Posts Tagged ‘Stewart Home’
Thursday, December 22nd, 2011
Asserting that ‘we are everywhere’ is probably more convincing than the claim that ‘I am everywhere”. Nonetheless it doesn’t take much suspension of disbelief before I’m able to convince myself that indeed “I am everywhere” – after all, I’ve been billing myself as ‘an ego maniac on a world historical scale’ for years! Recently I stumbled upon someone on Goodreads with my name who has been promoting my books rather energetically over there – unfortunately this Stewart Home can’t possibly be me since he joined the site in July 2007 (whereas I joined yesterday) and he’s based in the USA. My author profile at Goodreads is here.
When I read what other people write about me it can often seem like I’ve been even busier than I actually am. Reviewing my recent White Columns show in the New York Times on on 18 November, Roberta Smith wrote: “A brochure written by Mr. Home explains a lot, if not everything. For that, there is his lavishly detailed Wikipedia entry, which also appears to be his handiwork.” To me the entry in question has an inconsistency which makes it obvious it is a collective effort rather than mine. I suspect that some of the imbalances in the article are the result of other people using Wikipedia to promote themselves. For example, while many of my books and exhibitions are passed over without discussion, there is a bizarre passage about the Evening Falls nightclub (including the fallacious claim that I didn’t read there). Likewise, when I last checked, no one had updated my list of exhibitions on this Wikipedia page to include my recent White Columns outing.
Moving on, I’ve also seen some nutjob using web 2.0 comment facilities to allege that I write my own Amazon reviews…. of course they offered no proof, and had obviously missed the fact that I just don’t take the user generated content on that site very seriously. As you’ve probably gathered by now, way too many of my leisure hours are spent reading about myself for me to have the time to write reviews of my own books for Amazon. Likewise, it will come as little surprise to most of my readers that one of the things I love about the web is the way it allows everyone to turn over their own past – and in some cases rediscover material they’d pretty much forgotten. I didn’t have any images of the Anon exhibition I’d been a part of in Luton back in 1989 until John Wynne posted some photographs of it on his Facebook profile. I immediately snaffled those featuring my contributions and added them to my Flickr photostream – where they look absolutely fantastic in an utterly weird eighties appropriated post-pop art kind of way. Likewise, earlier this year I finally got around to putting an image of my ‘original’ Art Strike Bed onto Flickr, done several years before Tracey Emin attempted to recuperate this particular assault of mine on the sensibilities of the London art establishment.
I could use this piece as an opportunity to write about how I’m attempting to replace the planking fad with a craze for photos of people standing on their head – there are currently a dozen pictures of me doing headstands on my Flickr profile (see if you can find them all). However, rather than banging on about my topsy-turvy online presence, I’m now going to get even more self-referential and obsessive. What I’d like readers of this blog to do is tell me in the comments below whether I used the best possible title for this post, or whether I should have reversed it so that it ran: “Reclaiming my future, occupying my past”?
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: 1980s, 80s, Amazon, Anon, appropriation, Art Strike Bed, eighties, Evening Falls, Facebook, Flickr, Goodreads, headstand, John Wynne, Luton, planking, Roberta Smith, Stewart Home, Tracey Emin, Web 2.0, White Columns, Wikipedia
Posted in books, exhibitions, Web 2.0 | 27 Comments »
Monday, December 12th, 2011
For me London and Glasgow are two of the best cities in Europe, so I’m always up for an excuse to visit Red Clydeside. My reason for heading north last weekend was to do a performance at Transmission Gallery on Saturday 10 December. The train I took was about five minutes from the Central Station when Katrina Palmer – who’d organised the event – called me to say she was close by and would meet me when I got in. Her plan was to walk me straight to Transmission so that we could go through what we were doing that night. I made her detour via Turquoise – AKA “Scotland’s Turkish Kebab House” – where I got a carry out falafel. From Oswald Street we headed down to the Clyde and ambled along the river to the gallery because the city centre was heaving with Solstice shoppers.
It took less than 15 minutes to sort out what we were doing. Katrina wanted each performance to take place in a different area of the gallery and I was happy with that. I then headed across the Clyde to the Premier Inn on Ballater Street, a walk of about 10 minutes. Once I was settled in my room I ate my falafel. I was seriously hungry having skipped lunch because it was too expensive to buy on the train; meaning I hadn’t eaten for more than eight hours. After my grub I ran through what I was doing in the gallery, took a shower, and then read until about 6.45pm.
I returned to Transmission shortly before 7pm and chatted to Keith Miller and a few other people before the live action. Katrina kicked things off with a short reading. Immediately afterwards, Jefford Horrigan did a kind of waltz with a table – turning it on its side and treating two of the arms as legs – with improvised sax provided by René Salemi. With a duration of around 4 minutes, it was even shorter than Katrina’s spoken word act. I went on straight after Jefford and began by doing a headstand and reciting from my recent book Blood Rites of the Bourgeoisie. After that I shredded a copy of my novel Down & Out In Shoreditch & Hoxton – while simultaneously explaining that in transforming the tome into confetti, I was creating a work of art and thus greatly increasing the value of the book I was ‘destroying’. I finished by reciting from memory a lengthy passage from my novel Defiant Pose.
