was to kill him. Prescott who’d been paid about £100 to have sex with Mitchell was taken to a party and told to forget she’d ever met him. A terrified Prescott saw in the New Year working as a hostess; she also found herself having occasional unpaid sex with Albert Donoghue, who she believed had murdered Mitchell and suspected was planning to kill her. Many commentators view Donoghue as a red-herring, and believe the murder was actually committed by Freddie Foreman.

The confusion of Winston’s and Churchill’s probably becomes more understandable if you know that Churchill’s was originally set up by Bruce Brace and Harry Meadows, with the active involvement of Billy Howard. Meadows eventually gained sole control of the venture, with Brace and Howard setting up across the street as Winston’s. They’d lost a lot of money when Meadows eased them out of the first club, so they gave their next venture a similar name to wind him up.

Moving on, like Lana Clarkson, many women who worked in London hostess clubs in the sixties swung between showbiz proper and hostessing. Again, my mother Julia Callan-Thompson is a good example. She did a bit of modelling and film-extra work alongside hostessing at Murray’s and Churchill’s. She wasn’t as successful as Clarkson in films, but that was partly because her main interest was inner exploration. At the end of the day, beatnik concerns were closer to my mother’s heart than showbiz. Obviously, unless they are looking for a rich husband, the  women who work as hostesses aren’t really interested in the men who pay them for conversation. In the case of my own mother, she much preferred the real hip scene to the sham of bourgeois marriage.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Gustav Regler, The Owl of Minerva, Ruth Forster & Julia Callan-Thompson

Saturday, April 11th, 2009

In late 1961 my mother – Julia Callan-Thompson – moved across London from a one room bedist at 101 Barnsbury Street N1 (Islington) to a two room pad on the top floor at 24 Bassett Road W10 (off Ladbroke Grove).  Both the basement flats beneath her at 24 Bassett Road had interesting occupants. In one was the Trinidadian drummer Russ Henderson who led the first steel band to play on the streets of London, and later had a hand in setting up what became known as the Notting Hill Carnival. In the other was a refugee from Nazism called Ruth Forster, who I’ve been told was a Jewish bookseller and a member (or a former member) of the Communist Party. Forster apparently threw extraordinary parties and among the many amazing people my mother allegedly met in her basement flat over the coming months and years, another former Communist Party member called Gustav Regler made perhaps the greatest impression. If my mother did indeed meet Regler, then this must have been in either late 1961 or sometime in 1962, since he died in New Delhi in January 1963.

Regler was a confused man from a German Catholic background. He was born in 1898 and wrote many books, the overwhelming majority of which have never been translated into English. A World War I hero of sorts, he travelled to Berlin in 1919 to join the right-wing militias. After serving the cause of reaction in the German capitol, Regler moved on to Munich where he abortively involved himself in defending the Bavarian Soviets, but the revolution was viciously snuffed out. Next a good marriage resulted in Regler becoming a wealthy businessman. However, feeling oppressed, he abandoned his wife and young son to become an impoverished writer. A committed Stalinist by the time the Nazis ascended to power, Regler became a German exile in Paris from where he very actively participated in the anti-fascist struggle. Regler later claimed that visits to Moscow led to his disenchantment with Bolshevism in the mid-thirties, although this didn’t prevent him from assuming a position of authority within the Stalinist controlled International Brigade in Spain.

During the Spanish civil war Regler befriended the American novelist Ernest Hemmingway and appears to have held himself aloof from the acts of sabotage carried out against the Republican cause by some of his Bolshevik comrades. Regler didn’t actually break with Stalinism until after Franco’s fascist triumph in Spain and the forging of the Nazi-Soviet Pact. Following internment in a French concentration camp and then a period of exile in Mexico, he returned to Europe in 1957. All of this is recorded in his autobiography The Owl of Minerva. Ruth Forster is mentioned in passing towards the end of this book as the girlfriend of Walter, a former German artillery officer with progressive political views, who was imprisoned in France with Regler. Part of a letter Forster sent to Walter is reproduced in The Owl of Minerva and Regler makes it clear that she’d taken part in the underground resistance to Nazism in Germany and had been imprisoned for these activities in 1937. How she got away from Germany isn’t recorded. The text of her letter does, however, reveal that she was greatly enamoured by the poetry of Rilke.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes no sense!

