Posts Tagged ‘Wu Ming’

Children of the Sun by Max Schaefer

Monday, October 26th, 2009

When I first heard about Children of the Sun, I assumed the title was taken from the classic sixties psyche single of the same name by The Misunderstood, but anyone who reads the book can see that it actually invokes Savitri Devi, a particularly bonkers and unpleasant exponent of post-war Nazi occultism, and one of the founding members of the World Union of National Socialists. That said, the focus of this ‘novel’ is very much on English neo-Nazi scum of the Thatcher era; although Devi does appear in extended fictional form, partly on account of the fact that she died in England on the same day that the moronic bonehead band Skrewdriver played their comeback gig in London.

The book intercuts two narratives, which are joined at the end. One is about a lumpen south London secretly gay Nazi skinhead called Tony; and the other concerns the middle-class liberal James, whose family is financially supporting his research into the far-Right, so that he can write a TV script about British Movement activist and amateur porn star Nicky Crane. Schaefer uses the first narrative to undermine reader expectations, his main character Tony is complete low-life, and in every fight sequence I was rooting for him to be annihilated; so it was a major disappointment that this piece of trash survives right the way through to the end of the book.

Although Tony is a member of the British Movement, his depiction often led me to think of a Strasserite plonker on the ‘far left’ of a 1980s photo of Ian Anderson ‘manning the deliberately provocative National Front stall in the Asian area of Brick Lane, East London’, which is available from photographersdirect.com (search for “Ian Anderson Brick Lane”). In the ‘Tony’ parts of Schaefer’s book we encounter fictional depictions of figures such as Nicky Crane, Ian Stuart (of Skrewdriver), Savitri Devi and even Nick Griffin (now the BNP’s leading Nazi twat, but back then in his national ‘revolutionary’ phase an associate of a motley crew of Italian fascists with a string of criminal convictions implicating them in more than one mass murder, as well as a huge fan of Libya’s Colonel Gaddafi).

Children of the Sun not only takes the reader through a very lightly fictionalised version of key incidents in the development of British neo-Nazism, it is peppered with genuine historical documents relating to these events. What will most immediately grab many people’s attention is documentation relating to Nick Griffin’s unbelievably unsavoury past. However, of more interest to me was the resurfacing of two press clippings I’d appraised some time ago – an October 1986 news item from Searchlight linking Tony Wakeford’s National Front band Above The Ruins (the name was subsequently changed to Sol Invictus) to Nazi bonehead Nicky Crane as well as Michael Walker of The Scorpion, plus a 1986 review from the fascist zine English Rose that suggests top Nazi prick Patrick Harrington was a member of Wakeford’s group during its early days. Above The Ruins are mentioned more than once in the ‘fictional’ sections of the text, and these invocations prove extremely suggestive. For example:

“I was reading the Scorpion, this would-be intellectual journal put out by Michael Walker, who used to run a tour company with Nick Griffin and Roberto Fiore. So in summer ’93, just before Nicky died, Walker published an article by Stephen Cox, who ran something called the Jarls of Baelder, which as far as I can tell was a sort of occult, quasi-nazi homoerotic naturist group. Baelder had, or has, a secret inner order called the Fraternitas Loki, devoted to ‘covert aeonic action’: aeonics is a key Nine Angles term, and in Norse mythology Loki was the father of Fenrir, the wolf, right? The Above The Ruins album was Songs of the Wolf, and Fenrir was the in-house journal of the ONA… Anyway, Cox’s piece is this barking analysis of European history that says we need to reappraise the Third Reich and seek our destiny among the stars. And it’s illustrated with diagrams that say, at the bottom: copyright Order of Nine Angles. So this is explicit Nine Angles material appearing in the major British journal of the new right. They’re all over each other…” (pages 252-253).

There are, of course, other ways of linking Wakeford to David Myatt and the Order of Nine Angles, and Children of the Sun provides more than enough information to encourage readers to do just that and much else besides. Therefore, I’m not sure I’d describe this book a novel, it seems to me to be closer to what the Wu Ming collective call an ‘unidentified narrative object’; in fact, it reads a lot like recent work by Iain Sinclair crossed with gay porn for Nazi fetishists. The tome is incredibly well researched, and is guaranteed to stir up a lot of debate about links between the music scene and neo-Nazi politics (especially as, yet again, it blows away the threadbare argument a number of fascist musicians and their apologists have used for years in order to attain a fig-leaf of respectability; viz, they couldn’t possibly be Nazis because either they or some of their associates are gay). Likewise, although this is by no means the last word on why some extremely sad non-fascist gay men are turned on by Nazi uniforms and related trash (like Nicky Crane), it explores the area much more effectively than say Bruce La Bruce’s ill-conceived film Skin Gang/Skin Flick (1999).

Children of the Sun is at times an extremely unpleasant read, but it will nonetheless prove an eye-opener to those who run the literary world (anti-fascist activists will already be familiar with much of this material). I’m very much looking forward to some of the debates this book is likely to spark when it is published early next year. A couple of the ‘fictional’ Nazi scum turn out to be copper’s narks, and this might well lead to heated arguments about whether or not they are based on certain real-life characters. Schaefer has written an arresting debut that makes me extremely curious not only about what he will be doing next, but also what will happen to the huge amount of as yet unused research he’s done into the Nazi music scene and its fellow travellers.