After these performances people stood around socialising and eventually most of us moved on to Mono for drinks. At 10.30pm I told Katrina I was hungry and I was going to get something to eat. She wanted nosh as well, as did René and Jefford. The Transmission crowd were more interested in drinking, so we left them in Mono (which stops serving food at 9pm). We went into an Italian restaurant only to be told they’d closed. The same thing happened in the first Indian we came across. We ended up in The Dhabba at 44 Candleriggs. My Palak Paneer (cheese cubes and spinach) was excellent – and Katrina’s Pilee Dal Tadka (yellow lentils), which I also tried, was really good too! As we ate, we talked about artists who do and don’t use the internet, and much else besides. I’m a real fan of the Banana Leaf in the west end of Glasgow – which does fantastic south Indian food – but the northern Indian cooking at The Dhabba made a nice change. Leaving the restaurant around midnight, I made my way back to the Premier Inn with Jefford and René. Katrina was staying at a different hotel, so she headed west down Argyle Street. Back at the Premier Inn I stayed up for a couple of hours to watch the TV news and read.
On Sunday morning I took a shower, made myself some tea and sat in bed reading. Breakfast in the hotel cost £7.99 so I decided to skip it. I checked out at 10am and headed into town so that I could drift through some of Glasgow’s many discount stores. I tried The Poundland on Trongate first, where I bought myself a sandwich which I ate outside the shop. They had one egg and cress special that was reduced by half to 50p – but it should have been removed from the shelf because it was past it’s sell-by-date. I wasn’t gonna take a risk on out-of-date eggs, so I parted with a round pound for my repast. Next I visited The Pound Shop, Pound City and Sports Direct. I got some Lonsdale shorts in Sports Direct and the girl at the till seemed surprised I wasn’t buying anything else – whereas I felt like I was really splashing the cash by paying a fiver for this piece of kit (with a special TV advertised bargain discount of around 70%). I then filled in more time by going to a remainder bookshop on the first floor of the complex above the Argyle Street underground station. The two and three quid books were mostly Scottish themed – and they even had discounted titles by writers such as Lorna Moon, whose work I rarely clock in London.
I kept moving west and where Woolworths used to be on the corner of Argyle and Jamaica Streets, there was a Poundland that I hadn’t seen before. Unlike the old Woolworths, Poundland weren’t using the first floor for their retail operation – but even on ground level alone it is a large shop space. Ignoring the many household items you might pick up at Poundland, I noticed they had a lot of HarperCollins (owned by Murdoch’s News Corp) titles in their book section. However, they’re not adverse to remaindering tomes critical of the Murdoch empire either, since copies of Peter Burden’s News of the World?: Fake Sheikhs and Royal Trappings were also on display. While I wouldn’t consider the Murdoch trash worth a pound of my money, I might have parted with a quid for the Burden book had I not already read it. Aside from showing up Mazher Mahmood (the so called Fake Sheikh) as a complete scumbag, Burden also explains how that wanker Neville Thurlbeck (a man at the very heart of the phone hacking scandal) acquired the nickname Onan The Barbarian – you can find this both in the book and on Burden’s website:
Thurlbeck is the hard-nosed hack who usually handles the dirtier celebrity shag’n’brag stories for the News of the World. A sting went badly wrong for him a few years ago. He’d set out to expose a naturists’ boarding house whose owners allegedly offered ‘extra’ sexual services to guests. Having made his investigations, Thurlbeck carelessly forgot to ‘make his excuses and leave’ (in the time-honoured News of the World manner). Instead, no doubt to his eternal regret, he made his excuses and came. He was caught on film begging the couple to have sex while he stood at the foot of their bed, exposed what, in its primmer days, the News of the World would have called his ‘manhood’ and indulged in an unmistakable act of onanism. Since the film was posted on the internet to the delight of his fascinated colleagues, it was inevitable that sooner or later the moniker ‘Onan the Barbarian’, bestowed on him by an uncharitable ex-colleague, would stick.
Obviously the Burden book is a few years old, so it has nothing about the closure of The News of the World in the wake of the ongoing phone hacking scandal. Still it’s an entertaining read – which is more than can be said for most of the trash published by various Murdoch presses.
Aside from books, I always find Poundland’s DVD selection curious. In the old days they often had a lot of £1 DVDs put out by the Manchester company 23rd Century – who among other things reissued a lot of public domain Italian horror classics of the 1970s and 1980s. The picture quality on these digital cheapies usually wasn’t great – but it was still good to see top of the range Eurosleaze reaching a vast new audience via pound shops. On this particular Poundland visit I noticed a bunch of DVDs released by GrabIt under the series title The International Martial Arts Collection. They had Bruce Li in Fist of Fury II and Return of the Tiger, Bolo Yeung in Bloodfight, Dragon Lee in Golden Dragon, Silver Snake (with Johnnie Chan) and The Dragon, The Hero (with John Liu), Chino in Five Fingers of Steel, Billy Blanks in Expect No Mercy and Showdown, and Mark Dacascos in Sanctuary. Some of these titles have long been popular with public domain budget repackagers – but it’s curious to see them turning up again as £1 disk reissues at a time when downloads and streaming are increasingly popular.