Phil Green & the lost world of London’s beatnik hipsters

Friday, April 3rd, 2009

It has long been a cliché to say that history is written by the victors, but in terms of the London counterculture it would be far more accurate to state that to date accounts of this scene have largely been composed by the squares; individuals who failed to penetrate the truly hip inner circles because they are too straight to know about them.  Since I started researching my mother’s life, I have come across a massive amount of material that was missing from histories of the period. The most amazing oversight is without doubt the Victor James Kapur acid manufacturing bust (my mother’s friend Detta Whybrow persuaded the chemist to make the LSD, and organised its distribution in London); fortunately after I turned Andy Roberts onto newspaper accounts of the court case, he did further research and included it in his book Albion Dreaming (2008).

Many beatnik faces are still overlooked in histories of the sixties because publishers and television producers think all anyone wants to hear about is the rather less sophisticated hippie scene. Likewise, the real hipsters were rather less interested in publicising their activities than interlopers like Steve Abrams. In this blog I’m going to look briefly at 1960s west London beatnik face Phil Green, who – in tandem with Alex Trocchi – made an early stab at translating French Situationist texts into English. That said, while Trocchi’s French contacts liked to drink wine and smoke a bit of weed, these London hipsters were more into smack; and this is as true of Phil Green as anyone else.

On 12 March 1962 The Times carried the headline ‘Drug Charges After Raid On Café’ above an article that mentioned Green among others, then on 26 March 1962 the same paper followed this up with ‘C.N.D. Supporters Given Drugs’, concluding on 26 April with a news story entirely devoted to Phil Green entitled ‘Youth’s Beard A Part Of Façade’. Philip John Green then aged twenty was one of ten men and women arrested for their involvement with a ‘drug ring’ centred on The Peace Café in Fulham Road, Chelsea. At the time Green worked at this establishment as a chef. He pleaded guilty to possession of Indian hemp and twenty grains of opium, as well as ‘hubble bubble pipes’ used for opium smoking.

Green’s defence lawyer said that there was no question of him being ‘a conduit pipe for this stuff or a distributor of it’. The Magistrate assented it did rather look as though everyone was experimenting together. Green was told he’d been caught in possession of a substantial amount of opium, and it was a serious matter, requiring a full medical report. He had his hair cut and trimmed his beard, and upon his return to court for sentencing was given two years probation. The beak told Green: “You have got to get a regular job. Set your sights a little higher than the kitchen and try to trim your appearance to the job. I think you are capable of doing it, having been to a public school.”

Despite assuring the law he’d mend his ways, Green had no intention of doing so. He just wanted to stay free. Jamie Wadhawan caught him on camera at Alex Trocchi’s Arts Lab event of 13 April 1969 in the documentary Cain’s Film; and one of the women present at the event told me recently that Green promised he’d come off junk if she’d sleep with him, but she politely declined the offer. I’m also told, by other sources who likewise wish to remain anonymous, that during this period Green specialised in doing over chemists to support his drug habit. However, after coming out from a spell in Pentonville Prison he met and married a millionairess who hoped to reform him; and moved to Amsterdam with her.

That said, Green kept up his more important London contacts after he left the city. Nina Trott who squatted in the flat above my mother and her common-law husband Bruno de Galzain in Tottenham Court Road in 1975/6 told me: “An old junkie friend of Julie and Bruno called Phil Green came over from Amsterdam and stayed for a while.” While another squatter from a few doors down added: “I remember meeting Phil Green at Julie’s flat, with Bruno, sometime in 1976.  Phil was a photographer and a smackhead.”

