Posts Tagged ‘Nazism’

transcript by Heimrad Backer

Friday, November 27th, 2009

Heimrad Backer’s book of concrete poetry transcript (to be published in Patrick Greaney and Vincent Kling’s English translation by Dalkey Archive next March) consists entirely of quotations of material relating to the holocaust seen from the perspective of both its victims and the perpetrators. A few rearrangements using techniques such as repetition (all indicated in the notes at the end) are made to draw out the nature of the language used, particularly as regards documents that demonstrate the bureaucratic obsessions of the Nazi butchers. Nonetheless, rather than resorting to representation, through limited and selected citation transcript confronts the reader with a small portion of the Nazi regime’s bloodbath of mass murder and attempted genocide. While much of the material could be misread as banal if viewed in isolation, the accumulative effect is brutal and chilling. The white space on which sparse lines of text swim in is suffocating. It is one of the most effective condemnations of fascism I’ve read….

While transcript might be seen as an attempt to access ‘reality’, for me it continually called up filmic images. For example, the following brought back scenes from Alain Resnais’s Night and Fog (1955): “i need more freight trains if i’m going to take care of things quickly.” (all of page 27, credited in the notes to: “Ruckerl 116. From a letter of Himmler, dated 23 January 1943 to the State Secretary of the Reich Transportation Ministry and Deputy General Director of the German National Railway, Dr. Ganzenmuller.”) Thus while transcript is extremely effective both as literature and a warning against the horrors of Nazism, it simultaneously leads the reader to question their ability to fully apprehend ‘reality’ because of the ways in which our experience is filtered through prior ‘knowledge’ that may be of either a ‘documentary’ or a ‘fictional’ nature.

I have an ongoing interest in the history of cinema and was particularly disturbed by the way in which transcript brought back visual memories of Nazi-themed exploitation films. Take, for example, page 77 (credited in the notes as: “IMT 25:591-607. Methods of generating warmth after hypothermic experiments at water temperatures of 4-6 degrees Celsius”):

warming by cardiac diathermia
warming by two women
warming by women (coitus performed)
warming by one woman
warming by 2 light boxes with 16 electric bulbs

For me this brought back scenes from Sergio Garonne’s SS Experiment Love Camp (1976). There are a number of softcore sex films set in Nazi concentration camps (a sub-genre of the ‘women in prison’ flick) but I find this particular example by Garonne the most offensive of all those I’ve seen. Women prisoners are subjected to sex experiments by Nazi guards and various medical staff, one victim is heated and then frozen in a tank of water (page 77 of Backer’s text brought these to the forefront of my mind). What makes SS Experiment Love Camp even more obnoxious than titles such as Gestapo’s Last Orgy (Cesare Caneveri 1977) and Ilsa, She Wolf of the SS (Don Edmonds 1975), is its overt racism; at the end of Garonne’s film it is revealed that the doctor in charge of the sex experiments is Jewish (but has taken on the identity of a dead ‘Aryan’ medic), thus the film utilises the classic bigot’s tactic of portraying the victims of racism as the victimisers.

The disjunction between the way transcript conjures up visual memories from my life-long engagement with film and Backer’s apparent desire to get away from narrative in both its documentary and fictional form, is a contradiction from which his poem derives a great deal of strength. The text is both sobering and rich, but much of its effect comes from what we bring to it.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

The only reasonable perspective on Martin Heidegger is that he was a complete scumbag!

Wednesday, November 25th, 2009

One of the things that really depresses me about post-graduate fine art education in London is that the Nazi thug Martin Heidegger has become central to the teaching of many theory modules on practice-led courses. Heidegger wasn’t your ordinary Nazi party member, he not only wanted to introduce the Fuhrer-principle into the German university system, he actually attempted to take on the position of spiritual leader of National Socialism – which had he been successful, would have placed him above Adolf Hitler (the political leader) in the Nazi hierarchy! Heidegger’s so called ‘philosophy’ is clearly rooted in the same rotten shit as Nazi politics, and as a consequence it is so reliant on etymology that aside from the fact that it is a puerile waste of time, it is probably also completely pointless for those who don’t speak German (the overwhelming majority of fine art post-graduates in London) to read very much by him. On top of which, this self-styled ‘philosopher’ and hardcore Nazi moron believed it was only possible to think deeply in German anyway – so he wouldn’t have much cared for being read in translation.