Crossing the top of Jamaica Street and staying on Argyle, a couple of doors along from the big Poundland there was a new shop called Thats Entertainment flogging cheap DVDs, CDs and games. The retail unit it occupied once housed the Glasgow branch of Tower Records, and more recently had operated as an outlet for the now defunct Music Zone chain. I got the feeling that there was some sort of morphic resonance going on, but since I had a train to catch I headed into Glasgow Central Station rather than pursing my psychogeographical investigations! Tower Records and Woolworths may have gone out of business, but pound shops and the like operating out of their old premises seem like a worthy subject for those into hauntology.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: 23rd Century, Argyle Street, Ballater Street, Billy Blanks, Blood Rites of the Bourgeoisie, Bloodfight, Bolo Yeung, Bruce Li, Candleriggs, Chino, Defiant Pose, Down & Out In Shoreditch & Hoxton, Dragon Lee, Expect No Mercy, Fake Sheikh, falafel, Fist of Fury II, Five Fingers of Steel, Glasgow, Glasgow Central Station, Golden Dragon Silver Snake, GrabIt, HarperCollins, hauntology, headstand, Jamaica Street, Jefford Horrigan, John Liu, Johnnie Chan, Keith Miller, London, Lonsdale, Lorna Moon, Mark Dacascos, Mazher Mahmood, Mono, Music Zone, Neville Thurlbeck, News Corp, News of the World, News of the World?: Fake Sheikhs and Royal Trappings, Onan The Barbarian, Oswald Street, Peter Burden, phone hacking, Pound City, Poundland, Premier Inn, psychogeography, René Salemi, Return of the Tiger, River Clyde, Rupert Murdoch, Sanctuary, Scotland's Turkish Kebab House, Showdown, shredding, Sports Direct, Stewart Home, Thats Entertainment, The Dhabba, The Dragon The Hero, The International Martial Arts Collection, The Pound Shop, Tower Records, Transmission Gallery, Turquoise, Woolworths
Posted in culture gossip & parties, deep topology aka psychogeography, exhibitionism, performance | 23 Comments »
Sunday, October 30th, 2011
In 2001 when Facts of Life: Contemporary Japanese Art was on at the Hayward Gallery, a female visitor to the show walked into a room in which Tadasu Takamine’s Inertia was being shown only to discover a man jerking off to the projection. The woman left and complained to the gallery, but by the time security got there the man had disappeared. The work was recently re-shown at the Icon Gallery in Birmingham, I don’t know if anyone was caught wanking off to the piece there, but the description of it on the Icon website illustrates you’d have to be seriously sad to do so: “Inertia (1998) involves the uneasy combination of a young woman and a bullet train. She is shown close-up and feet first on top of a carriage while the rest of the world flashes past. A powerful electric hum dramatises her fruitless attempts to push her dress down over her legs against the force of the wind; the situation is intensely sexual, unstoppable and exhilarating, clearly drawn from classic fetishism and nightmare scenarios.” You’d have to be really unimaginative to jerk off over something as clichéd as that – and especially in a public place! So in the interests of public education, I bring you 10 art works you must jerk off over before you die!
1. The One & The Many by Stewart Home. 72 copies of Home’s novel Down & Out In Shoreditch & Hoxton factory wrapped in three packets and arranged as a sculpture. The work is for sale at $480 and has an immediate retail value of $720 since the books sell at $10 each. Anyone buying the work needs to choose between breaking up the sculpture and realising an immediate profit by selling the books at their retail price, or keeping it as it is and speculating on it greatly rising in value thanks to its aesthetic merits. On show at White Columns in New York until 19 November. This one would be perfect for a circle jerk. Arrangements might be made with the artist for a special viewing and wanking session out of normal gallery hours – so that the general public can enjoy the work in peace.
2. Mona Lisa by Leonardo da Vinci. A half length portrait famous thanks to the sitter’s smile. It has been widely rumoured that the model is in fact Leonardo da Vinci in drag, so this one is perfect as a fetish object for all you gender benders out there. Forget about the original, jerk off over a reproduction.
3. Art Strike Bed by Stewart Home. After Home went on art strike between 1990-1993, the first thing he showed in a gallery for his comeback was a bed – which acted as a symbol of his lack of activity during the art strike. He didn’t show the bed he slept on during the art strike, and he’s shown various different beds as ‘the’ Art Strike Bed, since he wants the work to be radically inauthentic. Since you’ve no doubt jerked off on a bed innumerable times, why not wank off over this one! On show right now at White Columns in Manhattan. Arrangements might be made with the artist for a special viewing and wanking session out of normal gallery hours.
4. Broadway Boogie Woogie by Piet Mondrian. Mainstream pornography dulls the brain with literal images. Radical pornography is abstract and requires the stimulus of a healthy imagination in order for you to get off on it. This famous abstract by Mondrian is a perfect example of that. Forget about the original, jerk off over a reproduction for that extra ersatz/seminal experience.
5. Becoming (M)other by Stewart Home & Chris Dorley-Brown. In 2004 Home took his mother’s 1966 modelling portfolio and reposed the pictures with photographer Chris Dorley-Brown. The two sets of images – of Home’s mother (Julia Callan-Thompson aged 22 in her photos) and her son (Stewart Home aged 42 in his photos) – were then morphed together to create an inter-generational & cross-gender composite. Like the Mona Lisa, this is another work that will appeal to gender benders of all ages, as well as the bi-curious. Currently on show at White Columns in New York. Arrangements might be made with the artist for a special viewing and wanking session out of normal gallery hours.
