Posts Tagged ‘MySpace’

Shaming The Spammers Part 1: Trish Stevens & Ascot Media, The Self-Styled New Media PR ‘Experts’

Wednesday, October 12th, 2011

One of the rip-off outfits that persistently sends me spam emails is Ascot Media of Houston, Texas. I thought I’d shame this scamster operation by commenting upon and correcting one of their missives. The individual behind the Ascot Media rip-off  is called Trish Stevens, and while there are some sites online talking positively about this scam operation, they are  probably all run by Trish Stevens under other names – or at the very least people paid to promote her, or with a financial stake in the company! I’d expect a successful PR ‘guru’ to have lots of social media connections, and so I found it rather telling that Trish Stevens only had two contacts on her LinkedIn profile when I checked it just now (note added 13 October – since I posted this blog about 28 hours ago, Stevens appears to have added more than 400 contacts to her LinkIn profile; good to know a bit of criticism has forced her to work harder at her con, but it leaves me wondering how many of her new contacts are profiles she has created herself). Likewise, the Ascot Media profile on the MySpace platform is really abysmal – 71 friends, and some worthless promotional content for schmucks who have presumably paid Stevens thousands of bucks in the belief she’d hype their books into the New York Times bestseller list.

On LinkedIn, Stevens states she received her ‘business education’ at Harlow Technical College in England. For those that don’t know, technical colleges are places British kids used to go roughly between the ages of sixteen and eighteen, mostly for non-academic subjects and often as apprentices. The photo Trish Stevens has chosen of herself to place online really cracked me up too – in it she looks more like one of the women you see working on the check-outs at the British bargain bin chain Poundland than a media savvy public relations ‘guru’. Obviously this last point is on one level extremely superficial but then in PR image is everything, and it would really make me laugh if someone started spamming Trish Stevens with emails about how she desperately needs a personal trainer to whip her into shape.

So let’s make shame more shameful by commenting upon and correcting a spam email sent to me from Trish Steven’s Ascot Media Group. I’ve put my observations and corrections in CAPITALS to differentiate them from the spam.

Dear Mr. Home:

The Holiday Season is just around the corner and this is the best time of the year for PR. JUST AROUND THE CORNER IS A RATHER CLUNKY PHRASE, ‘APPROACHING’ WOULD HAVE SOUNDED MORE PROFESSIONAL, BUT THEN THESE SPAM EMAILS APPEAR DESIGNED TO SEND PEOPLE AROUND THE BEND, SO JUST MAYBE THE PHRASE IS APPROPRIATE BUT STILL VERY CLUMSY. I RATHER DOUBT IT IS THE BEST TIME OF YEAR FOR PR UNLESS YOU ARE AN ALREADY ESTABLISHED NAME. IN THE OVER-DEVELOPED WORLD WHERE A FESTIVAL KNOWN AS CHRISTMAS IS CELEBRATED BY PEOPLE ACTING LIKE TURKEYS, THERE MAY BE HIGHER SALES OF GIFT ITEMS SUCH AS BOOKS, BUT THERE IS ALSO MORE COMPETITION TO GET MEDIA COVERAGE BECAUSE OF THIS, SO OVERALL MOST AUTHORS AND MUSICIANS ETC STAND LESS CHANCE OF DOING WELL IN TERMS OF PRESS RIGHT NOW. People are in the buying mood and the media are still operating in full force during this season. THE MEDIA OPERATE FULL FORCE TWENTY-FOUR SEVEN, WE HAVE ROLLING NEWS COVERAGE ALL YEAR ROUND.  THIS CLAIM IS A CLICHÉD TRUISM BECAUSE IT CAN BE APPLIED TO ANY SEASON. LIKEWISE THE PHRASE ‘BUYING MOOD’ IS UGLY AND SILLY, AND ACTUALLY PUTS ME IN THE SORT OF MOOD WHERE IF THE PERSON WHO WROTE IT WAS IN FRONT OF ME THEN I MIGHT TWAT THEM (THAT’S A UK SLANG EXPRESSION MEANING GIVE THEM A REALLY HARD SLAP).

Remember, at Ascot Media Group we do not only guarantee publicity for all of our clients, we monitor all of the incoming media hits each week to make sure you are getting them regularly throughout the campaign. BUT WHAT DO THEY ACTUALLY COUNT AS COVERAGE? SPAM COMMENTS ABOUT YOU ON A COUPLE OF BLOGS THAT NOBODY READS?  OR A  JPEG OF YOUR BOOK COVER ON ASCOT’S MYSPACE PROFILE WITH ITS SEVENTY-ONE FRIENDS? ALSO THAT SENTENCE NEEDS REWRITING – ‘WE DO NOT ONLY GUARANTEE’ IS A SERIOUSLY UGLY PHRASE. The Select Advantage plan is our most popular because of its low cost and results. I THINK WE CAN SCORE OUT ‘AND RESULTS’ BECAUSE IT ISN’T QUANTIFIED. THE RESULTS MIGHT BE SIMPLY TO LEAVE YOU SCREAMING WITH RAGE. SO ASCOT – PROBABLY FRAUDULENTLY – CLAIM ‘SELECT ADVANTAGE’ IS POPULAR BECAUSE IT IS CHEAP, REGARDLESS OF THE FACT IT IS INEFFECTIVE.  Most of our clients receive between 40-80 hits from the media each month, some get over a hundred. DOES THIS MEAN ASCOT SET UP OR HELP YOU SET UP SOME SPAM WEBSITE TO PROMOTE YOUR BOOK OR WHATEVER, AND YOU THEN GET BLACKLISTED BY EVERY JOURNALIST WHO HAS THE MISFORTUNE TO BE DIRECTED THERE UNDER FALSE PRETENCES? Most get national media hits YEAH, RIGHT, ALL THE OTHER CHUMPS PAYING ASCOT BUT NOT YOU! Please see our testimonials (with full contact information) at: LINK DELETED BY MISTER TRIPP – DON’T BOTHER LISTENING TO SHILLS.