In a piece entitled The Evil Of Banality: Troubling new revelations about Arendt and Heidegger, published at the end of last month, Ron Rosenbaum observed: “In general, I’m in favor of separating the man (or woman) from the work, but it was Heidegger himself, his defenders don’t seem to recognize, who claimed Nazism for his own. He didn’t make the separation between man and philosophy that they conveniently claim to excuse his personal racism.” A new round of arguments about Heidegger’s status in the Anglo-American academy have been triggered by the fact that Yale University Press are about to publish an English translation of Emmanuel Faye’s Heidegger: The Introduction of Nazism Into Philosophy. While I welcome this publication, surely we don’t need a new book to convince us that Heidegger was a Nazi scumbag, we already have works by the likes of Victor Farias and Hugo Ott that do just that. So, as Faye suggests, let’s remove Heidegger from the teaching of theory and philosophy, and instead let those who wish to study him do so in the form of historical and political research relating to the ideology and development of Nazism and the holocaust.

While those reading Heidegger should be doing so in the context of a familiarity with crud like Hitler’s Mein Kampf and Alfred Rosenberg’s Myth of the Twentieth Century, they might also like to hear one of the best put-downs of the clown prince of fascist ‘philosophising’ – a thirty year-old song by Dutch punkers Panic. In Requiem For Martin Heidegger, Panic satirise the meaninglessness (‘intellectuals’ might call this opacity) of Heidegger’s pseudo-philosophical Nazi propaganda. The lyrics to this tune include the following: ‘Is he in heaven? Is he in hell? Where has he gone? No one can tell!” Likewise, the presence of German language elements and an exaggerated count-in, leave this listener in no doubt about the fact that Heidegger was a Nazi cretin!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Another take on The Process Church of the Final Judgment

Sunday, May 31st, 2009

Love Sex Fear Death: The Inside Story of the Process Church of the Final Judgment by Timothy Wyllie (Feral House $24.99) provides a curious history of one of the minor cults that flourished on the fringes of the counterculture. That said, The Process has remained very visible to this day, thanks in part to claims it was the hidden ‘evil’ force behind both the Tate-LaBianca and the Son of Sam slayings. Wyllie insists that these claims, as well as salacious stories about Process founder Mary Ann MacLean having been married to American boxing champion Sugar Ray Robinson and playing a role in the Profumo Affair, are false. All the available evidence would suggest Wyllie is correct on these matters, and while this adds to the credibility of his tale, it will probably do little for the sales of his book.

The book is a personal account of Wyllie’s time with The Process and the story he tells is more convincing than the portraits of the group found in books such as The Ultimate Evil by Maury Terry and the first edition of The Family by Ed Saunders, but it is also far more banal. Therefore, if you want to read sensationalist and ultimately fictionalised accounts of Satanic killing sprees, you’ll have to look elsewhere. There is plenty of that online, and a web search will also locate many Process writings and graphics.

The history of The Process is essentially this: in 1963 two former Scientologists Mary Ann MacLean and Robert de Grimston established a therapy business in Wigmore Street, London. Mary Ann MacLean was a former prostitute who grew up in poverty in Glasgow, while Robert de Grimston was from an upper class family and had served as an officer in the British army before becoming an architecture student and then dropping out three years into these studies. Wyllie first met de Grimston in 1959 when they both enrolled on the architectural course at Regent Street Polytechnic (renamed Polytechnic of Central London in 1970, with a further name change to University of Westminster in 1992). In 1963 McLean and de Grimston began using Wyllie as a guinea pig to test and develop techniques they’d learnt as Scientologists, adapting them to their own purposes.

