Posts Tagged ‘Wigmore Street’

The sinful nuns of St Valentine meet the Marquis de Sade at the Borders closing down ‘sale’….

Sunday, December 13th, 2009

Watching capitalist corporations fail is a groove sensation, and it takes me right back to everything from the three day week to the ‘winter of discontent’ in the 1970s. All those who love power cuts will recall that the mid-1970s was a real peak for this type of fun in London. As a long-term fan of this great anti-tradition, you can’t keep me out of shops that are closing down. The last 12 months has been a real bonanza for entertainments of this type: first there was the closure of Woolworths, then there was Zavvi, now there is Borders (UK)! Okay, so the flagship Borders store in Oxford Street has already gone, but the sense of chaos and anti-climax in the still just hanging-on-by-a-thread Charing Cross Road branch really gives me the horn. The stock is in disarray, with books and DVDs spilling off half-empty shelves, the toilets (for me what was once the main attraction in the shop) are closed, and there are mugs and other breakable crap – rather than bestsellers – at the front of the shop. The place looks like the set for a disaster movie, which is why for as long as it remains open I’ll continue to goof around in this wrecked ‘retail’ space…

That said, now Borders is closing I only go for the ambiance (rather than ‘Toilet Love’), and to laugh at those buying goods that after being marked up to more than twice their market value are currently being sold at between 20% and 50% ‘discount’. One of the things that caused me to chuckle on the ground floor of Borders while I was enjoying the chaos there on Friday was a display of Redemption DVDs. These were priced at £7.99 minus 30% discount (i.e. £5.60), and there were some Eurosleaze classics among them including a whole bunch of Jean Rollin lesbian vampire movies… But you can buy many of these on Amazon Market Place for around £4 (including postage), or if you can’t wait for them to arrive by mail, all the titles in Borders and many more are sold in Lovejoys a couple of minutes walk down Charing Cross Road at £6.99 each or 2 for £12 (i.e. £6 each when you buy two – not greatly more than the Borders sale price). Likewise I’ve seen these Redemption titles around in secondhand shops at about £3. Which means, of course,  that even in the Borders sale, these items (like most of their discounted stock) still pan out as being more expensive than picking them up elsewhere. So don’t bother with the sale, just dig the collapse…. or go in dressed in an over-sized coat….

And talking of Redemption, I read a truly bizarre story by Lucy Tobin about this company in The Evening Standard on Thursday 10 December, entitled Film firm that made Koo a star collapses: “The cult movie empire whose back catalogue includes the risqué films of Prince Andrew’s former lover Koo Stark has collapsed into administration. Redemption Films, based in Wigmore Street, Soho, was set up by Nigel Wingrove, Britain’s answer to Hustler publisher Larry Flynt. Administrators were called in today at the distributor of gothic horror movies, whose past titles range from Sinful Nuns Of St Valentine to Ms Stark’s cult 1977 hit The Marquis De Sade’s Justine….”

There is a lot of misinformation to unpack in this story, but let’s start with the headline, since Redemption Films did not make Koo Stark a star. Redemption was set up in the 1990s and Stark became a minor starlet on the back of a couple of mid-seventies movies -  Emily (1976) and Cruel Passion AKA De Sade’s Justine (1977) – and then briefly a media celebrity in the 1980s when she dated inbred British royal brat Prince Andrew (“The Duke of York”). All Redemption did was acquire some of Stark’s back catalogue as a film actress and issue it on VHS tape and then DVD long after she’d become a household name in the UK.

Likewise, I find the idea of Redemption being a soft porn ‘empire’ on the same scale as Larry Flynt’s American Hustler operation risible (it is about on a par with suggesting that ‘Boris Johnson is Britain’s answer to Barack Obama’). During the 1990s my friend Nik Houghton worked for Nigel Wingrove and I went into their office on the odd occasion; at that time the business consisted of Wingrove and his part-time assistant Nik in a moderately sized room. Wingrove’s operation may have grown a bit since then, and it has definitely moved to a slightly more upmarket address, but it is still closer to a cult-film one-man band than a porn empire! However, as ever with The Standard, the point of the piece seems to be to pack in as much gossip as possible, rather than to report news. Therefore it should surprise no one that Wingrove’s professional involvement with Georgina Baillie – ‘the granddaughter of Andrew Sachs who was at the centre of the Jonathan Ross and Russell Brand telephone scandal’ – gets a passing mention too.