The Select-Advantage plan works great for everyone, regardless of talent, book, product, service, genre, whatever it is we publicize for you. ‘REGARDLESS OF TALENT’, SO THIS APPEARS TO BE A SERVICE USED BY THE DESPERATE WHO HAVE ALREADY BEEN RIPPED OFF BY VANITY PUBLISHERS OR WHATEVER. There are several reasons it works so well: THE MAIN ONE BEING THAT A FOOL AND THEIR MONEY ARE EASILY PARTED, SO THAT EVEN ASCOT MANAGES TO CON THE ODD SUCKER OUT OF THEIR DOUGH.

1. We professionally write an amazing press release for your approval REALLY? BECAUSE THAT SENTENCE FAILS TO BE EITHER PROFESSIONAL OR AMAZING. THE WORD PROFESSIONAL NEEDS TO BE TAKEN OUT, OR ELSE THE PHRASE ‘AN AMAZING’ SHOULD BE REPLACED BY MOVING ‘PROFESSIONAL’ TO THAT POINT IN THE SENTENCE AND PUTTING AN ‘A’ IN FRONT OF IT. A COMPANY THAT USES SUCH ATROCIOUS SENTENCES IN ITS OWN PROMOTIONAL MATERIAL ISN’T CAPABLE OF WRITING A SATISFACTORY PRESS RELEASE FOR ME.

2. We distribute your press release over 50,000 media personnel each month, directly, individually addressed to their email boxes, with a personal introduction “requesting” an interview or review. All major outlets are included in the distribution. IN OTHER WORDS JOURNALISTS ARE GOING TO BE SPAMMED WITH MESSAGES ABOUT YOU, AND AS A RESULT THEY DEFINITELY WON’T GIVE YOU COVERAGE EVEN IF THEY MIGHT HAVE BEEN INCLINED TO DO SO BEFORE YOU PISSED THEM OFF WITH A LITTLE HELP FROM ASCOT MEDIA. ACHIEVING MEDIA COVERAGE IS ALL ABOUT THE QUALITY OF CONTACTS, NOT THE QUANTITY – THIS IS VERY DEFINITELY A QUESTION OF LESS IS MORE & FIFTY THOUSAND IS A JOKE AT YOUR EXPENSE! & LET’S JUST SKIP GOING INTO THE FACT THAT THE WORD ‘TO’ IS MISSING FROM BETWEEN THE FIFTH AND SIXTH WORD OF THE LAST ASCOT MEDIA SENTENCE QUOTED HERE.

3. The media leads come in from every direction across the US and Canada asking to interview our clients. PERSONALLY I DON’T BELIEVE THIS, BUT EVEN IF IT WAS TRUE IT WOULDN’T DO ME MUCH GOOD BECAUSE I’M MOSTLY LOOKING FOR COVERAGE IN EUROPE – & IT IS ANOTHER EXAMPLE OF ASCOT’S  SCATTER-GUN SPAM APPROACH: UNLIKE GENUINELY SUCCESSFUL PUBLICISTS THEY DON’T BOTHER TO CAREFULLY TARGET AND CULTIVATE SPECIFIC PEOPLE. These leads are for television, radio, newspapers, magazines, Internet and bloggers. BUT I THINK WE CAN SAFELY CONCLUDE MOSTLY FOR PLACING SPAM COMMENTS ON BLOGS WITH A READERSHIP THAT SOMETIMES GOES INTO DOUBLE FIGURES, BUT MOSTLY STAYS UNDER TEN.

4. Most importantly, we “monitor” the incoming requests you receive from the media to make sure you are getting plenty of hits. “Hits” means that media outlets write back after reading your press release and say… ”Yes, I would like to interview this person.” Or, “Yes, I would like to provide a review,” etc. NOTE THAT ‘HITS’ ARE MONITORED BUT THERE IS NO MENTION OF ANY ACTION BEING TAKEN SHOULD YOU BE GETTING NO HITS AT ALL (AS WILL ALMOST CERTAINLY BE THE CASE).

5. Our reach is so wide that it’s inevitable that you are going to get plenty of media activity. WELL BEING BLACKLISTED BY THE PRESS AFTER PAYING TRISH STEVEN’S TO RUN A SPAM CAMPAIGN IS MEDIA ACTIVITY, IT JUST WON’T LEAD TO ANY COVERAGE. Feel free to call any of our clients to find out for yourself. I READ THIS AS CALL OUR SHILLS, PEOPLE PAID TO SAY THIS COMPANY IS GREAT. DO ASCOT REALLY EXPECT ME TO BELIEVE THEY’D PUT ME IN TOUCH WITH A DISSATISFIED CLIENT (AND THERE ARE BOUND TO BE SOME, POSSIBLY A HUNDRED PERCENT OF THOSE WHO’VE PAID TRISH STEVENS FOR HER ‘SERVICES’)?

It’s really that simple. Best of all, we eliminate the high costs that inhibit many people, who simply cannot pay the high fees of standard PR firms, by cutting out the middle-man (the publicist), allowing you to work directly with the media on all the hits you receive from us. IF YOU’RE GOING TO CUT OUT THE MIDDLE-MAN THEN DON’T WORK WITH TRISH STEVENS OF ASCOT MEDIA EITHER, COZ SHE’S A MIDDLE-WOMAN This approach works for the media and our clients, and has proven successful time and time again. LIKE I SAID, IF CUTTING OUT THE MIDDLE-MAN OR WOMAN IS SO GREAT THEN GO FOR IT AND DON’T WORK WITH ASCOT MEDIA.

It is exciting, it’s a lot of fun, and we love making our clients happy (please see the testimonials above). THERE WAS NO TESTIMONIAL ABOVE.  Below my contact information is a new testimonial recently received. I DID SEE ONE BELOW BUT IT WAS SO BORING AND RIDICULOUS I’VE REMOVED IT TO KEEP THIS BLOG SHORTER.