Since my mother Julia Callan-Thompson died in 1979, I haven’t attempted to follow Green’s evolution from that point on. However, I’ve been led to believe he is now dead. Further anecdotes about Green, particularly if they relate to his involvements with my mother and/or Trocchi, are of course very welcome in the comments below.

Jeff Nuttall in Bomb Culture (Paladin, London 1970, page 181) mentions Phil(ip) Green by name and provides a sketch of the scene he belonged to. After mentioning the appearance by William Burroughs and Alex Trocchi at the Edinburgh International Writers conference and dating this as 1963, Nuttal continues:  “Together he (Burroughs) and Trocchi moved down to London. In London they became the pivot round which a number of people revolved – Charles Hatcher, Tom Telfer, McGrath, Philip Green, myself. They were not, however, the beginning of the Underground in England. Towards the end of the great days of Aldermaston certain of the whackier and younger CND followers had gathered in the Peace Cafe in Fulham Road, eventually closed through notoriety for drugs, and formed a cultural nucleus that looked mainly towards America and the Beats for its model. Prominent figures to emerge from this group were Dave Gunliffe, Lee Harwood, Ian Vine, Neil Oram, Spike Hawkins, Miles and, most important, Mike Horovitz and Pete Brown…”

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Grainger & Trina, 2 Ladbroke Grove hipsters of the 1960s…

Wednesday, March 18th, 2009

Two names that come up frequently when I’m looking at the real hip scene of the 1960s are Malcolm Drake AKA Grainger and Trina Simmonds. Their names even appear from time to time in print but to date the semi-official historians of the London counterculture have singularly failed to get to grips with what they and their scene were all about.

Alan Semple, who knew Trina Simmonds in the early sixties, told me that before she met Grainger she’d been partnered up with another London streetwalker called Kay, and that this pair were as likely to roll johns as do the business with them. Indeed, they’d steal anything of value punters were foolish enough to let them lay their hands on, and the items they filched ranged from money and cheque books to booze. Semple met Trina and Kay in 1961 when they stopped his car late at night on Kensington Church Street. They asked him if he had a bottle opener and when he replied he had one at home, the two flat-backers got into his motor so that he could drive them to his pad. Together they drank the wine Trina and Kay had swiped from a drunken john, swapped life-stories and became friends. Semple told David Seabrook the same story I got from him, and the recently deceased true crime journalist incorporated it as background material into his book Jack Of Jumps; but Seabrook didn’t supply Trina’s surname and apparently didn’t know it, and as a result he seems to have missed her walk on role in media coverage of the later Gail Benson murder too. As far as I can ascertain, Trina was born on 31 December 1941.

Other people, and in particular ex-junkies who’d rather not be identified, know considerably more about Grainger and Trina than Semple (who was only acquainted with Trina before she met Grainger). These sources say Grainger studied pharmacology at a northern university, but didn’t complete the course. After working on the dodgems in a seaside fun fair in the summer of 1961, he moved down to London from Bradford. Grainger discovered pot in London in the autumn of 1961. He smoked reefer and took amphetamines until mid-1962, when he graduated to junk. Grainger wrote a lot of poetry in the early sixties but didn’t succeed in getting anything published. He wanted to be a professional writer. He fathered a son in either very late 1961, or early 1962 (no later than the spring) but no one I’ve been able to dig up knows what happened to the child, or the mother’s name. It has been suggested that I may be Grainger’s boy; while this strikes me as possible, I view it as improbable. My mother’s on-off relationship with Grainger, who she was living with when she died in 1979, appears to date back to at least the mid-sixties; but I’ve never been able to ascertain whether it began as early as 1960 or 1961. By the time Grainger’s love child was born (as I’ve said, possibly me), he was dating Liz Cook – she was then a drama student and later became Brian Barritt’s lover.