6. White On White by Kazimir Malevich. White stains could only add to the appeal of this classic work of Suprematist abstraction! Judging by the immediate critical reception, Malevich was already wanking in the wind when he made this painting! Forget about the original, use a reproduction to jerk off over. But if you wanna see a really dirty art work use Black On Black by the same artist, which you’ll totally ruin by adding white!
7. Heroin Is The Opiate Of The People by Stewart Home. Wall drawing of a man injecting himself with skag. The image ain’t attractive so getting off over this one will prove you’re a hardcore pervert! On show at White Columns in Manhattan until 19 November. Arrangements might be made with the artist for a special viewing and wanking session out of normal gallery hours.
8. After Walker Evans by Sherrie Levine. Levine re-shot well known Walker Evans photographs from an exhibition catalogue and presented them as her own artwork with no manipulation of the images. The Evans photographs are considered by some to be a quintessential record of the rural American poor during the great depression. The Walker Evans estate saw these works by Levine as an infringement of their copyrights, and acquired them to forestall their circulation. You don’t need Levine re-makes to jerk off over these pieces, just get a decent Walker Evans catalogue and pretend Sherrie has re-done the work for you!
9. Prostitution II by Stewart Home. In the 1970s Cosey Fanni Tutti worked as a model for pornographic magazines and announced that her sex images were performance art. In 1996 – a few years before the current revival of interest in Tutti – Home re-shot a series of her magazine spreads onto Polaroid not merely as an act of appropriation, but also to counteract the fallacious arguments of various self-styled art critics who claimed that in the 1970s British women artists adhered to ‘feminist propriety’. On show at White Columns in New York right now. Arrangements might be made with the artist for a special viewing and wanking session out of normal gallery hours.
10. Samo Is Dead by Jean-Michel Basquiat. Graffiti announcing the end of the Samo Project was painted on walls in Soho, Manhattan, in 1979. You don’t need to find traces of the original graffiti, a photograph of it will do for a wank!
Needless to say there is far more in my White Columns show Again A Time Machine: A Stewart Home Retrospective than the five works described here – and it’s all worth jerking off over. The show is on until 19 November – make sure you catch it! White Columns, 320 West 13th Street (enter on Horatio Street, between Hudson and 8th Avenue), New York, NY 10014, USA.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: After Walker Evans, Again A Time Machine, Art Strike, Art Strike Bed, Becoming (M)other, Broadway Boogie Woogie, bullet train, Chris Dorley-Brown, circle jerk, Cosey Fanni Tutti, Down & Out In Shorditch and Hoxton, Facts of Life: Contemporary Japanese Art, fetishism, Hayward Gallery, Heroin Is The Opiate Of The People, Horatio Street, Icon Gallery, Inertia, Jean-Michel Basquiat, jerking off, Julia Callan-Thompson, Kazimir Malevich, Leonardo da Vinci, Manhattan, masturbation, Mona Lisa, morph, New York, nightmare, Piet Mondrian, Prostitution II, Samo Is Dead, Sherrie Levine, Stewart Home, Tadasu Takamine, The One & The Many, Walker Evans, wanking, White Columns, White On White
Posted in art criticism, humour | 25 Comments »
Thursday, October 6th, 2011
1. They don’t cater to bourgeoisie sensibilities.
2. They’ll make what you do read look like a shower of shit (assuming you’re into middle-brow ‘literature’ by the likes of Julian Barnes and Philip Roth).
3. They’re an all out attack on serious culture.
4. They challenge the discredited beliefs of every insecure reactionary knobhead who ever sloped across this planet.
5. They transgress all genre boundaries and as a consequence upset traditionalists.
6. They’re not in the least bit funny if you haven’t got a sense of humour.
7. They’re an absolute groove sensation, so they don’t appeal to squares.
8. They wholeheartedly reject every discredited Victorian idea about ‘characterisation’
9. They’re chock full of sex, violence and sadism.
10. They’re sick psychodramas without any redeeming literary features whatsoever.
Just in case none of the above points apply to you, here’s a link to the Book Works site where you can purchase a copy of my most recent experimental novel Blood Rites of the Bourgeoisie.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Blood Rites of the Bourgeoisie, Book Works, Julian Barnes, Philip Roth, sadism, sex, Stewart Home, transgression, violence
Posted in books, counterculture, exhibitionism, humour | 21 Comments »
Wednesday, September 28th, 2011
My impression is that I’m not the only person to have found that Web 2.0 is proving less interesting these days than it was five or six years ago. I don’t think this is simply because for my social (networking) circle the novelty has worn off. It has more to do with the fact that the web is less chaotic than it was and corporations have learnt how to better use and control social networking. Friendster fell out of favour because it kicked out fakesters (those that refused to use their ‘real’ identities) and it was continually crashing due to lack of server capacity. MySpace allowed people to adopt any online identity they felt like taking – so it appealed to the fakesters, among others. One of the things I liked about MySpace was its willingness to jump on any and every online fad going, which made it more of a culture clash than most other parts of the web – and I particularly dug the blogging features. I’ve detailed my use of MySpace in an article on the main part of this website – http://www.stewarthomesociety.org/praxis/myspace.htm.