The cost for this package is only $895 per month. THAT’S FOR HAVING SOMEONE INEFFECTIVELY SPAM THE MEDIA ON YOUR BEHALF. IF YOU WANT TO INDULGE IN SUCH RIDICULOUS PURSUITS WHY NOT CUT OUT THE MIDDLE-MAN IN THE FORM OF ASCOT MEDIA, GO DIRECTLY TO A SPAMMER AND SAVE YOURSELF EIGHT HUNDRED BUCKS A MONTH? It is such a low price but has such high results that even other PR firms buy our plans for their clients. YEAH, RIGHT, BUT THAT WOULD ONLY BE THE CASE IF THESE OTHER PR FIRMS AKA ASTROTURFERS DIDN’T HAVE THE INFRASTRUCTURE TO DO THIS THEMSELVES, WHICH OF COURSE THEY DO! Here is a link to all of our plans: LINK DELETED BY MISTER TRIPPY.

Please feel free to call me if you have any questions, I’d be more than happy to answer them. REALLY, THEN IN THAT CASE WILL YOU ANSWER THIS QUESTION? “WHY DON’T YOU FUCK OFF AND DIE – OR AT THE VERY LEAST STOP SPAMMING ME WITH YOUR CRAP?” I look forward to speaking with you. NO YOU DON’T YOU SHAMELESS LIAR – YOU’RE JUST HOPING TO RIP ME OFF FOR A LOAD OF WEDGE. Thank you. AND FUCK YOU TOO!

Kind Regards, Niki Williams
Ascot Media & Aston Publicity

IT SHOULDN’T NEED SAYING, BUT ANYONE WHO IS ANY GOOD AT WHAT THEY DO WON’T NEED TO DRUM UP BUSINESS BY SENDING OUT SPAM….

And before I go I should say that what I find particularly funny about this scam is that it appears the marks paying Ascot Media for their utterly worthless ‘services’ are actually forking out their own dosh for the ‘privilege’ of assisting Trish Stevens with search engine optimisation (SEO). Ascot encourages self-published authors etc. to do their own publicity, and this will include websites and social networking profiles on which they can link back to Ascot Media. Those links will raise Ascot’s Google rankings, and result in those trying to research Ascot Media being more likely to click through to Trish Steven’s propaganda about this rip-off operation, rather than an objective appraisal by someone who realises it is a con.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Web 2.1 – A Revolution in Plumbing?

Wednesday, September 28th, 2011

My impression is that I’m not the only person to have found that Web 2.0 is proving less interesting these days than it was five or six years ago. I don’t think this is simply because for my social (networking) circle the novelty has worn off. It has more to do with the fact that the web is less chaotic than it was and corporations have learnt how to better use and control social networking. Friendster fell out of favour because it kicked out fakesters (those that refused to use their ‘real’ identities) and it was continually crashing due to lack of server capacity. MySpace allowed people to adopt any online identity they felt like taking – so it appealed to the fakesters, among others. One of the things I liked about MySpace was its willingness to jump on any and every online fad going, which made it more of a culture clash than most other parts of the web – and I particularly dug the blogging features. I’ve detailed my use of MySpace in an article on the main part of this website – http://www.stewarthomesociety.org/praxis/myspace.htm.

MySpace had lots of faults but it was fun for a while. The platform being bought out by Murdoch’s News Corp (via the Fox subsidiary) led to MySpace suffering a slow death, since its old media purchasers had no understanding of what they’d acquired. That didn’t stop the fools at News Corp from messing around with their new toy. Facebook took up the slack, after initially appealing to over-privileged college kids and other conservatives who couldn’t stand the anarchic nature of MySpace; and partly because one of the central features (alongside photo sharing when that was introduced) was the status update – which required less effort than writing a blog. Twitter took the status update and transformed it into pretty much the only feature on its site. Facebook quickly became a place to do little more than post links when the company made attempts to claim ownership of any original content distributed directly from its severs. No one in their right mind would want to give FB CEO Mark Zuckerberg anything too interesting to claim as his ‘copyright’. Facebook’s current revamp looks a lot like a tail-ending of the failed MySpace. Facebook is now being promoted as a place for sharing media. Zuckerberg’s site for college squares and their post-degree clones has always been uptight and preppy, but in recent months the boredom factor there has definitely increased.

I know I’m not the only person in my social networking circles to try out other sites in recent years. I’ve found the take up at Identi.Ca too low for it to work very well for me – although I’m still posting: http://identi.ca/stewarthome. VK might have turned out better for me if there hadn’t already been a number of Stewart Home fakester sites on their servers prior to my arriving there: many users assumed that I couldn’t possibly be running my own profile on ‘their’ site (a corporate Facebook clone but with more than a few toes dipped into the darkweb). VK is most popular in Russia and since my books sold very well in Russian translation, I’m well known there. So I’m plodding on with VK too: http://vk.com/id121464913. I’ve been working with Diaspora alpha but initially went to a pod that didn’t suit me. I’ve just switched to another pod that seems much better: https://diasp.org/people/36032. Fingers crossed that Diaspora takes off once it goes fully public, the potential for something really good is definitely there. I’m at many other places – including of course Google+ – but to take just one example, I can’t even remember the last time I logged in to my LastFM account: http://www.last.fm/music/Stewart+Home. I have managed to post new material at YouTube quite recently (a public reading from one of my books which I give standing on my head): http://www.youtube.com/watch?v=Z70hEvWbaWg. I hope to update my Vimeo profile at some point in the future: http://vimeo.com/stewarthome. The same goes for my site on Flickr: http://www.flickr.com/photos/stewarthome/.

Instead of waiting for a social networking platform that I find viable to either appear or reach its potential, I figured I’d return to blogging here – albeit on a more sporadic basis than in the past. This is in part because I’ve found the current Guardian newspaper series on “How to build a profitable blog” by Andrea Wren completely vile.  Rather than opening up the possibilities of blogging, Wren’s series is all about closing them down and reducing web 2.0 to a narrow focus. Viz, her desire to turn ‘creativity’ into money. Wren and her mentor Craig McGinty may or may not make a fortune from their blogs, with some added help from the Guardian series that is boosting them – but most of their foolish followers won’t get a pot to piss in from setting up online sites. It is only by moving away from an obsession with monetisation and hits that blogging can become in any way exciting. Search engine optimisation is so last decade, and I’m still of the opinion that content counts, alongside the quality of interaction between a site and its visitors. I’ve never focused on a single subject to the exclusion of all others either here or when I blogged on MySpace. Unvarying subject matter may or may not deliver a target audience to advertisers, but it is also the road to unadulterated tedium.