According to my anonymous sources, Grainger and Trina met through the junk scene in 1963, at a chemist’s shop, or alternatively in a doctor’s waiting room. They were both registered users. Trina had a pad in Queensway when Grainger first knew her. Kay disappeared soon after Grainger and Trina became an item. Grainger dabbled with acid in the mid-sixties, and settled in the Grove at that time, but even in the nineteen-seventies he was still working with the insights and assumptions that came from the earlier beatnik scene. He was not a full on acid head or hippie, he was formed by the beat traditions of junk and bebop. He adapted to countercultural changes but in the hippie era was an elder. When he was first in London, Grainger talked up the work of writers like Trocchi and Burroughs but didn’t know them personally then. He got close to Trocch, and heavily involved in his drug dealing scene, after meeting Trina in 1963.

Some of this can be confirmed by chasing up drug stories carried by the British press in the early sixties. Grainger suffered what looks like his first bust in the spring of 1962 which led to the headline ’5 Idle Chelsea Men Had Hemp’ in The Times of 24 April that year. This story describes Grainger as 22 years-old and unemployed. Busted alongside him were his flat-mates Robert Osbourne Morgan, John Beaumont, Charles Terrence Westwood and Selwyn Paul Eva. After he was informed that Grainger aspired to being a poet, the magistrate announced: “That is a nice job for the evenings and getting up in the morning to see the sun rise.” The beak was not impressed with the defendants ‘long hair’ and seems to have viewed them all as worse than work-shy, ranting after reading a report on Beaumont: “…your philosophy is that work has to be avoided at all costs. You have almost a religious faith in being able to exist without earning any money…” The court case apparently caused a sensation at the time, with Grainger and his friends being dubbed ‘the kids who couldn’t give a damn’ by the tabloid press (which was, of course, only too happy to pay them for their story).

There are reports of a second bust in the summer, which graced The Times under the headlines ‘Premises Dens of Iniquity’ (6 August 1962), ‘Indian Hemp Youth Gets Six Months’ (11 August 1962) and ‘Probation for Girl In Drug Case’ (18 August 1962). Subheadings to these stories included: ’11 Men and a Woman on Drug Charge’, ‘Syringes Found’ and ‘For a Bit of a Kick’. Most of those busted lived at the time in bedsits in Regents Park Road, including Grainger and Robert Osbourne Morgan. Like Morgan, John Beaumont who earlier in the year had been busted with Grainger in Chelsea, was up before the beak on a repeat offence; this time he’s listed as being of no fixed address. Grainger was sentenced to three months in jail. After this he apparently felt little inclination to compose poetry, telling acquaintances that he lived poetically and therefore thought it best if lesser talents were left to write it.

Fast forwarding into the 1970s, Grainger and Trina arrived at Michael X’s Trinidadian commune in November 1971 and left roughly one week after the murder of Gale Benson who died on 2 January 1972. It isn’t entirely clear whether or not Grainger and Trina knew about this homicide prior to the discovery of Benson’s decomposed body; among other things, there is an ambiguous passage on pages 93 to 94 of Charlie and Mike Phillips’ literary and photographic memoir Notting Hill In The Sixties that might be taken as intimating they did. Benson was the privileged daughter of a former British Tory MP, she dug the black power message and somehow got herself killed. Her death generated headlines and among the more lurid of them was ‘Two Loves Of Black Power Girl’ which graced the front page of The Sunday People on 27 February 1972. This article claimed Benson had been a heroin addict and was in love with both Hakim Jamal and Michael X. Benson provided exactly the type of horror story reactionary journalists loved, since despite a privileged upbringing and society wedding, she’d wound up dead after immersing herself in the hippie and black power scenes.

Most commentators ignored the claim made in the Sunday People that Benson was a heroin addict, and instead their credulity was revealed when they portrayed Grainger and Trina as naive hippies, or even a writer and his girlfriend, rather than a pimp and prostitute who had a perhaps undeserved reputation as ruthless junkie survivors. Indeed, early press coverage of the murder, such as ‘Trinidad Death Victim May Have Been Buried Alive’ in The Times of 29 February 1972, report local police as being concerned to discover the whereabouts of Grainger and Trina who are described as a missing English man and woman. Grainger is (mis)identified as Mr Granger, while Trina appears under her married name of Mrs Pashley.