MySpace had lots of faults but it was fun for a while. The platform being bought out by Murdoch’s News Corp (via the Fox subsidiary) led to MySpace suffering a slow death, since its old media purchasers had no understanding of what they’d acquired. That didn’t stop the fools at News Corp from messing around with their new toy. Facebook took up the slack, after initially appealing to over-privileged college kids and other conservatives who couldn’t stand the anarchic nature of MySpace; and partly because one of the central features (alongside photo sharing when that was introduced) was the status update – which required less effort than writing a blog. Twitter took the status update and transformed it into pretty much the only feature on its site. Facebook quickly became a place to do little more than post links when the company made attempts to claim ownership of any original content distributed directly from its severs. No one in their right mind would want to give FB CEO Mark Zuckerberg anything too interesting to claim as his ‘copyright’. Facebook’s current revamp looks a lot like a tail-ending of the failed MySpace. Facebook is now being promoted as a place for sharing media. Zuckerberg’s site for college squares and their post-degree clones has always been uptight and preppy, but in recent months the boredom factor there has definitely increased.
I know I’m not the only person in my social networking circles to try out other sites in recent years. I’ve found the take up at Identi.Ca too low for it to work very well for me – although I’m still posting: http://identi.ca/stewarthome. VK might have turned out better for me if there hadn’t already been a number of Stewart Home fakester sites on their servers prior to my arriving there: many users assumed that I couldn’t possibly be running my own profile on ‘their’ site (a corporate Facebook clone but with more than a few toes dipped into the darkweb). VK is most popular in Russia and since my books sold very well in Russian translation, I’m well known there. So I’m plodding on with VK too: http://vk.com/id121464913. I’ve been working with Diaspora alpha but initially went to a pod that didn’t suit me. I’ve just switched to another pod that seems much better: https://diasp.org/people/36032. Fingers crossed that Diaspora takes off once it goes fully public, the potential for something really good is definitely there. I’m at many other places – including of course Google+ – but to take just one example, I can’t even remember the last time I logged in to my LastFM account: http://www.last.fm/music/Stewart+Home. I have managed to post new material at YouTube quite recently (a public reading from one of my books which I give standing on my head): http://www.youtube.com/watch?v=Z70hEvWbaWg. I hope to update my Vimeo profile at some point in the future: http://vimeo.com/stewarthome. The same goes for my site on Flickr: http://www.flickr.com/photos/stewarthome/.
Instead of waiting for a social networking platform that I find viable to either appear or reach its potential, I figured I’d return to blogging here – albeit on a more sporadic basis than in the past. This is in part because I’ve found the current Guardian newspaper series on “How to build a profitable blog” by Andrea Wren completely vile. Rather than opening up the possibilities of blogging, Wren’s series is all about closing them down and reducing web 2.0 to a narrow focus. Viz, her desire to turn ‘creativity’ into money. Wren and her mentor Craig McGinty may or may not make a fortune from their blogs, with some added help from the Guardian series that is boosting them – but most of their foolish followers won’t get a pot to piss in from setting up online sites. It is only by moving away from an obsession with monetisation and hits that blogging can become in any way exciting. Search engine optimisation is so last decade, and I’m still of the opinion that content counts, alongside the quality of interaction between a site and its visitors. I’ve never focused on a single subject to the exclusion of all others either here or when I blogged on MySpace. Unvarying subject matter may or may not deliver a target audience to advertisers, but it is also the road to unadulterated tedium.
Finally – and just in case you’re interested – the revolution in plumbing (and many other areas of design and engineering) is allegedly coming to us all very soon via 3D printing rather than web 2.0. And in recent days as I went through a slew of old social networking sites I’d joined, I found that some had wiped my profiles, but many others remained just as I’d left them when I’d last logged in two or more years ago. That said, the entire Twine platform had disappeared and when I typed their url into my browser I was redirected to the Evri site (who I understand have both bought out Twine and wiped my account from the site they’ve merged into their own). Meanwhile, I was excited to discover my Tumbler profile could be be updated from my new Diaspora account. Other places I’ll start updating again – mostly with links to here – include Stumble Upon, Digg and Delicious (the latter two had both ‘lost’ my old profiles but I set up new ones). As for my WordPress site blog, Live Journal, Blog Spot and Bebo profiles (among many others), I’m curious to see how long they’ll stay up if I never log in again, let alone update them…..
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Andrea Wren, Bebo, Blog Spot, Craig McGinty, Delicious, Diaspora, Digg, Evri, Facebook, Flickr, Friendster, Google, Guardian, Identi.Ca, LastFM, Live Journal, Mark Zuckerberg, monetisation, MySpace, News Corp, Rupert Murdoch, search engine optimisation, SEO, Stewart Home, StumbleUpon, Twine, Twitter, VK, Web 2.0, WordPress, YouTube
Posted in Web 2.0 | 24 Comments »
Thursday, December 31st, 2009
I’ve already written about my experiences of producing the first season of the Mister Trippy blog at MySpace. It is obviously a little early to write about the second season in any depth since this is its closing post. There is also less need to write about Mister Trippy season two because I’ll be leaving the posts up rather than taking them down as I did with not only with the first season of Mister Trippy, but all my MySpace profiles (to protest about the platform’s support for US imperialism), in Spring 2008.