Finally – and just in case you’re interested – the revolution in plumbing (and many other areas of design and engineering) is allegedly coming to us all very soon via 3D printing rather than web 2.0. And in recent days as I went through a slew of old social networking sites I’d joined, I found that some had wiped my profiles, but many others remained just as I’d left them when I’d last logged in two or more years ago. That said, the entire Twine platform had disappeared and when I typed their url into my browser I was redirected to the Evri site (who I understand have both bought out Twine and wiped my account from the site they’ve merged into their own). Meanwhile, I was excited to discover my Tumbler profile could be be updated from my new Diaspora account. Other places I’ll start updating again – mostly with links to here – include Stumble Upon, Digg and Delicious (the latter two had both ‘lost’ my old profiles but I set up new ones). As for my WordPress site blog, Live Journal, Blog Spot and Bebo profiles (among many others), I’m curious to see how long they’ll stay up if I never log in again, let alone update them…..

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Blog closed until further notice…

Thursday, December 31st, 2009

I’ve already written about my experiences of producing the first season of the Mister Trippy blog at MySpace. It is obviously a little early to write about the second season in any depth since this is its closing post. There is also less need to write about Mister Trippy season two because I’ll be leaving the posts up rather than taking them down as I did with not only with the first season of Mister Trippy, but all my MySpace profiles (to protest about the platform’s support for US imperialism), in Spring 2008.

Having produced posts for the first Mister Trippy season daily, I found it far easier to blog every other day in this second season (except for the first month, which was daily). That said, at exactly a year long, this season was also quite a bit shorter than the first. While the comments remained an integral part of the blog, there were considerably fewer than during the first season. I’d view this as a consequence of hosting season two on my own site rather than a social networking platform, and also because I didn’t concentrate on replying to comments as much as I did during the first season. That said, I appear to have more readers here than when Mister Trippy was hosted at MySpace, but far fewer of them commented and those that did made less comments than on the first season of the blog. From a conventional media point of view, upping both the number and percentage of lurkers is probably a good thing, from a full-on committed to Web 2.0 perspective it probably isn’t so good, although it does make life easier! That said, there have still been loads of great comments containing both solid information and some really way-out humour on the season two blog!

A few facts and figures. Mister Trippy season two ran from 1 January 2009 to 31 December 2009, during which time I posted 193 public entries (including this one). As I write this there are 5,007 approved comments split across these posts. Likewise, between myself and the Askimet anti-spam software 10,207 comments were blocked or removed. All the blocked or removed comments were of a commercial nature. Obviously the number of approved and blocked comments will increase as time goes by, although probably not at the same rate as when I was posting on a regular basis.

I’ve found this blog and the main website to which it is attached a good way of alerting people to information I’m seeking. It has enabled me to locate individuals, unearth facts, and in particular extend my knowledge of my mother Julia Callan-Thompson and her bohemian social circle – as well as my first cousin once removed Ray ‘The Cat’ Jones (a legend for audacious Robin Hood-style thefts from the rich and famous, as well as a successful 1958 prison escape with a subsequent two years on the run). That said, while – for example – I now know that Francois Raymond who exhibited photographs of my mother in 1967 is dead and I have contact details for his brother, I’ve drawn a complete blank in my attempts to nail down the fate of Malcolm ‘Grainger’ Drake.

One of the things I’ve always tried to do on this blog, as well as the main site to which it is attached, is put information online that wasn’t previously available via the web. The pieces I’ve posted about my mother’s circle and Ray ‘The Cat’ Jones are good examples of this. When I began researching my mother’s life there wasn’t a single entry about her online. It is because of my efforts that a search engine request now brings in more than 15,000 results for Julia Callan-Thompson, rather than none (which was the result I got from my early web searches for her). There was material about Ray The Cat on the web before I started blogging about him, but by locating a primary source in the form of Ray’s testament about his life and going back to contemporary press coverage of his exploits, I’ve expanded the range of material available online and shown that recent retellings of his escape from Pentonville Prison completely distort the facts (and that the confusion appears to begin with inaccuracies introduced by Mad Frankie Fraser and his ghost-writer James Morton). However, to see this you’d need to read through all my blog entries on Ray The Cat. My research is ongoing and I revise what I have to say on the basis of what I discover. Putting material online is important, there is unfortunately a growing trend (particularly among the young), to look for information on the web and if it can’t be found there then to assume it doesn’t exist.

My research methods appear to confuse some of those I’ve spoken to, since I’ve had the odd email complaining I’ve not written up a story as the person recontacting me originally told it. I always try to find as many sources as possible for what I write. Sometimes these provide me with conflicting information, and some people even provide more than one version of the same story over a period of time. Using archival records where they are available, and all the oral history I am able to collect, I try to reconstruct events as accurately as possible. This can result in a specific person’s recollection of events being discarded; not because I necessarily think the individual in question is lying  – memory can play tricks and the person concerned may simply be mistaken about what happened. Someone claiming to have direct knowledge of something does not automatically make them a reliable source for the subject. I work from all the evidence available to me and sometimes this will indicate (or even prove) that a particular individual’s memory of a specific incident is faulty or fraudulent.

Moving on, I trust that the interest of media professionals in blogging is waning, since it has had a deleterious effect on the activity. There are individuals who take up blogging in the belief that it might make them famous. Although this is unlikely, it doesn’t stop people trying and thus producing narrowly focused blogs with very limited subject matter, or else simply going in for egoblogging. One of the elements of this blog that proved particularly popular with a large swathe of readers were my reports of London art world openings. It would not be difficult to construct a blog around nothing but reports of this type, but for me it would become boring and is therefore to be avoided, despite – or rather because of – the fact that it would lead to me being viewed as a greater conventional ‘success’ than is currently the case.

