Posts Tagged ‘The Family’

Another take on The Process Church of the Final Judgment

Sunday, May 31st, 2009

Love Sex Fear Death: The Inside Story of the Process Church of the Final Judgment by Timothy Wyllie (Feral House $24.99) provides a curious history of one of the minor cults that flourished on the fringes of the counterculture. That said, The Process has remained very visible to this day, thanks in part to claims it was the hidden ‘evil’ force behind both the Tate-LaBianca and the Son of Sam slayings. Wyllie insists that these claims, as well as salacious stories about Process founder Mary Ann MacLean having been married to American boxing champion Sugar Ray Robinson and playing a role in the Profumo Affair, are false. All the available evidence would suggest Wyllie is correct on these matters, and while this adds to the credibility of his tale, it will probably do little for the sales of his book.

The book is a personal account of Wyllie’s time with The Process and the story he tells is more convincing than the portraits of the group found in books such as The Ultimate Evil by Maury Terry and the first edition of The Family by Ed Saunders, but it is also far more banal. Therefore, if you want to read sensationalist and ultimately fictionalised accounts of Satanic killing sprees, you’ll have to look elsewhere. There is plenty of that online, and a web search will also locate many Process writings and graphics.

The history of The Process is essentially this: in 1963 two former Scientologists Mary Ann MacLean and Robert de Grimston established a therapy business in Wigmore Street, London. Mary Ann MacLean was a former prostitute who grew up in poverty in Glasgow, while Robert de Grimston was from an upper class family and had served as an officer in the British army before becoming an architecture student and then dropping out three years into these studies. Wyllie first met de Grimston in 1959 when they both enrolled on the architectural course at Regent Street Polytechnic (renamed Polytechnic of Central London in 1970, with a further name change to University of Westminster in 1992). In 1963 McLean and de Grimston began using Wyllie as a guinea pig to test and develop techniques they’d learnt as Scientologists, adapting them to their own purposes.

Wyllie’s circle of student friends provided the initial recruits to what was then called Compulsions Analysis. In Wyllie’s account, those involved with MacLean and de Grimson recognised a sense of spirituality in their activities and the name of the group was therefore changed to The Process in 1965. My own impression is there was nothing spiritual about MacLean and essentially she conned the group into becoming her disciples and funding the luxury life-style she and de Grimston craved. Even from Wyllie’s rather misty-eyed account, it is apparent MacLean was a hard-bitten hustler who’d mastered the con game when she was working as a high class London hooker throughout the 1950s and into the 1960s.

While Process acolytes panhandled for money and lived in abject poverty, the group rented properties it could barely afford in an attempt to trick the outside world into believing they possessed wealth and power. De Grimston and MacLean were the only Process members to live in style. While de Grimston provided the theology, MacLean was the real power running this cynical money-grabbing hierarchy. Over the years the group expanded and at various times had chapters in Rome, Paris, New Orleans, San Francisco, Munich, Los Angeles, Amsterdam, New York, Boston, Chicago, Toronto and Miami. Chapters were sometimes moved from one city to another, and the membership never seems to have stretched beyond the very low hundreds, although The Process claimed to have tens of thousands of members.

Process theology was based on the unification of opposites, and a reading of the Bible that took Christ’s injunction to ‘love thy enemy’ to mean love Satan. Much of this gnostic garbage was confected in group sessions and then written up by de Grimston, and even Wyllie admits it didn’t read well on the printed page. After an Idris Shah book fell on his head in a Notting Hill bookshop, Wyllie convinced himself that de Grimston and MacLean were disguised Sufi masters, and like other members of the cult was also prone to viewing the latter as a human incarnation of the Goddess! The original core of The Process consisted chiefly of over-privileged and privately educated brats, and it seems to me that much remains to be written about how an upper-class upbringing renders individuals peculiarly susceptible to the brainwashing techniques of religious cults.

The Process fell apart when de Grimston and MacLean ended their marital relationship in 1974. De Grimston attempted to revitalise The Process without success. MacLean led the disciples who stuck with her into The Foundation, which adopted increasingly conventional Christian doctrines before reinventing itself as a secular animal charity called Best Friends. MacLean died in 2005, de Grimston is still alive.

Wyllie’s account of his 15 years with The Process is supplemented by the stories of various other members. The most shocking thing to come out of this is the criminal neglect of children whose parents belonged to the cult. The overall impression I’m left with is that life in The Process was very dull, and you had to be deluded to join it in the first place. The Process memoirs gathered together here also show that those conned by guru-figures are very slow to give up their illusions, and will often attempt to off-set the fact they were ripped-off with the desultory claim they enjoyed some kind of spiritual adventure in ‘the process’.

In addition to these memoirs, this book also contains a selection of unimpressive texts by de Grimston, and a very silly essay by Genesis P. Orridge about how he modelled Thee Temple Ov Psychic Youth on The Process. The image section in this tome is rather more interesting, since it illustrates the strong design sense and corporate-style marketing of The Process as a self-consciously totalitarian cult. From Wyllie’s account of the group it is clear why The Process chose to project itself as a totalitarian ‘elite’:

“Mary Ann (cult leader Mary Ann MacLean) never made any apologies, for instance, about having considerable sympathy and respect for the Nazi regime. Doubtless it suited her authoritarian personality. A story I have heard her relate more than once is of her as a small girl of nine or ten, who found herself leaving her physical body and being transported into Hitler’s bunker during World War II. There she would slip around the table in her astral form whispering into the generals’ ears. Whether she ever claimed to observe der Fuehrer’s legendary rages, I don’t recall, but if she had I can only imagine she would have egged him on in his carpet-biting frenzies.” (Page 56).