For anyone who has looked into the ways cult films and music are milked for profits, I’d see Redemption going into administration as business as usual within this sector of the culture industry. Cult means niche and there are usually very few buyers for operations in really specialist areas like Oi! music or Eurosleaze films; therefore a businessman (or woman) who knows their way around one of these ‘cult’ areas will often run their limited liability company into bankruptcy while paying themselves a hefty salary. This is a way of writing off debts, because the ‘former’ owner can buy up the assets of the concern they’ve deliberately run down for less than a song: they use another company they’ve set up for this purpose and then proceed to do the same thing again, and again, and again! And what’s more, given that we live in a capitalist society, this is more or less legal! It is precisely the sort of thing so called ‘wealth generators’ do for ‘a living’ and illustrates why businessmen and bankers should not be allowed to reward themselves with anything above an average workers’ wage, let alone ‘bonuses’. I don’t know if this is how Nigel Wingrove operates, but I am familiar with other individuals working in the cult sector of the culture industry who do business this way.

If Wingrove was planning to write off his debts by buying himself out, The Standard story could be bad news for him, since it might stir up interest from other ‘wealth generators’. That said, Wingrove is also a film-maker himself, so perhaps he just wants out…. Moving on, if you believe what you read in The Standard, you may well have been hoaxed into thinking I wrote the Belle de Jour blog and books, so it isn’t exactly surprising their Nigel Wingrove and Redemption Films story is so inaccurate!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Another take on The Process Church of the Final Judgment

Sunday, May 31st, 2009

Love Sex Fear Death: The Inside Story of the Process Church of the Final Judgment by Timothy Wyllie (Feral House $24.99) provides a curious history of one of the minor cults that flourished on the fringes of the counterculture. That said, The Process has remained very visible to this day, thanks in part to claims it was the hidden ‘evil’ force behind both the Tate-LaBianca and the Son of Sam slayings. Wyllie insists that these claims, as well as salacious stories about Process founder Mary Ann MacLean having been married to American boxing champion Sugar Ray Robinson and playing a role in the Profumo Affair, are false. All the available evidence would suggest Wyllie is correct on these matters, and while this adds to the credibility of his tale, it will probably do little for the sales of his book.

The book is a personal account of Wyllie’s time with The Process and the story he tells is more convincing than the portraits of the group found in books such as The Ultimate Evil by Maury Terry and the first edition of The Family by Ed Saunders, but it is also far more banal. Therefore, if you want to read sensationalist and ultimately fictionalised accounts of Satanic killing sprees, you’ll have to look elsewhere. There is plenty of that online, and a web search will also locate many Process writings and graphics.

The history of The Process is essentially this: in 1963 two former Scientologists Mary Ann MacLean and Robert de Grimston established a therapy business in Wigmore Street, London. Mary Ann MacLean was a former prostitute who grew up in poverty in Glasgow, while Robert de Grimston was from an upper class family and had served as an officer in the British army before becoming an architecture student and then dropping out three years into these studies. Wyllie first met de Grimston in 1959 when they both enrolled on the architectural course at Regent Street Polytechnic (renamed Polytechnic of Central London in 1970, with a further name change to University of Westminster in 1992). In 1963 McLean and de Grimston began using Wyllie as a guinea pig to test and develop techniques they’d learnt as Scientologists, adapting them to their own purposes.

Wyllie’s circle of student friends provided the initial recruits to what was then called Compulsions Analysis. In Wyllie’s account, those involved with MacLean and de Grimson recognised a sense of spirituality in their activities and the name of the group was therefore changed to The Process in 1965. My own impression is there was nothing spiritual about MacLean and essentially she conned the group into becoming her disciples and funding the luxury life-style she and de Grimston craved. Even from Wyllie’s rather misty-eyed account, it is apparent MacLean was a hard-bitten hustler who’d mastered the con game when she was working as a high class London hooker throughout the 1950s and into the 1960s.