Likewise, most newspapers seem to have given up on investigative journalism, or even research, and at a time when we need much more of it; clearly it is those with particular interests and specialised knowledge who are far better qualified to do this than so called media professionals, and blogging is a cheap and efficient way for the ‘real’ ‘experts’ – in other words, amateurs like you and me -  to gather and disseminate information. I’m not seeing as much research based blogging or other web reportage as I’d like, but hopefully there will be more of it in coming months and years – and far fewer blogs being updated via Twitter feeds. I’d also like to see the majority of bloggers trying a little harder with their writing. While splurging something out is a great way of getting it down, you do then need to rewrite and revise. I’ve always tried to compose my blogs the night before I posted them, so that I could give them a final rewrite in the morning. Too many blogs look like their author hasn’t read through what they’ve posted even once! If you’re not prepared to read your own writing, you shouldn’t expect anyone else to do so either!

In conclusion, while I wouldn’t rule out a third season of the Mister Trippy blog, I’m not committed to doing  one either. I’ll just see how things go. For now I’d rather concentrate on other pursuits. I will continue to update the main website to which this blog is attached – check the new additions page if you want to see what is being added. Wow, this may also be one of the least humorous blog I’ve written over the past year, so I obviously do need a break from Mister Trippy!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

‘Famous’ glamour model Sammy Marshall stars in amazing one pound porno bargains including “Golden Shower Girls” & “Lesbian Amateur”!!!

Monday, October 12th, 2009

Yes, those crazy non-erotic soft porn DVDs are invading UK pound shops once again, which led Justin to comment on my Jenna Jameson blog of a few days ago: “Have you noticed that Poundland actually sell porn DVDs?” Well, I blogged about the porno on offer in pound shops back in the days when I was posting on MySpace. Poundland still seem to be concentrating on the more ‘tasteful’ Penthouse and Electric Blue type stuff. Pound shops stuffed with trash DVDs, let alone euro or dollar shops selling anything at all, are in short supply in inner London; but the same shirt turns up at the same prices on market stalls in Whitecross Street and elsewhere (okay, I lied, a lot of these DVDs go for 50p when they turn up down Whitecross Street – never trust a Londoner!). Two years ago, I was more impressed with what was on offer in Poundgate in Glasgow than Poundland. However, when I gave a talk at the Streetlevel Gallery a few weeks ago, very close to where Poundgate used to be, I noticed the shop had gone. Anyway, here’s what I had to say about their porno DVDs a couple of years back:

“Poundgate was doing titles like Lust In The Grass (although personally I’d prefer Lust In The Dust as the ‘hard’ sell end of a tiresome video of a Czech chick getting ‘filthy’ – double entendre – in her garden), Bondage Party (you can see a picture of that here) and Best of Sammy Marshall (image of that here). I’d never heard of Sammy Marshall but a web search led me directly to her site (this was nearly two years ago, the site is no longer up): ‘Sammy Marshall. A model for around 20 years now, I’ve been published in all the top shelf magazines, page 3, calendars etc, and have also been in various movies. I also do lap dancing and strip shows all over the country…’ The Internet Movie Data Base provides the following filmography for Ms Marshall: Women That Wank: Volume 1 (2004), British Bitches in Leather (2001), Best of Single Sensations 1 (2001), Girls in Uniform 1 (2001), Dodger DVD 2 (2001),  Dodger DVD 25 (2001), Golden Shower Girls 1 (2001), The Bitch: Best of Sammy Marshall (2000), Lesbian Amateur (1998), Mistress Leather (1997), Fetish Special 4 (1996).”

Having checked, I see that no new titles have been added to her IMDB filmography, so I guess Sammy Marshall’s glamour career ain’t going so well. You now need to add at least a year to the estimated age I gave Sammy in what I went on to say, but it looks like I judged things about right.

“At 34 Sammy Marshall has obviously reached a career peak as far as her work as a glamour model goes, but you can still book her: ‘My rates start from £40 per hour. I tailor every job to your specific requirements and my rates change accordingly. Please contact me to discuss your needs and we can agree a price. Minimum booking time is 2 hours, unless petrol money paid on top. If you want me for more than two hours then we can come to a special discount arrangement on price. All day bookings are £250. If you require a model release, then that’s an extra £25 on top. I will work all over the country but may ask for petrol money if it’s a long way. i.e. Newcastle. I will not do any anal, water-sports, animals or anything illegal. If you would like any more information on my work please contact me. Email sammy@sammymarshall.co.uk… Facing the future and the glamour age barrier that she’s already hit, Ms Marshall is now acting as an agent for other dancers and models. Check her r18models site…”

The r18models site is still up, albeit with slightly fewer models than last time I looked. And for me it makes the world of glamour modelling look distinctly unattractive. In fact, neither it nor one pound porno DVDs are at all tempting…  I still prefer horror and crime as movie genres to bored housewives getting it on with candle sticks and water hoses in their suburban homes and gardens…. And if you want to book Sammy Marshall for a stag night or whatever, she now appears to be managed by the Stand and Deliver Booking Agency, who specialise in supplying comedians! You gotta laugh!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

From Whitecross Street to Falmouth Harbour & Back Again!

Thursday, May 14th, 2009

Reader let me take you by the hand to Whitecross Street… are the words with which nineteenth-century writer George Gissing begins his first novel Workers of the Dawn. In Gissing’s time Whitecross Street was synonymous with poverty but now it boasts art galleries and a regular farmer’s market. Just down the road is the site that provided Gissing with the title of another novel New Grub Street. Today this road stops dead where it hits the Barbican complex and what is left of it is called Milton Street. Grub Street was once the favoured home of London’s hack journalists and other impoverished writers; it was originally called Grope Cunt Street because of the broken down prostitutes who plied their trade within it. Nearby lie the sites of the notorious Jack The Ripper murders, the graves of William Blake and Daniel Defoe, and an art scene that thrived in the 1990s and is now dying on its feet. Mostly the northern and eastern edges of the City of London are gentrified but there are still notoriously ‘dangerous’ areas such as Murray Grove….