Having produced posts for the first Mister Trippy season daily, I found it far easier to blog every other day in this second season (except for the first month, which was daily). That said, at exactly a year long, this season was also quite a bit shorter than the first. While the comments remained an integral part of the blog, there were considerably fewer than during the first season. I’d view this as a consequence of hosting season two on my own site rather than a social networking platform, and also because I didn’t concentrate on replying to comments as much as I did during the first season. That said, I appear to have more readers here than when Mister Trippy was hosted at MySpace, but far fewer of them commented and those that did made less comments than on the first season of the blog. From a conventional media point of view, upping both the number and percentage of lurkers is probably a good thing, from a full-on committed to Web 2.0 perspective it probably isn’t so good, although it does make life easier! That said, there have still been loads of great comments containing both solid information and some really way-out humour on the season two blog!
A few facts and figures. Mister Trippy season two ran from 1 January 2009 to 31 December 2009, during which time I posted 193 public entries (including this one). As I write this there are 5,007 approved comments split across these posts. Likewise, between myself and the Askimet anti-spam software 10,207 comments were blocked or removed. All the blocked or removed comments were of a commercial nature. Obviously the number of approved and blocked comments will increase as time goes by, although probably not at the same rate as when I was posting on a regular basis.
I’ve found this blog and the main website to which it is attached a good way of alerting people to information I’m seeking. It has enabled me to locate individuals, unearth facts, and in particular extend my knowledge of my mother Julia Callan-Thompson and her bohemian social circle – as well as my first cousin once removed Ray ‘The Cat’ Jones (a legend for audacious Robin Hood-style thefts from the rich and famous, as well as a successful 1958 prison escape with a subsequent two years on the run). That said, while – for example – I now know that Francois Raymond who exhibited photographs of my mother in 1967 is dead and I have contact details for his brother, I’ve drawn a complete blank in my attempts to nail down the fate of Malcolm ‘Grainger’ Drake.
One of the things I’ve always tried to do on this blog, as well as the main site to which it is attached, is put information online that wasn’t previously available via the web. The pieces I’ve posted about my mother’s circle and Ray ‘The Cat’ Jones are good examples of this. When I began researching my mother’s life there wasn’t a single entry about her online. It is because of my efforts that a search engine request now brings in more than 15,000 results for Julia Callan-Thompson, rather than none (which was the result I got from my early web searches for her). There was material about Ray The Cat on the web before I started blogging about him, but by locating a primary source in the form of Ray’s testament about his life and going back to contemporary press coverage of his exploits, I’ve expanded the range of material available online and shown that recent retellings of his escape from Pentonville Prison completely distort the facts (and that the confusion appears to begin with inaccuracies introduced by Mad Frankie Fraser and his ghost-writer James Morton). However, to see this you’d need to read through all my blog entries on Ray The Cat. My research is ongoing and I revise what I have to say on the basis of what I discover. Putting material online is important, there is unfortunately a growing trend (particularly among the young), to look for information on the web and if it can’t be found there then to assume it doesn’t exist.
My research methods appear to confuse some of those I’ve spoken to, since I’ve had the odd email complaining I’ve not written up a story as the person recontacting me originally told it. I always try to find as many sources as possible for what I write. Sometimes these provide me with conflicting information, and some people even provide more than one version of the same story over a period of time. Using archival records where they are available, and all the oral history I am able to collect, I try to reconstruct events as accurately as possible. This can result in a specific person’s recollection of events being discarded; not because I necessarily think the individual in question is lying – memory can play tricks and the person concerned may simply be mistaken about what happened. Someone claiming to have direct knowledge of something does not automatically make them a reliable source for the subject. I work from all the evidence available to me and sometimes this will indicate (or even prove) that a particular individual’s memory of a specific incident is faulty or fraudulent.
Moving on, I trust that the interest of media professionals in blogging is waning, since it has had a deleterious effect on the activity. There are individuals who take up blogging in the belief that it might make them famous. Although this is unlikely, it doesn’t stop people trying and thus producing narrowly focused blogs with very limited subject matter, or else simply going in for egoblogging. One of the elements of this blog that proved particularly popular with a large swathe of readers were my reports of London art world openings. It would not be difficult to construct a blog around nothing but reports of this type, but for me it would become boring and is therefore to be avoided, despite – or rather because of – the fact that it would lead to me being viewed as a greater conventional ‘success’ than is currently the case.
Likewise, most newspapers seem to have given up on investigative journalism, or even research, and at a time when we need much more of it; clearly it is those with particular interests and specialised knowledge who are far better qualified to do this than so called media professionals, and blogging is a cheap and efficient way for the ‘real’ ‘experts’ – in other words, amateurs like you and me - to gather and disseminate information. I’m not seeing as much research based blogging or other web reportage as I’d like, but hopefully there will be more of it in coming months and years – and far fewer blogs being updated via Twitter feeds. I’d also like to see the majority of bloggers trying a little harder with their writing. While splurging something out is a great way of getting it down, you do then need to rewrite and revise. I’ve always tried to compose my blogs the night before I posted them, so that I could give them a final rewrite in the morning. Too many blogs look like their author hasn’t read through what they’ve posted even once! If you’re not prepared to read your own writing, you shouldn’t expect anyone else to do so either!