Wyllie’s circle of student friends provided the initial recruits to what was then called Compulsions Analysis. In Wyllie’s account, those involved with MacLean and de Grimson recognised a sense of spirituality in their activities and the name of the group was therefore changed to The Process in 1965. My own impression is there was nothing spiritual about MacLean and essentially she conned the group into becoming her disciples and funding the luxury life-style she and de Grimston craved. Even from Wyllie’s rather misty-eyed account, it is apparent MacLean was a hard-bitten hustler who’d mastered the con game when she was working as a high class London hooker throughout the 1950s and into the 1960s.

While Process acolytes panhandled for money and lived in abject poverty, the group rented properties it could barely afford in an attempt to trick the outside world into believing they possessed wealth and power. De Grimston and MacLean were the only Process members to live in style. While de Grimston provided the theology, MacLean was the real power running this cynical money-grabbing hierarchy. Over the years the group expanded and at various times had chapters in Rome, Paris, New Orleans, San Francisco, Munich, Los Angeles, Amsterdam, New York, Boston, Chicago, Toronto and Miami. Chapters were sometimes moved from one city to another, and the membership never seems to have stretched beyond the very low hundreds, although The Process claimed to have tens of thousands of members.

Process theology was based on the unification of opposites, and a reading of the Bible that took Christ’s injunction to ‘love thy enemy’ to mean love Satan. Much of this gnostic garbage was confected in group sessions and then written up by de Grimston, and even Wyllie admits it didn’t read well on the printed page. After an Idris Shah book fell on his head in a Notting Hill bookshop, Wyllie convinced himself that de Grimston and MacLean were disguised Sufi masters, and like other members of the cult was also prone to viewing the latter as a human incarnation of the Goddess! The original core of The Process consisted chiefly of over-privileged and privately educated brats, and it seems to me that much remains to be written about how an upper-class upbringing renders individuals peculiarly susceptible to the brainwashing techniques of religious cults.

The Process fell apart when de Grimston and MacLean ended their marital relationship in 1974. De Grimston attempted to revitalise The Process without success. MacLean led the disciples who stuck with her into The Foundation, which adopted increasingly conventional Christian doctrines before reinventing itself as a secular animal charity called Best Friends. MacLean died in 2005, de Grimston is still alive.

Wyllie’s account of his 15 years with The Process is supplemented by the stories of various other members. The most shocking thing to come out of this is the criminal neglect of children whose parents belonged to the cult. The overall impression I’m left with is that life in The Process was very dull, and you had to be deluded to join it in the first place. The Process memoirs gathered together here also show that those conned by guru-figures are very slow to give up their illusions, and will often attempt to off-set the fact they were ripped-off with the desultory claim they enjoyed some kind of spiritual adventure in ‘the process’.

In addition to these memoirs, this book also contains a selection of unimpressive texts by de Grimston, and a very silly essay by Genesis P. Orridge about how he modelled Thee Temple Ov Psychic Youth on The Process. The image section in this tome is rather more interesting, since it illustrates the strong design sense and corporate-style marketing of The Process as a self-consciously totalitarian cult. From Wyllie’s account of the group it is clear why The Process chose to project itself as a totalitarian ‘elite’:

“Mary Ann (cult leader Mary Ann MacLean) never made any apologies, for instance, about having considerable sympathy and respect for the Nazi regime. Doubtless it suited her authoritarian personality. A story I have heard her relate more than once is of her as a small girl of nine or ten, who found herself leaving her physical body and being transported into Hitler’s bunker during World War II. There she would slip around the table in her astral form whispering into the generals’ ears. Whether she ever claimed to observe der Fuehrer’s legendary rages, I don’t recall, but if she had I can only imagine she would have egged him on in his carpet-biting frenzies.” (Page 56).