All of which goes to show that whenever I spend time away from London, my thoughts fix firmly on the city in which I was born. I’ve just been staying at The Grove Hotel in Grove Place, Falmouth. My room was rather too traditional for my taste; it had embossed pale yellow wallpaper, dark furniture and a print of a country landscape with a river and a bridge above the bed. For my comfort, the bed had ‘been fitted with a revolutionary Tempur memory foam mattress which experts recommend saying that as it moulds to the body it produces the best conditions for a good nights sleep.’ The service was friendly and the breakfast good.

On Tuesday, 12 May, 2009 I gave a lecture for Exeter University at The Old Chapel on the out of town Tremough Campus. The promotional blurb for this ran as follows: “Taking up from the network of 1990s humorous anti-capitalist groups covered in my book Mind Invaders, would it make sense today to form a Falmouth Psychogeographical Society, or revive the Kernow branch of the Association of Autonomous Astronauts? Has the currently active and London based International Necronautical Society moved the work of these earlier groups forwards, or has it reversed into antiquated literary and philosophical positions? So by looking at these groups and their relationship to the historic avant-garde, I’d like to shift towards seeing what a new group based in Cornwall might look like…”

The following day I ran a workshop on Network Platforms and Collaboration at the Woodlane Campus of Falmouth College of Art. This was billed as: “Taking forward the ways in which I’ve been working collaboratively on the web. The starting point is the “Tree Sex Girl Network” developed in 2007 with Paolo Cirio and Tatiana Bazzichelli, which was hosted via MySpace profiles and YouTube videos and was an entirely fake network of “bot girls” who claimed they liked making love to trees and listening to breakbeat. As part of the workshop we will produce blueprints (using video, photography and texts) for some new fake social networking profiles and critically reconsider the project’s characteristics.

After everyone had talked through their various experiences with Web 2.0, we collectively decided to make profiles for the unborn babies of celebrity mothers, so that the foetus could find its own voice online! You can now view these profiles live at a social networking site near you! Although some of the tree sex girl material placed online is no longer available, if you want to check it out try the following addresses:

www.myspace.com/forest_frottage

www.myspace.com/roxyporn

www.myspace.com/alexlovetrees

www.myspace.com/selenelovetrees

www.myspace.com/fucktrees

I didn’t meet any tree sex girls during my trip to Cornwall, although I did get to spend some time with the legendary Nigel Ayers of Nocturnal Emissions. There was also much merriment with Alex Murray, Kate Southworth, Magdalena Tyzlik-Carver and many others. A couple of bars have opened in Falmouth since I last visited the town, and both these new ventures – The Town House and The Tap Room – boast reasonably modern decor and a friendly atmosphere. I also spent time in The Steam Packet which I’d not visited before, and reacquainted myself with several other drinking establishments. Since my last sojourn to Cornwall, Woolworths had closed down but otherwise Falmouth seemed pretty timeless. It’s a nice place to visit but personally I much prefer living in London….

And while you’re at it don’t forget to check – www. stewarthomesociety.org – you know it makes (no) sense!

Lana Clarkson & Phil Spector both victims of American gun culture

Tuesday, April 14th, 2009

Watching the coverage of the Phil Spector murder trial as it came in on BBC News 24 last night, really rammed home the celebrity agenda behind most reporting. There was lots about the famous people Spector worked with, and while it is always a pleasure to see footage of Tina Turner in her sixties prime, it didn’t surprise me that The Ramones weren’t among the famous acts the Beeb mentioned the record producer having worked with. There was little of Clarkson beyond one brief clip, which I didn’t see repeated.

I always thought Lana was a great ‘scream queen’ even if the films she appeared in weren’t so wonderful. Below I’ll reproduce an old review of her in the movie Barbarian Queen, originally written and posted when this Mister Trippy blog was hosted on MySpace.  We need a more even balance between the coverage accorded to murder victims and their killers. Returning to the BBC news, they didn’t even make the obvious point that in a culture that sees it as normal to have guns lying around, it isn’t surprising that murders like this take place. Not just Lana Clarkson, but Phil Spector too is a victim of a sick society. That said, it’s good that Spector was found guilty because all too often rich men like him are able to buy their way out of trouble. But while Spector is a misogynist twerp and has to take personal responsibility for that, he was also the product of a social system that places profits above human community, and ultimately it was this that made him into the “demonic maniac” denounced by the prosecution in his murder trial.

Barbarian Queen directed by Hector Olivera (1985)

This starts with a rape before the credits – which is mainly an excuse to rip off an actress’s top and expose her tits. Marauding Romans proceed to ruin Barbarian Queen Anethea’s wedding day by attacking her village and after a few more rapes and some murders, nearly everyone else is captured and sent off to slavery. Fortunately Anethea (Lana Clarkson) and a couple of other women escape. They decide to head on down to the nearest Roman city to exact revenge for the disruption of Anethea’s nuptials and the enslavement of her husband. Along the way there are far too many lame sword fighting scenes.

Director Hector Olivera was a serious Argentinean film-maker who’d been enticed into concocting schlock by the lure of producer Roger Corman’s yankee dollar; and yes, this movie was ‘shot in south American where life is cheap’ (to use the tag line from the film Snuff). Lana steals the show, partly because she is far fitter than the other actresses (she is 6ft tall so she towers over them), and partly because her eighties haircut is very slightly better than the abominations sported by her co-stars.

Despite Barbarian Queen being mercifully short at 71 minutes, my attention began to wander pretty early on because the cast can’t act and the ‘action’ scenes are so poorly choreographed, however once Lana and her friends are captured by the Romans we are rewarded with some orgy and torture scenes (and these are the only reason for watching this flick). The highlight of Barbarian Queen is Lana’s all too brief tenure in a Roman torture chamber, where she’s stretched out on a rack so that her lithe and very tall frame is displayed to stunning effect… call me perverse but I also kinda got off on the fact that her skin looks pretty rough and you can see spots under her make-up; but then its not Lana’s face that I really go for, it’s that fabulous scream queen body with those impossibly long legs.