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Saturday night out in London with Wu Ming…

Sunday, October 18th, 2009

Yesterday night I was at the ICA doing an event with Wu Ming 1 and Wu Ming 4, who were presenting their latest book Manituana. After a very brief intro from me, Wu Ming 1 opened things up with a short explanation of the collective writing activities he’s been embroiled in for many years as one part of the Wu Ming collective (and before that the Luther Blissett Project). Then there was an introduction to the new Wu Ming novel, after which I read a passage from the book that required a strong London accent. Having read live many times, yesterday I decided to record the passage in question, and it was played back while I lip-synced very badly. This was something new for me – and to make it even more pointless I’d waited until just a couple of hours before the event to make this recording – I enjoyed the absurdity of it so much that I may well repeat the trick! After my intervention, Wu Ming 4 gave an in-depth account of the genesis of Manituana. Wu Ming 1 spoke in English, Wu Ming 4 spoke in Italian with Shaun Whiteside translating.

For the last hour of the presentation, the Wu Mings took questions from the audience; and these quickly progressed from queries about how the four members of the Wu Ming group (originally five) wrote collectively, to their thoughts on left-communists such as Jacques Camatte and Amadeo Bordiga. I was impressed with both the depth and breadth of the answers, as well as with how relaxed the Wu Mings were on stage. Although I’ve been in contact with the Wu Mings for about 15 years now, I’d not seen them do a public presentation before, and it was quite a revelation! So if they’re ever somewhere near you – and I understand McKenzie Wark is hosting a Wu Ming event in New York in November – make sure you catch them! There’s no point in me summarising what the Wu Mings said yesterday here, you should check their website, and if possible catch them live!

And while you’re at it don’t forget to check – www.stewarthomesociety.org – you know it makes (no) sense!

Manituana by Wu Ming

Friday, August 14th, 2009

Following on from Q (authored as Luther Blissett) and 54, comes a new novel Manituana by the Bologna fiction collective known as Wu Ming. Verso are publishing Shaun Whiteside’s English translation, the proof copies were circulated last month, and the book will be available in both the UK and the US shortly. Like the earlier tomes by the same authors, Manituana is a heavily researched historical novel that speaks as much about a future we have yet to make, as the past in which it is set. The main action takes place around the ‘American War of Independence’, with the focus on the alliance the Iroquois Indians made with the English.

The Iroquois way of life was destroyed by the development of capitalism, and this entailed the exploitation of both Africa and the Americas, as well as the European working class. The diseases that accompanied European traders and their goods decimated the indigenous American population and thereby opened the way for their conquest. The Iroquois were caught between a rock and a hard place and mostly chose to ally with ‘perfidious Albion’, rather than the equally barbarous French or – slightly later – the genocidal armies of George Washington. However, for me the real ‘heroes’ of this novel are not the characters who take up the bulk of its pages (some are  actual historical figures), but rather those shadowy proletarian figures who attempt to make an alliance with the Iroquois when some of their leaders visit London.  From page 199 of Marituana:

“For the sake of clarity let us say straightaway that we Mohocks of London – with the exception of him who writes to you – have not a drop of Indian blood in our veins, but we feel similar to you in every way. The so-called honest men, in fact, see us as savages and like to attribute to us the most cruel misdeeds, before remembering us when they need cannon-fodder for their armies… The Mohocks of London, weighted down for centuries by deprivation and abuse, never had the opportunity to establish a pact with a sovereign. But they do have one advantage over their American brothers, which is that they live in the heart of the Empire, a few streets away from the house of His Majesty, and that they can raise a loud voice of their own. Imagine the Indians of the Colonies and those of the Motherland joining forces to form a single great nation….”

This band of rebels are a real prefiguration of the future. They are called ‘Sohocks’ in Marituana but they might as well be referred to as ‘Metropolitan Indians’ – a name attached to those segments of the 1970s  Italian autonomist movement who favoured Indian imagery and names, and who attacked the ongoing commodification of culture by tearing down fences at pop festivals and expropriating luxury goods. Marituana’s Metropolitan Indians rough up the rich and free those who have been imprisoned and abused in the Bedlam ‘lunatic assylum’. A continuation of this short thread will hopefully form the basis of a future Wu Ming novel, since in the one under review we follow the Iroquois leaders back to the Americas, where they meet defeat with dignity.

At the end of the book, a character called Esther (another prefiguration of the autonomists of the 1970s), views the future as a return-at-a-higher-level to earlier modes of human existence: “There is no destruction for those who understand the law of time. She thought of what she had seen in her sixteen years and the world that had collapsed around her. She thought of the life that awaited her and the new world they would build in the Garden in the middle of the Water. The Thousand Islands. Manituana.” This, of course, is the world we must win!

It has been a long time since English language readers had a new Wu Ming book, but when y’all get yo mits on this tome, you’ll see it was well worth the wait! Manituana is a groove sensation!

And while you’re at it don’t forget to check - www.stewarthomesociety.org – you know it makes (no) sense!