Trina is said to have been a frequent companion of the murdered woman, and the inference in early press reports (before she’d been located back in London) is that the authorities were worried about her and Grainger’s safety and well-being, since they too might have been killed. While Trina in particular was apparently deeply shocked, shaken and upset by Benson’s murder, she and Grainger concealed their feelings in court, where they claimed to have seen nothing untoward during their stay at the commune. Of course, court statements along these lines are exactly what one would expect from such junkie survivors regardless of what they actually did or did not see; the trial was widely reported in the British press and it was imperative that their peers did not perceive them to be grasses, since this would have made their lives difficult and Grainger’s activities as a drug dealer untenable, thereby cutting off a major source of their income. Grainger and Trina’s perception of the commune when they were resident there may have been exactly as reported in court; on the other hand, Trina’s apparently hysterical outbursts to acquaintances upon their return to London might be taken to indicate this was not the case.

Denis Browne who knew Grainger and Trina in the early 1980s told me in 2002:

“Grainger’s favourite saying: “I’m a healer not a dealer.” I scored off Grainger for years up until my last bust in 1984. I’ve had no contact with him since then. Grainger and Trina feature quite a bit in a late seventies biography of Michael X. The main “message from Alex” they took to Trinidad was an once of smack. For the commune hospital, of course. Even among serious junkies G and T were regarded as a pretty ruthless pair of survivors. Grainger could be a total bastard, especially when he took speed, but was generally okay with me – I had a bit of extra cred, having been introduced by Alex Trocchi and found Grainger great company on a good day – a sharp, no bullshit kinda guy. Rare among long-term junkies. Trina was just like Fay from Cain’s Book (Trocchi’s autobiographical novel) – a totally ruthless junkie who’d “suck the last fix out of your arm” – she generated an endless series of hustles, scams, rip-offs and marathon psychodramas round at their place – a poky thirties council flat in Elephant and Castle when I knew them – which tended to spoil things.

“I didn’t know Grainger in the days when he roamed the Grove in a hooded purple cape, but I do remember him talking to me about your mother. What I can recall is that he was incredibly cut up about her death and seemed to feel a lot of guilt and self hate about what had happened – this would have been about 81/82 – a few years after her death. Grainger was a fair bit older than most of us who’d hang out round their place. I reckon he’d be in his mid-sixties now.

“Grainger was from Leeds and definitely had the hard-bitten Yorkie vibe about him. Wiry/wired kind of guy, small beaky nose and hooded eyes gave tortoise-like impression. He’d often seem somnolent in group situations but his mind would be blazing all the time. When the speed/Trina paranoias weren’t in full effect and if you could get him on his own, he could be great company. Alex Trocchi wouldn’t hear a word against him.

“The time when he rapped about your mum came about because I got frozen in round at his flat one particularly cold Xmas (81?82?) for about three days. Trina had gone back to her folks in Gateshead after a real spectacular: suitcase over the balcony when Grainger found she’d nicked a load of his private stash of diamorphine amps.

“In one account of his early days he said he’d trained or qualified as a pharmacist before the sixties kicked in During another long session he told me how he’d been part of a wild traveller gang who travelled around the North, vaguely connected with putting on funfairs etc., “I lived like a fucking animal” he recalled with no pride. Then he’d discovered first acid and then smack – in the days when GPs were able to prescribe class A’s and things were a bit of a free-for-all. A golden age of junk – when I got into smack a few years later – when the regime had changed from heroin maintenance to methadone reduction – we felt really pissed off and cheated that we’d missed out on the ‘good times’, I’m sure most of the Trocchi stories in circulation come from this time. It might help explain the vibe around in your mother’s time when some fairly hardcore drug use really wasn’t considered that outré