In conclusion, while I wouldn’t rule out a third season of the Mister Trippy blog, I’m not committed to doing one either. I’ll just see how things go. For now I’d rather concentrate on other pursuits. I will continue to update the main website to which this blog is attached – check the new additions page if you want to see what is being added. Wow, this may also be one of the least humorous blog I’ve written over the past year, so I obviously do need a break from Mister Trippy!
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: 2009, art world, blogging, egoblogging, email, Frankie Fraser, investigative journalism, jail break, James Morton, Julia Callan-Thompson, London, Mad Frankie Fraser, Mister Trippy, MySpace, prison escape, Ray Jones, Ray The Cat Jones, Raymond Jones, research, Robin Hood, social networking, Stewart Home, Twitter, Web 2.0
Posted in Web 2.0 | 30 Comments »
Friday, December 11th, 2009
John Latham and the Artists’ Placement Group came up in conversation the other day. While I liked much of what Latham did, I always found the theoretical justifications for his work extremely dubious. Thus when through Latham I came into direct contact with the Artists’ Placement Group (APG) in the 1980s, I found it utterly ridiculous. Now that the APG is no longer a going concern and The Tate has purchased its archives, it is unfortunately easier for for those coming across it for the first time to take it rather more seriously than was the case with old hands who encountered it as a live entity.
I have heard rumours of a Leninist critique of the APG in an issue of Artery Magazine (edited by Jeff Sawtell and published from 1971 and 1984), but to date I have been unable to trace this. I wrote my own brief appraisal of the APG a year or two after first encountering the beast ‘up close and personal’, and this was published in Smile Magazine No. 10 (London 1987). It seems worthwhile reposting that here to remind people of the reactions the APG elicited when it was a going concern. Strangely (or perhaps not), in my encounters with Stuart Brisley and Ian Breakwell from the 1980s onwards, neither ever mentioned the APG to me.
When I first met Latham and his wife Barbara Steveni (who struck me as the real power and key activist in the APG), both spoke to me about the importance of the APG but neither seemed to understand my criticisms of it for retrenching the role of the artist as a specialist non-specialist (to resort to caricature, it was as if Latham and Steveni ‘had never encountered left-communism in all its originality, nor understood the nature of its break with the Third International…’). Anyway, here’s what I wrote way back when:
ARTISTS’ PLACEMENT AND THE END OF ART
“Artistss’ Placement is intended to serve Art rather than provide a service for artists.” Barbara Steveni ‘Will Art Influence History?’ (in AND Journal of Art No. 9).
In the same article from which the preceding quote is extracted, Steveni elaborates that the ‘APG (Artists’ Placement Group) was never created as an agency to help artists find employment, or to create new forms of support for artists. APG is a means of generating change through the media of art rather than through verbal proceedings only, in the context of organisation’. Thus the APG seeks to propagate the concept of the placement of artists in government and industry. The ‘placed artist’ is to play the role of ‘incidental person’ and carry an open brief.
Such aims are at best reformist. For those who do not adhere to a ‘revolutionary perspective’ the idea of placing ‘incidental persons’ in government and industry might appear ‘radical’ if the concept were removed from the conservative framework within which the APG attempt to contain it.
However, close examination of the APG’s theory shows that in terms of its actual practice, the propagation of the concept of artists as ‘incidental persons’, is only a second order activity. Its first priority is clearly the maintenance of a belief in ‘Art’, and the role of the artist, in a society where such mystifications are increasingly viewed as irrelevant not only by the general population, but also by those whose system ‘Art’ once helped to maintain.
In effect, the APG is calling for the utilisation of specialists (artists) in a non-specialist role (the ‘incidental person’). Thus the APG hope to create for themselves (artists) a preserve as professional non-specialists, while excluding ordinary workers and the unemployed from fulfilling any ‘incidental’ function.
The APG are a professional self-interest group. Like all artists they stand in opposition to the aims and aspirations of the impossible class.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: 1980s, AND Jouranl of Art, APG, Artery Magazine, Artists Placement Group, Barbara Steveni, Ian Breakwell, incidental person, Jeff Sawtell, Jeffrey Sawtell, John Latham, Leninism, Smile Magazine, Stewart Home, Stuart Brisley, Tate, Third International
Posted in art criticism, politics | 21 Comments »
Tuesday, November 17th, 2009
A 34 year-old Bristol based research scientist called Dr Brooke Magnanti has outed herself as the ‘real’ author of the Belle de Jour blog and books. These texts ‘documented’ the life of a high-class London call girl. Dr Magnanti claims her writing is an authentic record of the time she spent working as a prostitute to fund the final phase of her PhD research. I haven’t looked deeply into the various proofs that Dr Magnanti is Belle, but plenty of news journalists have and they seem convinced by them. So while I can’t say with absolutely certainty that Dr Magnanti is Belle, it seems to me to be rather unlikely that she isn’t.
One thing I am absolutely certain of is that I didn’t write the Belle de Jour blog and books despite the claims to the contrary made by various conspiracy nuts. Although the media (most notably The Evening Standard and The Guardian) ran with this story, it didn’t originate with them and I was never under the impression they believed it to be true; they covered the claim without taking any very strong line on it because it made a good story. I benefited from the publicity and sold books as a result, while the journalists in question were paid and generated profits for their bosses.