While Process acolytes panhandled for money and lived in abject poverty, the group rented properties it could barely afford in an attempt to trick the outside world into believing they possessed wealth and power. De Grimston and MacLean were the only Process members to live in style. While de Grimston provided the theology, MacLean was the real power running this cynical money-grabbing hierarchy. Over the years the group expanded and at various times had chapters in Rome, Paris, New Orleans, San Francisco, Munich, Los Angeles, Amsterdam, New York, Boston, Chicago, Toronto and Miami. Chapters were sometimes moved from one city to another, and the membership never seems to have stretched beyond the very low hundreds, although The Process claimed to have tens of thousands of members.

Process theology was based on the unification of opposites, and a reading of the Bible that took Christ’s injunction to ‘love thy enemy’ to mean love Satan. Much of this gnostic garbage was confected in group sessions and then written up by de Grimston, and even Wyllie admits it didn’t read well on the printed page. After an Idris Shah book fell on his head in a Notting Hill bookshop, Wyllie convinced himself that de Grimston and MacLean were disguised Sufi masters, and like other members of the cult was also prone to viewing the latter as a human incarnation of the Goddess! The original core of The Process consisted chiefly of over-privileged and privately educated brats, and it seems to me that much remains to be written about how an upper-class upbringing renders individuals peculiarly susceptible to the brainwashing techniques of religious cults.

The Process fell apart when de Grimston and MacLean ended their marital relationship in 1974. De Grimston attempted to revitalise The Process without success. MacLean led the disciples who stuck with her into The Foundation, which adopted increasingly conventional Christian doctrines before reinventing itself as a secular animal charity called Best Friends. MacLean died in 2005, de Grimston is still alive.

Wyllie’s account of his 15 years with The Process is supplemented by the stories of various other members. The most shocking thing to come out of this is the criminal neglect of children whose parents belonged to the cult. The overall impression I’m left with is that life in The Process was very dull, and you had to be deluded to join it in the first place. The Process memoirs gathered together here also show that those conned by guru-figures are very slow to give up their illusions, and will often attempt to off-set the fact they were ripped-off with the desultory claim they enjoyed some kind of spiritual adventure in ‘the process’.

In addition to these memoirs, this book also contains a selection of unimpressive texts by de Grimston, and a very silly essay by Genesis P. Orridge about how he modelled Thee Temple Ov Psychic Youth on The Process. The image section in this tome is rather more interesting, since it illustrates the strong design sense and corporate-style marketing of The Process as a self-consciously totalitarian cult. From Wyllie’s account of the group it is clear why The Process chose to project itself as a totalitarian ‘elite’:

“Mary Ann (cult leader Mary Ann MacLean) never made any apologies, for instance, about having considerable sympathy and respect for the Nazi regime. Doubtless it suited her authoritarian personality. A story I have heard her relate more than once is of her as a small girl of nine or ten, who found herself leaving her physical body and being transported into Hitler’s bunker during World War II. There she would slip around the table in her astral form whispering into the generals’ ears. Whether she ever claimed to observe der Fuehrer’s legendary rages, I don’t recall, but if she had I can only imagine she would have egged him on in his carpet-biting frenzies.” (Page 56).

Elsewhere Wyllie recalls:

“Michael and I stopped in to visit George Lincoln Rockwell, the ‘American Nazi’, out of allegiance to Mary Ann’s interest in extreme ideologies…. Rockwell sat in the only armchair… He looked younger than I thought he was going to be, with a buzz-cut and a surprisingly open, pleasant, face, marred now by a fixed scowl that didn’t leave him while we were there… He had a military bearing but was clearly a frightened man… Later I found out that Lincoln Rockwell was killed in August of 1967 by a disgruntled ex-member of his party and only days after our visit. I should add that Michael is the scion of a wealthy Jewish family and I can only imagine that Mary Ann instructed him to visit Rockwell as a way of testing his mettle…” (Pages 80-81).

Elsewhere in his narrative Wyllie tells tales of counterculture figures like Timothy Leary, Abbie Hoffman and Simon Vinkenoog, assisting The Process. He also writes about a few of the celebrities the group attempted to shake down for donations; they range from Miles Davis to Salvador Dali. Sadly, he has nothing to say about Funkadelic frontman George Clinton, who okayed the reproduction of Process material on the art work to a couple of his albums. Mostly this is a book about the internal dynamics of The Process and as such it makes for curious but nonetheless extremely depressing reading; it appears that most of the ‘former’ cult members contributing to it are still deluded about their experiences years after the group broke up.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!