Elsewhere Wyllie recalls:

“Michael and I stopped in to visit George Lincoln Rockwell, the ‘American Nazi’, out of allegiance to Mary Ann’s interest in extreme ideologies…. Rockwell sat in the only armchair… He looked younger than I thought he was going to be, with a buzz-cut and a surprisingly open, pleasant, face, marred now by a fixed scowl that didn’t leave him while we were there… He had a military bearing but was clearly a frightened man… Later I found out that Lincoln Rockwell was killed in August of 1967 by a disgruntled ex-member of his party and only days after our visit. I should add that Michael is the scion of a wealthy Jewish family and I can only imagine that Mary Ann instructed him to visit Rockwell as a way of testing his mettle…” (Pages 80-81).

Elsewhere in his narrative Wyllie tells tales of counterculture figures like Timothy Leary, Abbie Hoffman and Simon Vinkenoog, assisting The Process. He also writes about a few of the celebrities the group attempted to shake down for donations; they range from Miles Davis to Salvador Dali. Sadly, he has nothing to say about Funkadelic frontman George Clinton, who okayed the reproduction of Process material on the art work to a couple of his albums. Mostly this is a book about the internal dynamics of The Process and as such it makes for curious but nonetheless extremely depressing reading; it appears that most of the ‘former’ cult members contributing to it are still deluded about their experiences years after the group broke up.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Gustav Regler, The Owl of Minerva, Ruth Forster & Julia Callan-Thompson

Saturday, April 11th, 2009

In late 1961 my mother – Julia Callan-Thompson – moved across London from a one room bedist at 101 Barnsbury Street N1 (Islington) to a two room pad on the top floor at 24 Bassett Road W10 (off Ladbroke Grove).  Both the basement flats beneath her at 24 Bassett Road had interesting occupants. In one was the Trinidadian drummer Russ Henderson who led the first steel band to play on the streets of London, and later had a hand in setting up what became known as the Notting Hill Carnival. In the other was a refugee from Nazism called Ruth Forster, who I’ve been told was a Jewish bookseller and a member (or a former member) of the Communist Party. Forster apparently threw extraordinary parties and among the many amazing people my mother allegedly met in her basement flat over the coming months and years, another former Communist Party member called Gustav Regler made perhaps the greatest impression. If my mother did indeed meet Regler, then this must have been in either late 1961 or sometime in 1962, since he died in New Delhi in January 1963.

Regler was a confused man from a German Catholic background. He was born in 1898 and wrote many books, the overwhelming majority of which have never been translated into English. A World War I hero of sorts, he travelled to Berlin in 1919 to join the right-wing militias. After serving the cause of reaction in the German capitol, Regler moved on to Munich where he abortively involved himself in defending the Bavarian Soviets, but the revolution was viciously snuffed out. Next a good marriage resulted in Regler becoming a wealthy businessman. However, feeling oppressed, he abandoned his wife and young son to become an impoverished writer. A committed Stalinist by the time the Nazis ascended to power, Regler became a German exile in Paris from where he very actively participated in the anti-fascist struggle. Regler later claimed that visits to Moscow led to his disenchantment with Bolshevism in the mid-thirties, although this didn’t prevent him from assuming a position of authority within the Stalinist controlled International Brigade in Spain.

During the Spanish civil war Regler befriended the American novelist Ernest Hemmingway and appears to have held himself aloof from the acts of sabotage carried out against the Republican cause by some of his Bolshevik comrades. Regler didn’t actually break with Stalinism until after Franco’s fascist triumph in Spain and the forging of the Nazi-Soviet Pact. Following internment in a French concentration camp and then a period of exile in Mexico, he returned to Europe in 1957. All of this is recorded in his autobiography The Owl of Minerva. Ruth Forster is mentioned in passing towards the end of this book as the girlfriend of Walter, a former German artillery officer with progressive political views, who was imprisoned in France with Regler. Part of a letter Forster sent to Walter is reproduced in The Owl of Minerva and Regler makes it clear that she’d taken part in the underground resistance to Nazism in Germany and had been imprisoned for these activities in 1937. How she got away from Germany isn’t recorded. The text of her letter does, however, reveal that she was greatly enamoured by the poetry of Rilke.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes no sense!