“If I had to try to liken Grainger to someone you’re familiar with I’d tentatively suggest John Lennon. Similar mix of contradiction maybe. I was reading something last night about Lennon’s drunken arsehole in LA period in the mid-seventies – and how generally given he was to drunken destructiveness – compared to the received image of the guy. Grainger had the same kind of caustic vibe as Lennon. “I’m a healer not a dealer” could almost be a Lennon lyric. Another favourite Grainger saying: when declining to give someone gear on tick – as experienced by yours truly – “No-one wants to pay for drugs they’ve already taken.” Hard but one of the truest things I’ve ever heard…”

I’m told by those that knew Grainger in the sixties that the Michael X episode changed him dramatically and very much for the worse. Likewise, the same sources tell me Grainger and Trina were only very loosely together for much of the seventies, and lived in separate pads for extended periods. In the very early seventies there was a sex scene going on with Grainger, two girls, one dark, one blonde, and a black guy. The fair girl may have been my mother Julia Callan-Thompson. Grainger and Trina only got back together on a full time basis after my mother’s death.

There are a number of stories in circulation about my mother’s death, and these vary from the claim that she was murdered by an obsessed john to the less sensational suggestion that she died from an accidental heroin overdose. Only the latter rumour need concern us here, since Grainger features prominently in it. The story runs as follows.

In the late-seventies my mother was having a down period. However, at the very end of her life she got a job in a clip joint. The manager had employed her before but was wary of her smack habit, so she’d had to convince him she was clean in order to get the job. Since it isn’t easy to land a hostess job at the age of 35, my mother really felt she was on the up again. She had just done cold turkey in the US, but once she was back in the UK with Grainger, she wanted hits to help her relax after she finished work. Grainger made these up from his personal stash, and although Julie was living with him as his common-law wife, he charged her for the gear. He told friends he exaggerated the size of the hits he was giving my mother, because lying to her about this kept her straight enough to do her clip joint job (it also meant Grainger had both more money and more junk).

On the night my mother died, Grainger had sold a lot of gear and used all that was left over himself. Therefore there wasn’t a shot for my mother when she got in from work. Desperate for a fix, my mother went and scored street heroin from Brian Barritt. She bought the equivalent of what she thought she’d been getting from Grainger, not knowing he’d exaggerated the size of the hits he’d been giving her. She shot up before going to bed. My mother woke Grainger in the night to tell him she couldn’t breath and needed help. He told her to go back to sleep, which is what he did. When Grainger woke up in the morning my mother was dead in bed beside him because she’d overdosed. Grainger proceeded to clean up the flat, removing all needles and other signs of drug use. When he called on his near neighbour Brian Barritt, he was visibly upset and in a panic. Grainger had broken up with Trina to get back together with my mother, and since he loved her, he was completely cut up by her death – for which he felt he was in some ways responsible.

Without some form of corroboration, it is impossible to know whether or not there is any truth to the story I’ve just related. Regardless, since Grainger may be able to throw some light on my mother’s death, I am keen to collect further information about him; and if he is still alive to speak to him. I can’t find any west London hipsters who have seen Grainger since 1986; five years ago I called several times at a flat in south London where I believed Grainger was living, but the man resident in the property wouldn’t answer the door and it is now occupied by someone else. Although my mother had many lovers, ultimately only two were really significant to her, Grainger was one and Bruno de Galzain the other. And to wrap up, while Brian Barritt can be contacted easily enough, he has to date refused to speak to me about my mother and her death. If you have anecdotes about Grainger and Trina, you can – of course – add them to this by leaving a comment.

Addendum: On 22 February 2010 I received an email from someone Grainger and Trina befriended during the post-Ladbroke Grove phase of their lives. It included the following: “Grainger died in February 2000. He had contracted Hepatitis C many years previously no doubt as a result of very liberal heroin use in the 60′s and 70′s. I think he was unaware that he had it until early 1999 when he fell seriously ill with cirrhosis of the liver. I went to his funeral in Elephant & Castle. Trina has moved to Newcastle upon Tyne and is living with her mother.”

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!