Elsewhere Wyllie recalls:

“Michael and I stopped in to visit George Lincoln Rockwell, the ‘American Nazi’, out of allegiance to Mary Ann’s interest in extreme ideologies…. Rockwell sat in the only armchair… He looked younger than I thought he was going to be, with a buzz-cut and a surprisingly open, pleasant, face, marred now by a fixed scowl that didn’t leave him while we were there… He had a military bearing but was clearly a frightened man… Later I found out that Lincoln Rockwell was killed in August of 1967 by a disgruntled ex-member of his party and only days after our visit. I should add that Michael is the scion of a wealthy Jewish family and I can only imagine that Mary Ann instructed him to visit Rockwell as a way of testing his mettle…” (Pages 80-81).

Elsewhere in his narrative Wyllie tells tales of counterculture figures like Timothy Leary, Abbie Hoffman and Simon Vinkenoog, assisting The Process. He also writes about a few of the celebrities the group attempted to shake down for donations; they range from Miles Davis to Salvador Dali. Sadly, he has nothing to say about Funkadelic frontman George Clinton, who okayed the reproduction of Process material on the art work to a couple of his albums. Mostly this is a book about the internal dynamics of The Process and as such it makes for curious but nonetheless extremely depressing reading; it appears that most of the ‘former’ cult members contributing to it are still deluded about their experiences years after the group broke up.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Holy Armageddon Batman! A Richard Grayson Opening at Matt’s Gallery in London!

Tuesday, May 12th, 2009

I went to the Sunday afternoon opening of Richard Grayson’s The Golden Space City of God at Matt’s Gallery (42-44 Copperfield Road, London E3 4RR) on 10 May. Some drapes and stacked chairs, designed to make the gallery look like a community space, formed a minor part of an installation. The main item was a 45 minute film of a choir singing a libretto that had been assembled by Grayson from writings he’d found on the website of Christian fundamentalist cult The Family International (formerly The Children of God And The Family of Love). The music is composed by Leo Chadburn.

The content of the libretto is bog standard Christian fundamentalist bollocks based on The Book of Revelation. Given that The Family started out as a hippie cult you get a few space-age trimmings, but nothing that would surprise anyone who knows the first thing about the forces that potentially threaten the liberty of those who aren’t dyed-in-the-wool religious nuts. The Family view current events as demonstrating that Tribulation has arrived; i.e. the period when Christians are persecuted and the Anti-Chirst rules. According to those that believe this rot, following on from this comes the Battle of Armageddon, at the conclusion of which Christ defeats the Anti-Christ and faithful Christians are rewarded with everlasting life in heaven in the form of The Rapture. The insane beliefs which form the core of Grayson’s libretto are well known outside Christian circles; hence, for example, the jokey title of Blondie’s huge 1981 hit single Rapture.

Despite widespread allusions to Christian fundamentalist eschatology in both popular and underground culture (see also, for example, the books and films of The Church of The SubGenius), Andrew Brighton in an essay accompanying the Matt’s Gallery exhibition suggests: “Richard Grayson’s shocking achievement is to bring into the cultural and institutional frame of modern art such a dangerously hostile set of ideas, values and prophecies as offered in The Golden Space City of God and persuade us to hold or consider or at least comprehend them…”

Aside from the blatant stupidity of this statement – since anyone with an interest in the world around them or even just recent American popular culture,  should be familiar with Christian fundamentalist beliefs – it is also rather rich coming from an ignoramus like Andrew Brighton. This former Senior Curator at Tate Modern is a complete tosser with a long history of blocking from entry into the institution of art anything that disturbs his bourgeois views. Like most liberals, Brighton claims to be defending enlightened and democratic values, which in practice leads to the suppression of free and open debate. To give just one example, he personally blocked an essay about me by Richard Marshall from appearing in Critical Quarterly on the grounds that I stand for the destruction of everything he holds dear. If you want to read the essay, it was subsequently posted on the 3AM Magazine website.

Returning to Grayson, his libretto certainly amused one of the women who sang it, you can see her lips curling upwards and her eyes twinkling when she doesn’t have to sing. I’m sure many other members of the choir felt the same way about the work they were performing, although most are so focused on their singing that they aren’t able to smile. Since I didn’t have to do anything more than watch the film of this choir, I was able to give vent to a good belly laugh while I was at Matt’s Gallery. And I’m sure many other visitors to Grayson’s installation will laugh long and loud too.

The installation set-up resulted in it being difficult to spend much time speaking to people at the opening. I clocked the likes of Andrew Brighton and Mark Wallinger but didn’t exchange any kind of pleasantry with them and wouldn’t want to. I did say ‘hi’ and little else to Andrew Wilson and Ingrid Swenson, among others.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!