Of course, the torture is unconvincing but who cares when you can look at Lana fully stretched out with her legs spread… Eventually the extremely ugly man interrogating Lana in the hope of finding out where the other rebels are hiding, decides to rape her. Sexually assaulting the Barbarian Queen is a fatal mistake on the part of this torturer, because after he penetrates Lana he discovers that her cunt muscles are so well toned she can hold his prick in an agonisingly painful grip. He begs her to let go, Lana agrees to do this if he unties her, which he does and she then shoves him into a bath of acid… rock and roll! After this there isn’t really any reason to watch the rest of the film, but for those who need to know, Lana succeeds in defeating the Romans and freeing her people. Barbarian Queen is fun but is most definitely something to watch with your finger on the fast forward button, since aside from the orgies there isn’t a scene without Lana which is worth watching.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

MySpace, Power Pop & Julia Callan-Thompson

Saturday, March 14th, 2009

While bringing you this blog I haven’t entirely forgotten about the main part of my site, to which this is – of course – just a back end. And over there you get pictures too, whereas this part is all text.  Aside from tidying up bits and pieces on the main part of the site, I’ve also been adding new pages. But if you wanna comment on these new pieces you’ll have to do so below, since the main site consists of static pages.

On MySpace (I also put this out as an “ediffusion” pamphlet a week or so ago):

<http://www.stewarthomesociety.org/praxis/myspace.htm>

On why late-seventies power pop was superior to punk slop:

<http://www.stewarthomesociety.org/praxis/powerpop.htm>

On the death of my mother Julia Callan-Thompson and the botched investigation into it by the old bill:

<http://www.stewarthomesociety.org/praxis/dead.htm>

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

31 posts in 31 days… now I’m gonna slow down…

Saturday, January 31st, 2009

Blogging can be a curious experience, sometimes it makes 3 weeks feel like a life-time ago. Talking of which, only 20 days have passed since I reviewed a recent book by Ken Wark, although subjectively for me it feels like this was done back in my 2006 MySpace blog days. In his tome, Wark observed: “The newspapers are devolving, bit by bit, into shopping guides. The ‘quality’ magazines are just coded investment advice. One turns with hope to the blogosphere, only to find that it mostly just mimics the very media to which it claims to be an alternative. Alternative turns out just to mean cheaper…” I like that quote, and while there are some blogs drifting through the depths of cyber-space that groove me, many are just a waste of time. Indeed, one of my mantras is: ‘if I want to see anything worth reading, then I have to write it myself’.’

A lot of blogs would be massively improved if those running them actually rewrote and edited what they’ve banged out, rather than just sticking it straight up online. I try to write my blogs the day before I post them, so that I can sleep on what I’ve written and revise it the next day. That said, a daily blog can often surprise its producer, as well as its readers, by forcing them to come up with something they’d never have thought of writing if they hadn’t felt under pressure to do so.

Prior to installing WordPress on the back end of this website a month ago, I hadn’t been blogging since March 2008, and a daily blog for January was a good way of getting back into the swing of things – while simultaneously creating a sufficient mass of material to make this new non-MySpace Mister Trippy blog worth visiting. But from here on in I’m going to slow down in my postings, and while I’ll keep right on blogging, I’m not necessarily going to be doing so daily. So if you turn up here in the future and there’s nothing new, please do go ahead and add comments to the old posts. And then come back in a day or two when there will be something new….

And while you’re at it don’t forget to check – http://www.stewarthomesociety.org/ – you know it makes (no) sense!

Let’s burst the web 2.0 commercial bubble & instead get really funky!

Thursday, January 29th, 2009

The commercially driven nature of Web 2.0 has been stressed by many commentators, for instance Tim O’Reilly in his influential essay of September 2005 “What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software“. Thus when I first looked at MySpace a little before O’Reilly published that text, rock bands clearly knew how to promote themselves to a new (as well as their existing) audience via this site, but writers and artists on the whole didn’t. The later two categories of would-be culture industry ‘professionals’ tended to use the internet as a means of advertising (largely ineffectively) what they were doing, rather than integrating their activities into it. Since MySpace made streamed sound central to its platform, musicians found the site was tailor made for them, and it didn’t require much adaptation on their part to benefit from it.

There were and still are very few professional artists on MySpace with notable exceptions like Martin Creed and Jane Pollard/Ian Forsyth; most of the art profiles are either for complete amateurs or run by fans of dead iconoclasts like Duchamp and Warhol. The majority of artists I encounter in London don’t seem to like the web very much (among other things it doesn’t allow them much control over the way their work is viewed and who sees it, which is why they prefer galleries), but Facebook attracts them as a networking tool. On Facebook gallery artists fit in very well alongside suit wearing culture industry professionals and corporate managers with their spreadsheets and calculators. If gallery artists have work they want to sell and that really is their bottom line, those artists working on the web (and doing more than simply publicising upcoming shows and reproducing catalogue essays) are more likely to have something to say or at least formalist concerns they wish to explore. Strangely beyond those involved in genres such as conceptual literature (Kenny Goldsmith is the most prominent figure in this field) or perhaps cyberpunk, even fewer writers than artists show much interest in the internet as a creative tool, despite the fact it is language based and offers enormous scope for ‘social sculpture’.