Curiously, it appears that the majority of those who made and repeated the claim that I was Belle de Jour as if they personally believed it, did so out of spite and malice. It is therefore ironic that their activities helped rather than harmed me. The endless conspiracy theories propagated by these bozos were so ludicrous – involving as they did interminable and utterly fantastic international ‘criminal’ and ‘political’ outrages – that no one took them seriously. It was even claimed that when I temporarily took the position of writer-in-residence at Strathclyde University, I’d ‘fled’ to Scotland in a vain attempt to avoid arrest by the cops. Despite the linked assertion that my incarceration for endless heinous sex crimes was imminent, I remain at liberty…
In fact, beyond a handful of nutters, no one who’d looked into the matter ever believed I was Belle de Jour. You only had to compare my prose to Belle’s to see that I couldn’t possibly have written the tedious shit ‘she’ spews out. My view of Belle’s work is that it is mindless bollocks aimed at middle-class airheads. Had I not been publicly accused of having composed this garbage, I wouldn’t have bothered looking at it, and so it shouldn’t be necessary to add I would never have bothered writing it. That said, if Dr Magnanti is indeed (as I think likely) Belle, then hats-off to her for evading detection for so long and doing something useful in the area of cancer research. Since her prose is so unappealing, she should quit writing and stick to medical matters instead.
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: Belle de Jour, Brooke Magnanti, cancer research, conspiracy theorists, conspiracy theory, Diary of a London Call Girl, Dr Brooke Magnanti, Evening Standard, Guardian, prostitutes, prostitution, Stewart Home
Posted in books, culture gossip & parties, exhibitionism, humour | 111 Comments »
Friday, November 13th, 2009
A question I’ve been asked a number of times recently is how do I maintain my lavish life-style? The answer is simple, my life-style isn’t particularly lavish but many people find me so fascinating that they project their fantasies onto an image they create of me. It should go without saying that if you know your way around the place, then London can be a very cheap town in which to live. I very much doubt I could survive as easily in New York or Paris, although someone born in those places may be able to do so. However, to satisfy those who dislike rational explanations I shall add that I have multiple personalities that run into six figures and each one of them earns a living in a different way – some as gangsters, others rob banks, one has been bleeding a hedge fund dry, and all of them earn me a fortune as I sleep! You too could be making money as you shower, but to do so you need to buy all my books and read them carefully so that you can decipher the coded messages they contain. Hot tip: the coded messages only manifest themselves to those who buy my books, so borrowing them from a library or a friend just won’t work!
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: books, lavish life-style, London, make money, make money while you shower, make money while you sleep, New York, Paris, rich and famous, Stewart Home
Posted in humour | 19 Comments »
Tuesday, November 3rd, 2009
I reported on an earlier YouTube banning of my work in a blog I posted in September, and shortly after I’d written that YouTube pulled another video of mine, Nude In Melbourne. The point of the second piece, which was clearly lost on YouTube’s half-wit censors, is that I may or may not be nude in this short: you can’t tell because anything that might break the YouTube rules is hidden by a camera… but that didn’t stop the platform from banning it. However, the video is now available again via Vimeo:
<http://www.vimeo.com/7103351>
Due to the hassles I’ve been getting from YouTube, I decided to post my recent video Two Strippers straight to Vimeo:
<http://www.vimeo.com/7217171>
Nonetheless I’m continuing to amuse myself by posting selected pieces to YouTube. Recent additions to my profile there include I Wanna Die In The TV (which realises my desire to bring back the test card back), William Burroughs In Hell (two jokes with some groovy visuals) and In The Street Today – Paris (a psychogeographical exercise inspired in part by the camerawork of Stephen Dwoskin).
Raymond Anderson recently pointed out that ‘you tube’ is a common insult in Scottish playgrounds, and thus a very appropriate name for a platform that has its brains in its arse as far as understanding its own rules on forbidden material goes. While all corporate web 2.0 operations are selectively blind, deaf and dumb, when it comes to appraising content it seems that YouTube is consistently dumb, thick and stupid….
I’ve also found it curious in recent weeks how frequently both YouTube and Facebook have been either down or failing to function properly. While I don’t want to completely ignore those whose web use is largely restricted to corporate social networking platforms, we still need to get it on with web 2.0 software on our own sites: which is, of course, one of the reasons this blog is to be found here.
And talking of corporate platforms that don’t work, the Technorati overhaul last month resulted in some major glitches. My own entry has lost all my fans, comments, and it now links to the homepage of my website instead of this blog (with the result that the feed has lost all my blog entries and all my ‘authority’). I’ve emailed Technorati to tell them this, since I’m unable to do anything about it by logging-in, but of course they’ve done sweet FA about it. I always thought Technorati was a waste of time anyway, and this just serves to underline that!
And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!
Tags: I Wanna Die In The TV, In The Street Today - Paris, Nude In Melbourne, Raymond Anderson, Stephen Dwoskin, Stewart Home, Technorati, Two Strippers, Vimeo, Web 2.0, William Burroughs In Hell, YouTube
Posted in film, Web 2.0 | 25 Comments »