Moving on, the developmental model many Web 2.0 businesses work with is offering a service either cheaply or for free in order to mine data from their users. Web business ‘guru‘ Tim O’Reilly doles out advice along the lines of: ‘leverage customer-self service and algorithmic data management to reach out to the entire web…  For competitive advantage, seek to own a unique, hard-to-recreate source of data… The key to competitive advantage in internet applications is the extent to which users add their own data to that which you provide…. Involve your users both implicitly and explicitly in adding value to your application…. Set inclusive defaults for aggregating user data as a side-effect of their use of the application…. When benefits come from collective adoption, not private restriction, make sure that barriers to adoption are low. Follow existing standards, and use licenses with as few restrictions as possible. Design for “hackability” and “remixability.”… Don’t package up new features into monolithic releases, but instead add them on a regular basis as part of the normal user experience. Engage your users as real-time testers…“

In recent years networking theory has made much of the notion of weak ties. The pioneer in this area was Mark Granovetter in the 1970s and by the late 1990s his work had been combined with Stanley Milgram’s research into how many links separate people from each other (the so called six degrees of separation) by mathematicians Duncan Watts and Steve Strogatz. These ideas were later popularised in mass market paperbacks like Mark Buchanan’s “Small World” (known as “Nexus” in the USA). A completely ordered network (where every node is tied only to its neighbours) is inefficient in terms of its degrees of separation: but when some long distance ‘weak ties’ are thrown in these massively reduce the number of moves needed to get from any one node to any other. Thus from the perspective of networking theory MySpace is superior to both Facebook and Bebo since it encourages weak ties as well as networking among established friends (Facebook and Bebo actively discourage users from befriending people they don’t know). That said, those ‘virtual’ communities that go beyond ties to a single platform and that aren’t committed to capitalist business practices are infinitely superior to anything MySpace can offer.

Web business ‘gurus’ like Tim O’Reilly recognise the strength of collective activity, but they attempt to recuperate it for individual gain. Their world is one in which everything revolves around a bottom line; their outlook is essentially behaviourist, web surfers are enticed to click through links and to buy something (anything). Business data miners are interested in what makes someone click through links and make purchases, not why they do it. Thus what doesn’t gain clicks is either discarded or placed so far down search lists that few surfers will find it. This is a pseudo-meritocracy in which whatever is already popular has its position constantly reinforced, and what isn’t popular is buried under a mountain of celebrity trivia in a world that is currently ruled (‘ironically’ of course) by the likes of Lady GaGa. Nonetheless, social networking trends are constantly shifting and while both advertising and data mining on platforms like MySpace are now slicker than 3 or 4 years ago, that particular site is still not exactly generating a huge profit. Indeed, last year saw a small downturn in MySpace and Facebook usage in the UK (see “Is Facebook going out of fashion” – you’ll need to roll down the page on The Guardian site to see this).

So trendsetters, perhaps this really can be the year in which millions more groovers and bloggers break with the digital establishment by embracing a WordPress freakout. The easiest way to do this is to set up a blog on the WordPress site, but I’d prefer you all to be more dispersed and for as many of you as possible to use your own domains…. And let’s start using our sites to really play with the web, to spread myths and confusion, create false identities, disorientate the authorities, and inauguarate communal situations that overflow all the barriers between the so called ‘virtual’ and ‘real’ worlds! Oh and a few backward glances at how we got here wouldn’t go astray either… so if you’re not already familiar with them, look up the Luther Blissett Project, neoism and mail art (the ‘original’ pre-web paper net). “Those who do not learn from the past are doomed to repeat it.”

And while you’re at it don’t forget to check – http://www.stewarthomesociety.org/ – you know it makes (no) sense!

Secrets of click thru ad busting….

Wednesday, January 28th, 2009

I want to look briefly at a specific aspect of one of the web’s greatest commercial success stories, Google. AdWords is the name for the pay per click service offered by Google to advertisers for the sponsored links that appear beside the queries entered into their search engine. Google explain their advertising system this way: “Concerned about costs? Don’t worry – AdWords puts you in complete control of your spending. Set your budget. There’s no minimum spending requirement – the amount you pay for AdWords is up to you. You can, for instance, set a daily budget of five dollars and a maximum cost of ten cents for each click on your ad. Avoid guesswork. We provide keyword traffic and cost estimates so you can make informed decisions about choosing keywords and maximizing your budget. (Estimate keyword costs) Pay only for results. You’re charged only if someone clicks your ad, not when your ad is displayed.”

So what Google does is match searches with relevant advertising. Now it is the advertiser who initially decides what keywords are relevant to their product, but Google helps them with this since they offer a search for effective AdWords function. While the advertisers determine how much they are prepared to pay both per click and in total, the more people click on an ad the less Google charges per click (their search engine dominance is based on ‘ relevance’ AKA ‘popularity’ and they are obsessed with preserving this). A simple mathematical formula is used to work out a Google AdWords rating but I won’t bore you by actually going through it here; suffice to say that the most effective ads are charged at lower rates and shown the most often. So to use AdWords successfully an advertiser has to write good copy and bid high enough on click payments to be displayed.

Where Google led others have followed, and a similar but less effective system operates on social networking sites such as MySpace and Facebook. Until last spring I had a number of profiles on MySpace most of which mentioned my passion for communism (anti-Bolshevik of course!), but the data miners didn’t seem to know the difference between real communism  and fake communist tendencies that are now historically discredited – therefore when I was on MySpace I was often subjected to adverts with the following headlines: “School trips to Russia”, “All types of Russian Visas”, “Trotsky T-Shirts & Books” and even “Russian Beauties Seek Dating And Marriage”. Since like Bordiga and many others I view what happened in Russia under the Bolsheviks as a capitalist and not a communist revolution, these ads were of little interest to me and had been poorly targeted. Naturally the data miners are constantly attempting to refine their ad placement but since they never got me to click on anything, they were unable to learn much about what pushed my buttons, and I’d say the same is true for many readers of my blogs – a number of those from outside the UK wondered why after visiting my old MySpace pages they had been bombarded with ads for products associated with people they’ve never heard of; these were invariably British micro-celebrities such as Abi Titmuss who’d been lampooned – often just in passing – in my blogs or the accompanying comments.

That said, the data miners expect a certain failure rate, so the fact that they’ve been spectacularly unsuccessful at targeting ads at me and my blog readers isn’t statistically significant to them, but it does demonstrate that despite the hype their techniques are often too crude to work. What I haven’t worked out, but maybe someone else has, is when it would be more damaging to the click thru advertising industry for me to click on an ad that doesn’t interest me rather than ignoring it. Is there a way of driving up costs for advertisers by clicking thru to their product but not buying it that will discourage them from using click thru? Since this must vary from web service to web service, we clearly need specific equations to work out how to do click thru ad busting on specific sites such as Google and Bebo.

And while you’re at it don’t forget to check – http://www.stewarthomesociety.org/ – you know it makes (no) sense!